%!$ Easy Diy Woodworking Bench Plans For You #!@

sherwin-williams-gel-coat-stain-zero Thanks again. Submit a new text post. Also do I have to use an isolation coat with spray? I'm a fan of the Frog tape but I'm sure people here will have others favorites. The trim paint took coats on top of primer.

We try to make sure all writers working for us are professionals, so when you purchase custom-written papers, they are of high quality and non-plagiarized. Our cheap essay writing service employs only writers who have outstanding writing skills.

The quality of all custom papers written by our team is important to us; that is why we are so attentive to the application process and employ only those writers who can produce great essays and other kinds of written assignments.

We understand that submitting a plagiarized paper can have dire consequences such as zero grade or even expulsion from your university. We always ensure that your paper is completed from scratch and is completely plagiarism free.

Moreover, we can provide you with a plagiarism report if you are unconvinced that your paper is original. We have a team of experienced writers who do not only understand how to conduct research but also know how to cite the sources they have used in all major referencing styles. With Solution Essays, you are guaranteed that the paper we send to you follows all the assignment instructions and can be submitted in its raw state to your class.

All our essays are customized to meet your requirements and written from scratch. Moreover, at our academic service, we have an internal plagiarism-detection software which is designed to find similarities between completed papers and online sources.

Our cheap essay writing service tries to always be at its best performance level, so each customer who pays money for paper writing can be sure that he or she will get what is wanted. There can be a number of reasons why you might not like your order. You can also request a free revision, if there are only slight inconsistencies in your order. Your writer will make the necessary amendments free of charge. You can find out more information by visiting our revision policy and money-back guarantee pages, or by contacting our support team via online chat or phone.

We even have an urgent delivery option for short essays, term papers, or research papers needed within 8 to 24 hours. We appreciate that you have chosen our cheap essay service, and will provide you with high-quality and low-cost custom essays, research papers, term papers, speeches, book reports, and other academic assignments for sale.

Once you have placed an order with us, you can rest assured that we will deliver your paper on time and follow all your assignment instructions to the letter. Our mission is to ensure that you have a place to turn to every time you have an assignment regardless of how urgent it appears.

We provide affordable writing services for students around the world. Contact us for cheap writing assistance. Get your paper done by an expert No matter what kind of academic paper you need, it is simple and secure to hire an essay writer for a price you can afford at Essay Fountain. Order my paper. Calculate your essay price. Type of paper. Academic level. Pages words. Basic features.

On-demand options. Paper format. Our guarantees Delivering a high-quality product at a reasonable price is not enough anymore.

Read more. Zero-plagiarism guarantee Each paper is composed from scratch, according to your instructions. Free-revision policy Thanks to our free revisions, there is no way for you to be unsatisfied.

Privacy policy Your email is safe, as we store it according to international data protection rules. Fair-cooperation guarantee By sending us your money, you buy the service we provide.

Calculate the price of your order Type of paper needed:. Pages: words. You will get a personal manager and a discount. Academic level:. We'll send you the first draft for approval by September 11, at AM. Nice to hear from you, for Atelier acrylics its a bit different because of the re-wetting qualities of the paint. You might find this article from Marion Boddy-Evans helpful and this varnishing download from the Chroma website helpful.

I just painted over the varish and resplayed on it. It works O. If you trying to remove varinish paints you will have problems with your acrylics paints. Acrylics also will be removed.

I make mixed media pieces, stretched canvas with acrylics, watercolor ground from Daniel Smith — an absorbent ground that allows me to use water soluble inks and watercolor paint, pastels, pencil, colored pencil, etc. Some pieces also include paper, and stitching with linen thread. I really like the look of unframed stretched canvas, and I also paint the sides of the stretched canvas, so framing is not an option, but I want to protect my pieces from dust, UV, etc.

Given that my finished paintings are often not waterproof, how would you recommend varnishing? Can a painting varnished with several layers of spray MSA be safely cleaned with a damp cloth?

You might find this article of interest which is Golden Paints recommendations for varnishing watercolours. Will, Thank you for the information and your great advice. I agree, testing is always the best way to go. Sincerely, Deb. Hi I used up my satin varnish on a painting I did in two light coats but it is patchy in the light.

Is it ok to apply a matt varnish on top please? I want to put an isolation coat over Gesso. It is acrylic paint too so is there any problem with the idea? Thanks for lessons, tips and help. Any advice is appreciated!

You might find this article on varnishing oil paintings helpful. My question is. I have an acrylic painting, I would like to highlight areas with a silver metallic pen to simulate chrome. If I do this ,and wait correct amount of drying time 2 weeks When I varnish the painting with gloss. Will the gloss smudge the areas where I used the silver? Hi Wendy, the varnish might smudge the pen depending on the materials used in the pen.

