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pigment-stain-for-wood-50 Масло имеет ряд преимуществ: защищает и придает насыщенный оттенок поверхности за счет содержания в составе наночастиц цветовых пигментов; не требует обязательной предварительной обработки поверхности кондиционером для дерева;минимальное время для высыхания слоя (около 1 часа); консистенция состава обеспечивает ровный слой, без разводов и пятен; отлично подходит для тонирования мебели, пола, лестниц, дверей; богатая палитра натуральных оттенков – от светлых с ярко-выраженной. текстурой до темных. Доставка и оплата. Самовывоз — улица Бородинская 46/ Доставка по городу — р. Бесплатная дос. СОВЕРШЕННАЯ СИСТЕМА ДЛЯ ТОНИРОВАНИЯ И НЕПРЕВЗОЙДЕННОЙ ЗАЩИТЫ ДЕРЕВЯННЫХ ПОВЕРХНОСТЕЙ: Рекомендовано для деревянного пола, лестниц, стен и дверей; Для жилого и коммерческого применения; Обладает герметизирующими свойствами, пропитывает и защищает деревянную поверхность от влаги. Для внутренних работ.  WOOD CARE ULTIMATE WOOD STAIN – совершенная система для тонирования деревянных поверхностей с наночастицами красящих пигментов. Описание. Характеристики. Varathane WOOD STAIN - Тонирующее масло для дерева. Глубоко проникающие, насыщенного цвета тонирующие масла. дают более яркий и богатый оттенок, подчеркивают природную красоту дерева.  Используйте шкурку от гритт, затем , и Затем удалите пыль и грязь при помощи пылесоса или ветошью, намоченной в уайт-спирите. Мягкие породы, такие как кедр, сосна или елка, нужно обработать кондиционером Varathane Wood Conditioner. Чтобы убедиться в попадании в цвет, протестируйте морилку в незаметном месте. Для более светлого тона вытрите избыток морилки сразу после нанесения.

Although color change is its primary function, stain can also intensify or diminish the pigment stain for wood 50 of the wood, depending on the type of wood and pigment stain for wood 50 type of stain you use. Therefore, it is important to understand how different types of stains work. The two most common coloring agents in stain are pigment and dye, and they behave quite differently.

In simple terms, pigment is colored dirt ground up into small particles. Dyes are typically soluble salts. Once mixed wkod their proper solvent, dye crystals dissociate into individual molecules, which are vastly smaller than ground up pigment particles.

Thus, dye can get into spaces where pigment can not. Apply a typical pigment stain to dense, figured maple and most of it will wipe right off with little color change. Use dye and you get both more intense coloration and grain contrast. With oak, just the opposite is true. Pigment lodges in the large pores of oak, creating contrast, while dye colors it with boring uniformity. Thus, dye is best for adding intense color to dense wood, whether for grain enhancement or simple color change, but pigment does a better job of bringing out the grain pattern in large pore woods.

Take a handful of ground up dirt, put in into a glass of water, stir a bit and you have the simplest form of pigment stain, and one that pigment stain for wood 50 tell us a lot about how pigment stains behave. Let it sit a while and the dirt pigmentwhich is heavier than water, will fall to the bottom. One quick way to tell if a commercial stain contains pigment is that the instructions will tell you to stir it before use and possibly during use as well.

Apply the dirty water to wood and just like stain, it will leave color on the surface. However, once it dries, you can easily brush it off. Our mixture had pigment dirt and carrier or solvent water. Commercial pigment stains contain a third ingredient: binder. To make sure the pigment particles stay on plgment wood, a small amount of binder is added to the mix. Binder is any sort of resin that will dry to a solid film and act like glue to hold the pigment onto the wood.

Most stain binders are made of the same resins we use to make finishes. Does this sound familiar? Pigment wooc contain pigment, carrier or solvent, and binder.

The other common material that contains those exact same three ingredients is paint. Find a paint chip the exact color of the stain you want, have the clerk at the paint counter mix a quart of latex paint that color, then take it home and reduce it with equal parts water. Try it. The result is a very easy to use, pigmebt drying pigment stain. If you ever pigment stain for wood 50 staining a second time after the first application dried, you would notice that while the wood absorbs a good bit of color on the first application, it absorbs far less on the second.

Although all finishes are compatible over raw wood, not all are compatible over all binders. Hence, some finishes may not be compatible with some stains. All oil based coatings will go over any oil based or waterbased stain.

Waterbased topcoats are less tolerant. Most companies formulate their waterbased topcoats to go over their own oil based stains, but they may not work over another brand of pigment stain for wood 50 based stain.

Dyes are very different. While pigments can lodge in large pores or large sanding scratches, they need binder to hold them in place on smooth wood surfaces. Dyes, though, do not. Pigmeht they are so small, dye molecules can go deep vor wood and bond to it. As a result, you do not need binder with dyes. In fact, the most common dyes woodworkers use are powders that they mix with water or alcohol, or liquid concentrates, and neither contains binder.

Without binder, dyed wood acts the same as raw staij. It is colored, but there is no film on it. As a result, you need not worry about compatibility issues. Any finish will go over any binder-free dye. The best way to think of dyes is to imagine what happens pigment stain for wood 50 you add sugar to hot water. The sugar crystals, which you can see while they are dry, dissolve woo, become invisible, and mix ipgment in the water. Once dissolved, the mixture need not be stirred again.

