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Earl speaks about trying to climb out of something dark, but the figurative weight of his sins is keeping him down like Vince Carter's old knees Vince Carter could once fly like even Air Jordan couldn't.
Earl takes something very abstract and makes it very real and visceral. This line encapsulates the paranoia that informs the belief system of the revolutionary. Whether or not you believe Huey Newton was a good person is irrelevant to the tragedy of his death, given what he was trying to do and that he died at the hands of a rivaling revolutionary faction.
Lil Wayne is a master of surrealism, and "I Feel Like Dying" is one of the best examples of surrealism in rap. Wayne describes his experience with drugs as if he's in Best Rap Bars Of All Time Meaning a dream, and it all seems to make sense in both the literal and figurative senses, as it does in dreams.
The line about wine is particularly resonant in that, when people fall into depression, they find comfort in the bottle.
The experience of drug-taking is rarely so vividly described, and nuanced both with the joy of experience and the despair of dependence. The word "ill" was invented for rhymes like these. The gist of what Cage is saying may be simple: I'll burn your house down and kill you. The way he says it is completely fresh, combining the two familiar idioms of pouring liquor out for the dead homies and a dead man walking, then coming full circle, telling you how you'll die with a dark and funny Talking Heads reference and a perfect rhyme.
Besides the content of these lines, which is powerfully descriptive, and the tone, which echoes the stress and frustration of the first few lines and the release of the last, the collage of sound that Eminem constructs, with alliteration, assonance and internal and multisyllabic rhyme, is impeccable. Most rappers can't rap with the conviction nor the technical skill that Eminem does, and Em pulls them both off at the same time.
Yeah, it's a simple line, but rolling like a g is a simple joy, and nobody has put it to music better than Snoop Dogg did here. Ahh shit! Big Daddy Kane beautifully illustrates the creative process and delivers the lines as if he's dictating what's happening as it occurs.
You can almost see the words floating around in the air, rearranging themselves until they make sense and culminate in indescribable epiphany. Ahh, shit! Ice Cube brilliantly reworks the idiom, "A bird in the hand is worth two in the bush," as a critique of then president George H.
Bush and government more generally, including civil rights activist Jesse Jackson. When the law doesn't work in your favor, and your back is against the wall, it's easy to justify drug dealing as a means of survival a "bird" is slang for roughly 36 ounces of cocaine. Ice Cube's wordplay is especially effective because his message also works in the context of the original idiom that it's better to use what you have rather than count on help that may never come.
This is such an arresting image -- it makes no logical sense, but is somehow incredibly emotionally resonant. Maybe the red eyes draw the likeness to a demon. Or maybe it's the pure suffering, which manages to reach near-Biblical proportions. We pity Raekwon's character in the most repulsed way, like a fallen angel. Aesop takes one of the most treasured tropes in hip-hop and skillfully denies it by extending the metaphor of life as a woman and trading cynicism for wonderment.
And not only does he reverse the perception of life, he puts a microscope on the word "bitch," suggesting that the label is less indicative of what's labeled and more the labeler's own insecurity. The first image in this rhyme is of Wayne floating beyond this world, seemingly without limits. Then, immediately after, he cleverly uses the ironic slang term for Xanax pills bars to enrich his commentary about his relationship with the drug, as a prisoner.
The lack of a transition between these images suggests that they are happening concurrently. Wayne is on a trip, yet he's ultimately confined -- the tragedy of drug use. Kendrick borrows biblical images of the apocalypse to give importance and immediacy to the words that follow: Stand for something, or die in the morning. He is symbolically suggesting that judgment is coming tomorrow and that only the righteous will be saved -- or perhaps he's implying that judgment comes each day and every day you don't stand for something, you're virtually dead.
By magnifying usually unnoticeable phenomenon like the sound of sweat trickling and a heart beating, Biggie suggests either that his foes are in a supernatural state of fear or that he's an extraordinary predator. Either way, it's pretty terrifying. I certainly wouldn't want to be his prey, and it's understandable why 2Pac flipped his wig after hearing this.
Blu is a true poet that doesn't need music to keep your attention. His words are laced with a kind of bohemian wisdom that inspires more questions than it can hope to answer, but the ride is nonetheless enlightening. Here he wonders about a non-denominational heaven, and you can never quite tell if he interprets it literally or figuratively, which is probably purposeful and likely the most useful imagination.