I would make a small test piece first just with the silver pen and then varnish just over that and see if it smudges. Alternatively you could use a silver acrylic paint. Hi Will, If I decide to use a gloss gel over my finished acrylic painting do I have to then use a spray varnish or can I either just use a varnish or just use a gel gloss; Thank you Suzette.

Hi Suzette, if you decide to add an isolation coat of soft gel gloss, you can then apply either the spray varnish or brush varnish. I was hoping for some advice. I am making set dressing for an outdoor shakespeare production an need to make around love letters to hang from trees that will be open to the lovely british summer time. I have spoken to some paper suppliers and they have suggested rag paper as the best way to go I was just wondering if some matte varnish over the top would make them more weather hardy?

Also would the varnish cause ink to run on application? I am a beginner, mostly painting for myself and family, so nothing super fancy. I toned a canvas with oil paint a year ago, but ended up not using it. I recently decided to do a painting with acrylics and used said canvas since I had it around. Any feedback would be appreciated. Hi Will, I am thoroughly impressed by your website and its clear, useful information.

My first stop is always here when I have a painting concern! I used Liquitex gloss varnish acrylic polymer emulsion and was told that I can simply clean the brush with soap and water. It became gummy as soon as the water touched the bristles. After using olive oil and lots of soap and painstakingly picking at the brush I managed to get most of it out. There must be a better way?! Was it just with this one brand? I have Sherwin Williams Gel Coat Stain Asset applied imitation gold leaf onto a thinly painted acrylic ground.

My advice would be to have a small test piece with the PVA and the Gold Size, spray with the varnish and then carry on. However, another point to note is the varnish is designed as a final gloss finish, so will give you a slippy surface to work onto and will make it harder for the acrylics to adhere.

Hi Will, I am an oil painter — however i just completed a VERY large acrylic piece — and asked advice from a group of other professional artists who use acrylic exclusively about varnishing- was told to do an isolation coat. Not a foam roller. It is not quite dry yet — meaning not bone dry — it is dry to the touch, but not if you grab it — your fingers will stick to the surface a bit — and this is about 10 hours after I applied the medium isolation coat.

Is there something I can do to eliminate the cloudiness? Do I have to repaint the whole thing? Can I sand the isolation coat down? To answer your questions: Is there something I can do to eliminate the cloudiness? I NEVER use rollers for isolation coat or varnish; they are prone to leaving small bubbles in the film and give an unwanted opacity to the layer.

These work wonderfully when doing glazes or applying diluted Soft Gel Gloss as an isolation coat and are available in sizes up to three inches wide. The stiffer bristle brushes tend to leave texture marks, ridges, and may also contribute to the lifting of softer paint films noted by some respondents.

Matte mediums and varnishes will reduce contrast and colour saturation due to the silicate particles typically used to give the matte finish. You cannot reverse this effect after the fact. Gloss mediums and varnishes may leave an objectionable reflective sheen on the surface, but tend to maximize colour intensity and contrast.

Satin, or semi-mat, is somewhere between the two; providing a less glossy finish without substantially reducing contrast of dulling colours. The relative degree of these effects does vary from one product to another. With this in mind, I typically use gloss for isolation coat and initial coats of varnish. If I feel the reflective qualities are too much for a particular piece, one or two spray coats of a satin varnish are used to reduce gloss to an acceptable level.

There is nothing you can do to restore the dulling effect of a matte coating once it is applied, so matte or gloss should be the very last decision made. There is no value in applying any isolation coat or varnish unless the final owner knows what you have done. Keep records!!! I include a sheet with each painting detailing the methods and materials used to prep the substrate, do the painting, and varnish the surface when completed.

If the piece ever needs cleaning or repair, it may be impossible to determine this was done in acrylics, let alone what you may have done or not done! Hi Will, I find your site really helpful and I admire your passion of sharing your experience with anyone of interest. I need your advice on a matter concerning the isolation coat and the top varnish.

I paint in acrylics using brushes and pallet knives as well as modelling paste and acrylic household pastes and the result has some kind of texture in particular places of the canvas.

Because of this texture, I was wondering is it good to put the isolation coat with golden gloss medium or not and then is it better and safer to spray the varnish or shall I try and varnish it with a brush. I am also unsure whether is better to use a mat varnish or a glossy one. The best thing to do is make a few small textural test pieces and paint varying thickness of paint on each. Then test with both spray and brush until you find the perfect mix for applying a varnish to your work.