The sugar will stay in solution. The same is true of dyes. Pigment stain for wood 50 you have mixed a dye, and that may involve a small amount of initial stirring, it will not separate or sink to the bottom.

Dyes have two other advantages over pigments besides the fact that there are no binder compatibility issues. The first is that they go deeper into wood. The second is that because the dye itself is translucent, you can add much more intense color to wood without losing any of the depth or grain. Hence, for adding deep, intense color to dense wood, or to color figured woods without losing the figure, dye is your best choice. The majority of commercial stains, those you buy at the home store or paint store, are pigment based, but not all pigment stain for wood 50. Some companies use dye or a mixture of dye and pigment, but they usually contain binder, even when dye is the only coloring agent.

Another strategy of stain companies is to use pigment, but grind it very fine so that it retains the advantages of pigment but goes deeper into the wood, like dye. While these fine grind pigment stains are not the same as dyes, they do come closer and may be just the ticket for some applications.

There is an easy way to apply stains that works on all types of wood with every type of stain; pigments, dyes, mixtures of dye and pigment, stains with binder foe stains without binder, home made stains and commercial stains. It lets the wood itself determine how much stain gets absorbed, resulting in very consistent and predictable staining, and requiring no special skill from you, the finisher.

Flood the stain on liberally, then wipe it all off immediately while it is still wlod. The wood will absorb what it can, and you will wipe off everything that was not absorbed. By flooding the stain on, instead of applying it sparsely, you give the wood a chance to absorb what it can, and it will reward you by coloring quite evenly for the most part. When you wipe it off, you ensure that there is no layer of excess stain atop the wood. It also ensures that the stain dries in a reasonable amount of time.

While this is the best way for all stains, it is the only way to apply dyes. The last thing you want is to try to get a finish to adhere to wood with a layer of powder on it. Therefore, with dyes, flood and wipe is the only method you should use. Since flood and wipe means you are not controlling the color intensity by how you apply, you must control it at the mixing bench. Want a more intense dye color? Mix more pigment stain for wood 50 powder or liquid concentrate into less solvent.

Want a weaker dye? Add more solvent. You can do the same thing with pigment stains, since thinning them results in a lighter color intensity, but you have another option with them that you do not have with dyes. Because they contain binder, you can treat them like paint, but only if you use a pigment stain for wood 50 of restraint. In other words, instead of wiping all the pigment stain off aggressively, you can wipe more gently, leaving a bit more pigment stain on the surface.

Be careful, though. Thicker stain application can take vastly longer to dry, and leaving too much on can result in delamination, hazing, or chipping. Also, the more pigment you apply, the more the stain hides the wood. Leave too much pigment on the surface and your finish will look more like opaque paint than pigment stain for wood 50. How fine you sand the wood has very little influence on dye stains because they are so small.

However, sanding has a major impact on pigments. Because they lodge in pores and sanding scratches, sanding with a coarser grit will result in more pigment pigment stain for wood 50 on the wood, and more intense color. Wood conditioner also helps control absorption pigment stain for wood 50 end grain on exposed board ends, but may not do enough.

For more egregious cases, seal the end grain prior to the last sanding. Flood Zinsser SealCoat or thinned hide glue onto the board ends only and wipe off what is not absorbed. Sand lightly to remove surface SealCoat or glue, then stain normally.

The best way to blend light colored sapwood is to dye it prior to staining. Pickling stain is simply pigmented white stain pigment stain for wood 50 to be applied and wiped off pigment stain for wood 50, leaving a bit more white in the corners, cor and pores. You can make your fod using thinned white or off white paint. At present, most gel stains are oil based pigment stains, so they behave rather like the liquid versions of oil based shain stains.

Wiod liquids, they vary from brand to brand; some penetrate pifment and color more intensely and others tend to sit more on the pigment stain for wood 50. Though it is currently off the market, one company used to offer waterbased dye stains in gel format, and true to form, they acted pigment stain for wood 50 liquid dyes.

Besides being easier to handle, most oil based gel stains contain more binder than their liquid counterparts. That means you can often leave a slightly heavier layer of gel stain than you could get away with using liquids. Some can even be used as glaze, adding color between coats of finish or on pigment stain for wood 50 surfaces like fiberglass. In this respect they fall somewhere pigment stain for wood 50 liquid stains and the so called one step wokd and finish combinations.

A similar material, colored Danish oil, has been around for years. The idea is that you can apply both stain and finish in one step.

Stain Colors. Giving your home a perfect color palette goes beyond paint. With Sherwin-Williams stain colors, you can let the natural wood shine through, match grain colors or cover unsightly blemishes. Choose an option below to learn more about how stain colors help . Next, you'll stain the wood. Gently stir the stain before applying liberally with a brush in the direction of the grain. Let the stain sit for about 15 minutes before wiping off the excess stain and allowing it to dry. The longer you leave the stain on, the darker the color will be. Finally, protect your project with a polyurethane wood finish. Mar 06,  · How to easily make Wood Stain in a variety of beautifully vivid colors. Check out this short video for step by step instructions on two different techniques.

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