Our drives for pride and violence can change the most fundamental parts about ourselves, and to characterize revenge as a sweet joy next only to sex makes it all the more menacing. Believe it or not, Jay did not come up with this line. You may be surprised by how many of his lines are actually other people's. Regardless, the line is simply the pinnacle of pimpology.
Sexist though it may be, you gotta give Ice-T props for marginalizing women in the most efficient way possible, and, yes, you gotta give Jay-Z props for bringing sexist back -- and Rick Rubin for that beat god damn! I didn't get this lyric for a long time -- until I saw it written, and that's when I realized how genius it was. Real gs don't need attention.
They're content to remain unnoticed and operate thankless. Eminem finds a balance of bitterness and humor that characterized his relation with religious morality in the early s. He takes baptism, the Christian tradition symbolizing cleansing and resurrection, and turns into a means for attempted murder against him. He uses assonance and internal rhyme throughout, but in the last line he reverses the internal rhyme from "water, no wonder" to "under longer," signifying a switch from holy water to something far less than holy.
Flipping Dean Martin's "You're Nobody til Somebody Loves You," the impact of these lyrics have been enhanced by Biggie's untimely death, making it feel like a self-fulfilling prophecy -- especially given the title of Biggie's album, Life After Death.
The lines still resonate today, especially in light of recent media blitzes around attention-seeking mass-murderers. We are fascinated by death, and the more tragic it is, the more fixated we are. Die in the right way, and you become immortalized. Among the most memorable lines in hip-hop purely for its audacity and bravery. Elvis and John Wayne are the consummate American heroes, so this middle finger to them is essentially a middle finger to mainstream America.
But Public Enemy aimed to ruffle feathers. Mission accomplished. How does Kanye turn such a bitter situation into such a poignant expression of unconditional love? Ice Cube on N. Snoop Dogg on Dr. All rights reserved About Us. The material on this site may not be reproduced, distributed, transmitted, cached Best Rap Remixes Of All Time 10 or otherwise used, except with the prior written permission of Advance Local.
Community Rules apply to all content you upload or otherwise submit to this site. Ad Choices. Skip to Main Content. Updated Sep 19, ; Posted Apr 29, By Troy L. Smith, Cleveland. Facebook Share. Twitter Share.
The fact that Ghost ordered it for room service in Cancun is just icing on the cake. But it's Rozay's extreme narcissism and self-serving approach to courtship that makes this line so quotable: He's not only taking his lady for some cheap eats, but he's taking her to a fast-food joint that he has a stake in. Cash back! The lyric: "Am I really just a narcissist? Lobsters are perhaps the most name-checked luxury foodstuff in all of hip-hop, but Ricky's early-morning bisque let's us know just how prosaic the highlife has become for him.
Rather than name-checking the obvious luxuries, he's able to separate himself from the pack with references to foodie manna like dinners at Marea, plates of abalone, and roasted bone marrow. While this rhyming master chef act could easily devolve into parody, Bronson's talent is in weaving these sensibilities seamlessly into more traditional boasts.
This line is perhaps the most indicative of his unique ability to turn cooking instructions into a hot rhyme. Who else could pull this off? None but Bronsolino. Often, we associate this progression with Sean Carter, who on Kingdom Come awkwardly tried to establish his evolved tastes by working in a Ferragamo drop where others might have stuck with Gucci.
Jay has also spit big-timer stuff about Nobu and Mr. Chow's and there are no shortages of Phillipe references in rap. However, '90s-era high-end eateries are losing relevance, and a new set of keen observers—Bronson, Drizzy, etc. Drake raises hip-hop's taste level by equating a trip to Thomas Keller's French Laundry—one of America's great fining-dining temples—with "excessive needs" on the Weeknd-assisted "The Ride.
Digital Underground feat. Humpty Hump is the standout, serving as an extended rumination on the old adage, "You are what you eat. A man made of mushrooms and cognac? Now that's gangster. The lyric: "Mmm Nas' opening verse compares fried chicken to an alluring but ultimately dangerous seductress, even comparing the vixen's beauty routine to a piece of poultry being cooked in oil a hot bath , rubbed in hot oil, and toweled off.
Granted, the whole thing Best Rap Diss Tracks Of All Time Game might be slightly offensive to women, but Nas' commitment to the extended metaphor is impressive nonetheless. Sign Out. Latest News.
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