I am new to using acrylic mediums and varnishes and I came across your article. I varnished a piece recently and they looked great, but then I put them away in storage and a few of them got imprints from the wax paper between them.

Hi Mela, mmm, sounds a tricky one, as building up layers of varnish can often still show imprints through, but it would be easier to add an extra coat rather than remove the layer. How long after applying varnish before it is safe to have the paintings touch each other in a storage rack, and before packing and shipping?

I first did an isolation coat of soft gloss gel as Will suggested. That made the images a bit reflective so I turned to a matte varnish. Too flat. So I laid down a satin varnish and got the perfect result. Hi Will, and thanks for all of this. I have a finished acrylic painting on which I applied 2 coats of soft gel as an isolation coat, but not a final varnish, then put it away.

Do you think I can do this? I assume that if I do, I would need to apply new coats of soft gel as isolation coats. Have I ruined my table? Is there any way to remove the milky look? Hi Linda, the milky look is usually caused by the matting agent which is white.

Often with spray cans they need a really long shake before using about 2 minutes so the matting agent gets evenly dispersed. Will, I have put on an isolation coat and then varnished one of my paintings.

It came out with a couple streaks that is very distracting. It has been sitting for months now, and I am wondering if at this point in time, I can fix the streaks by adding more varnish? Or is it a lost cause? I would appreciate your help! Great site you have here. I will cover it with charcoal and acrylic afterwards. The transfer is via soft gel glos medium.

Id like to protect itwith varnish after reading your article. Question is, what varnish should I use so none of my mixed media will be destroyed. Also, i have no plans of touching it again in the future, so is it enough to varnish it and frame it with glass to remain a good piece forever? Hoping to hear back from you.

Thanks a bunch and more power!! I would fix the charcoal first with a spray charcoal fixative and then apply a varnish ontop. The best way to test is to make a small 6 x 4 inch picture using the same mediums and try with the spray and see if the final aesthetic is to your liking.

Hope this helps,. Cheers Will, I just completed a major mural project designed by local artists and painted by 50 Elem School kids, Australian Aboriginal dot style, using hardware store matte acrylic house paints on Tara Sign cloth canvas, for the local Recreation Center.

It will definitely need to be sealed. What do you advise? Hi Paul, sounds like an amazing piece. Thanks Wiil. It will be placed in a big room with an inside heated pool in Wyoming, hence the humidity factor. Does this change your advice? You seem to be the perfect person to ask. I have just bought a large canvas acrylic painting that is Sherwin Williams Gel Coat Stain Face I framed and unsealed. I want to hang it in my bathroom. I have a pretty decent ceiling fan for humidity etc but still obviously cautious of the steam affecting the painting overtime.

I was told I can do it myself… Eeeeee lol… Can you please recommend what would be the best way to do this? How many layers? Paint or spray sealer? This summer family members each painted custom made paint-by-numbers of Tahoe. Obviously cherished art! I would like to tone down their brightness and give them a more vintage look…can I add any tint to the varnish, and if so, any suggestions?

Hi Roberta, you can just apply a thin coat of yellow ochre dulled down with burnt umber over the surface and then varnish ontop. I wanted to varnish my finished work and decided to use Reeves matte finish. However the result was almost nil so I purchased a bottle of gloss varnish. I applied two coats in opposite directions. I am not happy because the varnish has left wide streaks down the whole of the work.

Is there anything that I can do eg. Go over the sections that are not covered by the gloss? Please help. Hi Lina, the matte varnish would have been applied but would have looked like a matte sheen, it still would have been protected, just not a glossy finish.

You can apply another coat of varnish to even the sheen. Thanks for such an awesome sharing.. I have a question. Sometimes I mix glitter with my painting I paint in acrylic.

Hi Will, I am in a bit of a dilemma. I shipped 4 varnished oil paintings to Miami which were unpacked and exhibited in good condition , then they were repacked and shipped to San Francisco and sat in the crate for weeks. I noticed a subtle texture on the foam which made an imprint through the plastic onto the surface of the varnished painting; similar to what bubble wrap can do which I know not to use.

Can I resolve the issue by applying another coat of varnish?? Please advise! Thank you, Jaime. Please note that I varnished the paintings 3 days prior to packing and shipping to Miami, but they were fine at that point. Thanks Will, I actually had a older painting in my studio that was shipped the same way.

I unpacked it and found the same marks. Mostly noticeable if you have a dark flat colors. Good news though, I applied another coat of varnish to the already varnished painting and it fixed the issue.

Thanks for the advice! Hi there. The varnish is now dry. Can I paint over this and then re-varnish, or do I have to remove the varnish first? Hi Greta, if they are only tiny specks you could get away with just touching them in with paint and then re-varnishing. Hi Will, I wonder if you can help — I have recently taken up acrylic painting and varnished a finished piece. I have what appears to be cracks in it that are very obvious — do I remove the varnish from the section and touch up the paint if any comes of?

Do I have to remove the varnish from the whole painting or are there any other ways I can save it? I am not sure why the cracks appeared as this is the first time this has happened. Any advice greatly appreciated. If the varnish layer is very thick and the painting gets knocked, this can cause cracking, but its usually on Dammar based varnishes that have become brittle over time, how many layers of varnish where applied? I was fortunately able to remove the paint that had made the very worrying!

By the way, the painting was made on a canvas board, ie canvas stretched over board and universally primed. Have you been able to re-create the smearing in your tests?

If it does that, I reasoned, it would also repel paint: and I tried it; and it did. But makers and suppliers of painting boards and canvases really do need to be a lot more careful about what they use for priming, or what their suppliers use. The boards, incidentally, were made in India, but sold in the UK by a very reputable retailer whom many of us use.

I have just finished an acrylic painting for my granddaughter and put Damar varnish on it to protect it — now I am reading from your column that you need to put an isolation layer before the varnish. I did not — what is going to happen? Thank you in advance for your response. From Cincinnati, OH — love your site!

Thanks again. Hi Joan, the paintings and varnish will be absolutely fine, it just makes it harder to remove and replace the varnish in the future without an isolation coat. I would really appreciate some advice from you. I am currently making a large sculpture that will be cast in resin. I have chosen resin as, to my knowledge, it can be painted over with acrylic paint.

I will need to add a varnish over the paint to protect the work as I would like it to be displayed outside for a year. Can you offer advice on using varnish on a painting that is on resin; is the Golden range of varnishes still recommended for this?

Do you know if this varnish is non-toxic? Any other tips for fixing a painting on resin would be very much appreciated. What would you suggest to finish these as far as isolation coats and varnish? They would be sold, so no maintenance would be preferred. Hi Nikki, you can get specialised varnishes that are designed for giclee inkjet prints, but you might find this article of interest that goes into more details of a mixed media approach. I typically varnish all my paintings using Golden Polymer Gloss Varnish.

Spraying is not an option. Do you have any advice on varnishing a very large painting? Different techniques possibly? Thank you very much in advance.

Hi Shawn, I usually work in sections for large scale paintings and work towards a line or shape that will hide any joins, for example, painting from the sky down to the horizon line, and then from the horizon line to the bottom of the painting. But having a look at your pieces I can see that would be harder to achieve within the confines of your paintings. Thanks for the response. Another test, is using the same grid, but not using tape.

The small issue here is that in the right light, you can see a faint hair line of where the tape edge was. Although I hate not doing so, it could be too risky. Hey Shawn, yes I would definitely give the MSA a try to give you a little more working time, good luck. Hi Will, I am in a right stew here. I have just finished applying a coat of golden soft gel gloss to a couple of acrylic paintings but I see I have got the proportion of gel to water wrong.

I have applied 1 part gel to 2 parts water instead of the other way round. Oh dear. What do you suggest I should do now? Many thanks, Bridget. Hi Bridget, no worries, just mix in some more of the soft-gel until you have a consistency of heavy cream.

I think I will wait a day to let the first coat dry completely before I do the second — this time I will lay the gel on good and thick as you suggest. Thank you so much. Hi Will Help!! However, now I am having difficultly finding out which is the best varnish to protect it with.

I need something durable which will not scratch over time. Thanks Jo. Hi Will I am primarily a watercolor artist, but have just found a love of acrylic paints. I have 3 acrylic paintings that I decided to varnish. My problem, and heartbreak is that when I went back to take a look after the 1st coat of varnish, there are brush marks everywhere! I used Liquitex Satin Varnish Is there anyway of fixing this or are they ruined? Thank you in advance.. Hi Joanne, you can often apply an extra coat or two of varnish with a soft bristle brush to smooth out any of the brushmarks.

Thanks for all the help and encouragement you give to amateur artists as well as those more experienced. I love how your videos make things so understandable and your enthusiasism for art is obvious and contagious. I spray varnished some of my first paintings before I had heard of an isolation coat. Would it be possible to put an isolation coat over the varnish to stop it from yellowing and then apply more varnish over the isolation coat.

Your existing layer of varnish will protect the painting, it just would need extra care taking if in the future the varnish was removed and replaced so not to damage the painting surface.

Will, Thank you for your quick reply. Your help to those of us who are just beginning is invaluable and keeps us from getting too discouraged. Thank you, also, for not seeming to think that any question is too silly to ask.

Have a great day! Excellent article! Thanks for posting it. They have such a wealth of information on their site. Once the actual title at the top of their document is found, I put that title in their new search field and most material then has a new location and of course, a new web address.

Thanks again for the excellent writing! Hi Sir, This is sandeep and i am a beginner in acrylic painting. I have did a painting on a canvas which is hard bound behind so is this ok or we need to do painting on canvas stretched frame. And pls let me know how should i preserve the acrylic painting. Hi Sandeep, painting on a hardboard surface is absolutely fine. You can protect the surface by applying a varnish as detailed in the article.

First of all, thank you for all the wonderful articles. Now, i might be a bit off topic here, as you are all painters. I am making wooden toys for my girls, and i came across a problem: as i do paint their wooden dolls with acrylics, i need a durable coating that will last.

So far, i have used diffrent varnishes: clear acrylic, yacht varnish, floor varnish, mod podge : , the martha steward sealer, the triple thick…. Hi Madalina, nice to hear from you, it can be tricky to have a protective surface when it will be handled a lot. Have you tried a wax? Dear Will: Your willingness and knowledge to help all who are striving to be better artists is phenomenal! Thank you again. No need to reply! Keep painting. Never knew acrylics could be so beautiful!

It is a horse portrait with lots of dark areas. I was having a difficult time with the finish being uneven. My question is should I still apply another coat from a well shaken can to even out the finish?

Also I was thinking to spray a coat of a satin finish by the same manufacturer in hopes to tone down the shine or will that still fade the dark colors slightly even with so many underlying layers of gloss? Thanks for your advice Lisa. Hi Lisa, yes, you can apply more layers to the surface to even out the finish. Gloss varnish is super shiny and the level of sheen to the gloss can vary slightly from manufacturer to manufacturer.

You can apply a satin coat ontop to lessen the sheen, this will lessen the intensity of the colours and make the darks appear slightly lighter. I did about 3 more coats and it has improved things drastically.

The coating is now more glass like and less distracting it was like a million diamonds sparkling before I dare not spray any more because it seems to be just where it needs to be now and I do not want to overdo : Thank you for all this information and making me brave enough to keep on with a few more coats!

It was terrifying to think I had ruined my artwork. Good one Lisa, pleased the extra coats have helped to even the sheen and give you a better aesthetic. Good morning! I have been painting wooden boxes with acrylic paint for a few years now and I seem to be finding that the clear coat I have been using has become very tacky. Hi Danielle, have you tries a wax at all? For years and I sell them online, but i have never had a sticky or tacky feeling to them before.

My production is at a standstill right now…. Hi Danielle, spray varnish will always be easier to apply than the wax, you might find this article of interest in relation to varnishing or waxing painted furniture. It relates to painting over chalk paint not acrylics but might still be helpful for you. Hi Will, I am a printmaker as an artist but have recently found myself completing a 6 foot x 8 foot acrylic mural on canvas dropcloth.

I am needing to take it from Colorado to Florida where I plan to have it stretched professionally then placed against a wall in a private home. It seems you would recommend using a spray varnish Golden matte or gloss? Front and back a good or bad idea?

Will it remain flexible enough to travel and also be durable for the long term? Would it be better to apply after the final stretch on site, or be helpful to do it before it makes the trip? HELP, any ideas and knowledable suggestions will be most appreciated. Maybe, I need a total change of thinking? Hi Patty, that sounds quite a piece! The acrylics would be flexible enough to roll as they are, and although you could varnish before hand there is more chance of having a tacky surface when the varnish is applied.

For rolling in a heavy duty mailing tube below are the packaging guidelines from the Saatchi Gallery that you may find helpful. A second tube of smaller diameter for inner support. Step 1 — Sandwich your canvas between two layers of acid-free archival paper. Make sure that the canvas is completely covered by the paper.

Step 2 — Roll the paper-covered artwork—paint side outward—around the smaller tube to provide inner support. DO NOT roll too tightly as this can damage the painting! Step 3 — Next, roll a layer of bubble wrap around the artwork for padding and to seal out moisture. Seal completely with tape. Step 4 — Place this tube within the outer mailing tube.

Fill extra space at the ends with extra bubble wrap, but take care not to crush the edges of your painting. Place the end caps on and seal them shut with packing tape. Thanks Will. I feel more confident now in getting this to Florida safely but will likely have a door to door delivery service as I would guess TSA would only mess us the careful packaging! Your assistance is most appreciated!

Hello Will, I am a professional artist typically working with oils. However occasionally I work with acrylics. This month I have used acrylic on tvo commissioned paintings due to lack of time for the oils. When I applied the first coat it became kindof slimy. The varnish literally thickened into a cloudy slime in seconds. In an attempt to salvage the painting I grabbed a clean cloth, soaked it inwater and wiped off the varnish……and parts of the painting.

The only thing I can think might be the problem is I only let it dry for a couple of hours. I was using thin layers. Been drying 20 hours. Also worked in relativelt thin layers. I was very hectant to use the varnish on it, but did a test on my pallette and on side of the painting. Seemed fine. So I crossed my fingers, closed my eyes almost and took a big chance.

But not as much as the one before. I desided to leave it be and now it looks like it dried ok. Is this usual with acrylic varnish? If not what am I doing wrong? Hi Linda, yes usually 24 hours drying for acrylics is best to wait before varnishing. Most of the polymer acrylic varnished that look white when wet will give a cloudy appearance when first painted on and then dry clear. Gloss will dry the clearest. Have you applied an isolation coat or painted straight ontop of the paint surface?

Thank you Will, no I didnt use isolation coat. Just browsed through your link, great info. I have been painting and sketching since my childhood days. I stopped painting when I was in college. Now I have resumed my painting after 20 years and I learnt how to use acrylics through online tutorials. Practice has improved my blending of paints together.

I have been reading your advice to everyone and have learnt a lot here as well. I have few questions I needed your advice with.. Is there any way to revive them? Will the paintings fade in few months time? Really appreciate your guidance. Thanks Will, for patiently answering each of my queries. It was a big help. I will take your advice and preserve my paintings accordingly. As for my previous poster color work, I think it makes sense to save the ones that are still decent and repaint on the ones that cannot be saved.

Once again, thanks, really appreciate your support to all of us out here. I know this article is based on acrylic paints but my question is in regards to applying varnish on a canvas print. Hi Dennis, for applying varnish onto a canvas print I would use a purpose made varnish for the process. I have varnished an acrylic painting on watercolor paper,without isolation with liquitex gloss medium and varnish and now I have streaks in my painting…not milky…just shiny every other width of brush.

Can I fix this…. I am still getting the streaks of shine and not shiny. I realize I may have yo keep giving it more coats to even it out. Question is should I still dilute this in water? Or should I be putting on just a varnish product now with no fluid medium in it? If so do you have a varnish you would recommend. Hi Rose, if there are areas of non-shiny and shiny this can be due to the absorbency of the watercolour paper, did you apply an isolation coat first?

You will surely be doubly blessed. I know a friend uses it. Hi Jo, when you say acrylic emulsion, do you mean like an acrylic medium? Hi Will, Thank you for the advice. I will take that to mind. I will try the Liquitex gloss medium and varnish. More power to you and God bless. Hi Will, I applied an isolation coat on an acrylic painting. I waited 1 week to make sure the layer was dry before I applied the Golden matte varnish mixed with the recommended ratio of water.

I thought I had applied the varnish evenly, as I kept checking for sections I might have missed. Problem: There are a few spots that show shiny brush strokes. The rest is the way it should be. Did I not varnish over those spots, thus showing the isolation coat?

Would I be able to carefully varnish over these small spots? What did I do wrong and how can I fix it? Thanks Will.. Hi Pat, the few shiny spots will be areas that have been missed with the matte varnish and are the gloss of the isolation coat shining through.

You can just apply another layer of varnish on top to even the sheen. Hi Will! I need help!!! I use Utrect Matte oil varnish on all my acrylic paintings.

I have never done the isolation coat but I am going to look into that next time i varnish. Until then, I have noticed that when i varnish, some of them dry with a slight gloss even though i used matte and some dry very matte. Well, the trypdic dried one panel gloss and the other 2 are matte. I re-varnished the matte ones but they still dried matte. Do you have any suggestions on how i can even this out? I have to ship this piece out by Monday so i only have a 4 days to resolve this..

Hopefully you will get this in time to respond. Thank you! Hi will Came across your article and find it very helpful. Although I was always into art in school I just started doing some paintings to sell. I had a bunch of spray paint I used in wood burning and thinking it was acrylic I did an abstract painting. Another question, I am thinking of making prints of my art work to sell and wonder what you think of that and do you have suggestions on the way to do that?

Thanks, appreciate your time Andrew. Making prints of your artwork can be a good idea, you can either scan or photograph the artwork depending on size. For the best quality prints look for in the UK a Fine Art Trade Guild approved printer with archival papers and giclee pigmented inks.

These will give the most accurate colours and representation of your artworks. Thanks Will, I appreciate the advice and look forward to continuing to Learn from you through your blog Andrew. Hi, I have done an acrylic painting on plywood. I let it sit and dry for a solid 48 hours before I did anything. When I went to varnish it the paint smudged. I quickly wiped as much of it as I could off hoping to get all the smudge its black wording on a white wash background but it dried to quickly and I wasnt able to get it all.

I was wondering if you had any tips on how to save my painting? Hi Kaitlyn, oh no! Thank God my client was understanding. I think it might not have dried enough. I am glad i found you here! I just need some help!! Could you please suggest me what kind of varnish could be used? Does it need isolation coat and how many coats do you suggest should be applied? Hi there, I am looking at painting birds with acrylic paint onto Macrocapa slices. The slices are wet wood at the moment. I have been told that I should seal the wood first so it doesnt crack as it drys out.

If I spray a coat of oil based varnish can I then paint on top of this with acrylic paint. I would then finish with more layers of varnish.

Will this work? Hi Robyn, ideally you would work on a fully dried surface as you might have an issue with the acrylic forming a good adhesion to the oil varnish surface. When applying layers of aerosol varnish to a textured canvas, do I need to let one layer dry completely before applying the next? Hi Krys, yes, ideally you would let Sherwin Williams Gel Coat Stain Graph each layer dry first before spraying the next.

Hi Will — I have a painting that is being presented at an art show. It had two coats of varnish liquidex — high gloss , but I decided it would look better if I added another coat.

Unfortunately, after the varnish dried I noticed lint. Can I sand this or should I just give it a couple more coats of varnish? Hi Mary, I would be tempted to use a lint roller that you use on clothes first to see if this removes it. Do you know if I need to thin them out with water or anything else before application? If so, does it need to stand for a while, like after mixing soft gel and water for the isolation coat?

Could kitchen roll work for wiping it off? Acrylics tend to attract dust to the surface due to the nature of the paint — as in the tiny microscopic holes that are left when water evaporates from the paint surface as it dries attract dust — also, hot environments can make the acrylic more susceptible to dust due to the Thermoplastic nature of acrylics;. As temperatures increase, acrylic becomes softer, more flexible and may become tacky. As this happens, any debris present can become adhered to the surface and will subsequently require relatively aggressive methods for removal.

Too much pressure onto the paint surface and you run the risk of possibly pushing any dust further into the microscopic holes. I would like to start off by saying thank you for your many insightful pieces on isolation coats and varnishing acrylics on this website.

They have been very helpful! I am not an artist by an stretch of the imagination and have very minimal experience with acrylics, varnish and painting, but I am definitely keen to learn. I have a canvas which I made for my 21st birthday. It is just a medium-large sized canvas painted a solid black with about 7 coats of poster paint which I now realised that using acrylic paints would have been a better course of action.

My guests have written birthday messages on the black canvas surface with a Golden Metallic Sharpie Permanent Marker. It has since been around months, and now I intend on hanging up the canvas. The product I have purchased is Liquitex gloss medium and varnish. Do you think this product will be a suitable fit, given my concerns? Gloss varnish is the best choice for keeping the darks, dark, but applying a gloss onto the metallic writing can lessen the glimmer of the metallic paint, if you have a small sample you can test on first to see if the final aesthetic is one you are happy with.

I have taken your advice and tried applying the Liquitex Gloss Medium and Vanish to a small sample. This as you have predicted, resulted in a dramatic decrease in the glimmer of the metallic ink.

Since gloss varnish would impact on the aesthetic appeal of the artwork, are there any alternatives to gloss varnish? Is there anything you would recommend I try i. In this article you can see the different effects on a black surface depending on the type of varnish used. It is painted with acrylic paints and will be rolled up to be shipped and stored. The curveball here is that it will have copper leafing on it. I want the acrylic to have a matte finish. Do I need to put an isolation coat on the acrylic, then matte varnish and THEN place the copper leafing, then seal the leafing?

Thank you so much for taking the time to help us all out! Put an isolation coat on the acrylic — Using soft gel gloss Then matte varnish — using a matte varnish Then place the copper leafing Then seal the leafing. Hi Will, I have created a painting very small on canvas , that I absolutely love with metallic acrylics.

Now when I hold it to natural bright daylight, I see what you mean on how lighting can affect the finish, so, I want to be sure I use the correct finish for this type of paint. I also have the problem of, now that I have waited a bit, roughly 3 weeks? Any suggestions as to which products I can use to pop, restore, and seal with little effort as I truly am happy with and want to leave my finished product as it originally was painted, but just a little enhanced is all.

I know Gloss can make colors pop, but worry that with the frosty metallic finish that it already possesses, it may be too much when the light hits it and will lose definition of the subject matter. Thanks, Angela. Gloss varnish will give you the most saturated colours but it will lessen the effect of the sparkle of a metallic surface. I would try a test piece first to see how much the gloss alters the glimmer effect before applying to your finished piece. Hello, I forgot to put an isolation coat on my acrylic painting and sprayed varnish.

Is it too late to apply the isolation coat? Should I put the isolation coat on top of my varnish? Please let me know your thoughts. Hi Anna, yes, the isolation coat would have to go underneath the varnish to separate Sherwin Williams Gel Coat Stain Cell the paint layer from the varnish layer. I painted a fairly dark painting in acrylic. I recently noticed that when you look from the side some parts have a milky effect. I used a flow medium to dilute the paint. Do you think this could have caused this? Can I fix this and will varnishing the painting eliminate the milky effect.

Thanks Maureen. Thanks for all the great info. I am painting a flat wood panel door in my condo. I will not be able to lay the door flat for varnishing. Brushing the varnish on could cause drips. I thought of using spray varnish but am concerned about overspray on the walls surrounding even if I cover them with newspaper.

Any suggestions? Thanks, Joanna. Hi Will. When it comes to varnishing an acrylic painting can you use any varnish or does it need to be a specific Acrylic varnish? Hi Shona, when using natural vanishes like Dammar, the varnish will yellow much more and be more brittle than using a modern synthetic varnish. The benefit would only really be if you wanted to create the illusion of an Old master style yellow glow to the acrylic painting.

Have just finished a painting that I am very pleased with. It has a lot of purple in it and when I varnished it with a half mix of satin and gloss ot turned out very dark and also unrecognisable.

Sob sob. I have repained the very dark bits but am afraid to revarnish. Any ideas. Hi Laurel, has the varnish fully dried? Could you suggest a minimum drying time for the isolation layer and for the varnish layers? Hi Paul, The isolation coat ideally needs 24hrs, a polymer varnish could be touch dry within an hour, good luck with the submission. Hi Will, I want to add a very thick layer, looking like Glass, very shiny. My paintings are from large to very large.

Thank you for your advise Brigitte. Hi Brigitte, you can apply multiple layers to create a glass-like look. Hi there, Most of my paintings have a heavily textured acrylic paint surface. I have had mixed results with using a spray can to varnish.

I recently have seen handle grips that go over a spray can for paint and stains. Will this work for spray varnish? Is there another solution such as a motor sprayer to do this? I thank you in advance for any information and advice you can give me. If you want to spray and have access to an airbrush or spray gun, then use 2 parts GAC to 1 part Airbrush Transparent Extender. Two to three coats should provide substantial coverage although more may be applied if necessary.

To determine if you need to apply a second or third layer of isolation coat, once the first coat is dry look at the painting at an angle and an even sheen should indicate an even surface ready for varnish.

If the surface is not even then apply another coat. But not sure on the specific ratios for spraying a diluted MSA varnish, or the specific manufacturer recommendations. Hi Will, Thanks for the great blog. I am planning an exterior calligraphy project on natural vertical granite. I browsed the Golden website and think I narrowed it down which materials to use that is. Golden Fluid Acrylics seem to be the right choice for this application. Can you give me your recommendations for an exterior black acrylic and a matte protective varnish or other coating that will work on natural fairly heavily textured granite?

Hi Dan, you might find this guide useful from Golden: Mural Painting , as they have a list of recommend pigments for mural painting. Carbon Black and Mars Black are in their recommend list.

Hope this helps and good luck with the project. Thanks for the great tips. I want to varnish a painting my dad painted years ago. It would benefit from restoring it to a nice even sheen. Can you recommend a varnish that would be good for either? Hi Molly, most varnishes will say on them if they are suitable for oil and acrylic, the Gamblin Gamvar range of varnishes are good. Hi Will, please help me get something straight.

Thank you, Josh Brannon. Hi Josh, you would apply one coat of isolation coat using soft gel gloss diluted with water. Then think of if you want a gloss, satin or matte finish, then apply either a polymer or MSA based varnish. Hope this helps, Will. Unfortunately I havent brushed out to the edges properly and now am left with a build up of dried varnish on one side.

How can I gently and safely get the surface back to a smooth finish — Or is it too late now to fix it?

Best Bench Vise For Woodworking Works Carpenter Wood Green Institute