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best-rap-kpop-songs-70s The Cover Girls, "Show Me" One of Best Rap Kpop Songs 9th the earliest and finest crossover hits of the freestyle kpo, the sparkling "Show Me" demanded love and respect through its vocals and sonic irrepressibility. SISTAR take listeners through the realization of falling in love with someone from the strange feeling of best rap kpop songs 70s a pounding heart to gathering the confidence to confess. Wonder Girls, "Nobody" No other debuting group this decade had a marching band announce them, so Oh My Girl were stepping way ahead right from the off. Melle Mel is seen by many as one of the rao rappers ever, and Grandmaster Flash was a true DJ pioneer. Destiny's Child, "Survivor" To honor that best rap kpop songs 70s, Billboard will be doing a week's worth of girl group coverage, starting with our list of the greatest girl group songs of all-time -- or at least of the rock era, with a quick shout-out to absent predecessors like the Andrews Sisters and The Chordettes -- as decided by Billboard's editorial staff.

He helped reducing gang violence in New York, letting inner-city youths come together and battle through dancing instead of getting violent. He is less known for his music, though this heavily disco and electro-influenced song is a classic. Another classic track, best known from the documentary film Style Wars , a must-see for anyone who wants to learn more about the early Hip Hop culture. Perhaps the most important song in Hip Hop history, ever.

Up till then Hip Hop lyrics were mostly about fun, parties, and bragging. Melle Mel is seen by many as one of the best rappers ever, and Grandmaster Flash was a true DJ pioneer. This is one of their most famous singles. Being released in , this first single from Run DMC could still fit in the Old School category when we only look at the timeline, but in terms of sound it actually does not.

This song is a perfect early indicator of the direction Hip Hop was going in. Harder, sparser beats and a new, more aggressive style of rapping. One of the greatest Hip Hop party tracks ever, with the first appearance from Slick Rick — who together with beatboxer and rapper Doug E Fresh dropped this unforgettable song along with the just as classic La-Di Da-Di.

Just-Ice names everyone that matters — a true lesson in Hip Hop history. My Account. My Channels. Sign Up Already signed up? Decade: '70s. Explore a decade of '70s music with hand-crafted channels featuring our seventies era rock, pop, soul and disco.

Featured Channel. The greatest hit music of all time, with a '70s and '80s focus. This was a big year for Dolly Parton who hit 1 with three different singles - meanwhile Bobby Ba Derived from hundreds of critics' lists of the best music of the decade. A decade's worth of tracks that FM radio has largely quit playing but we don't want you to forget! Pop, rock, and soul hits from the mid-'60s through early-'70s. Includes some songs radio stations played in '74 that you probably haven't heard in years!

Legendary rock, landmark soul, pop and even country, all of which made a magical musical year. A mix of the best Top 40, classic rock, and soul tracks from the year A time capsule of music released in , when a 2-liter bottle of Coke set you back cents!

An adve Take this year and love it! A cruise through the top 40 songs on the day that a balloon called "Double Eagle" made the first These are the songs that topped the charts on a powerful moment in American television history.

With three words, The Crystals -- well, t echnically The Blossoms , but who's counting -- set up ther romantic archetype that would pervade the rest of girl group history, establishing the bad boy as the forever object of good-girl obsession.

Within a few years, The Shangri-Las were hooking up with a motorcycle gang leader , Martha and the Vandellas were idealizing their Wild One , and all was right with the world. It took the star power of the Dolls, a singing group that started as a burlesque act, to get it all the way to No. Martha and the Vandellas, "Dancing in the Street" The Chiffons, "One Fine Day" The Shangri-Las were one of the most ambitious girl groups of their era, with their big hits miniature melodramas that invited time-signature changes, seagull samples, and all sorts of gadgetry that Phil Spector and the Beatles would get the real credit for.

It's all about girl power, of course, with the Spice Girls donning action-film alter egos in the "Say You'll Be There" music video and kicking ass while forever having each other's backs. Underneath the bubblegum melodies, however, is a daring bit of almost Dr. Dre-like '90s G-pop production -- and hands up if you expected the harmonica solo disrupting the back half of this one the first time you heard it.

The Angels, "My Boyfriend's Back" Originally intended for The Shirelles, the sparse, sneering demo from The Angels was strong enough to release as an official single and top the Hot Like so many '60s girl group classics, half the fun of this one comes courtesy of the backup singers, whose taunting vocals inform a certain cad he's about to get his ass whooped for spreading lies about a girl -- now that, you know, her boyfriend's back.

The deliciously braying "hey-la, hey-la"s take center stage, but shout-out to lead singer Linda Jansen for imbuing the lyric "He's kind of big, and he's awful strong" with enough pheromones to give the G-rated lyrics an NC17 subtext.

The best thing about the "I'm So Excited" music video, filmed and released in disco's waning moments in , is the ending: the dance party that the Pointer Sisters are leading simply does not end, as the attendees dance away out of the shot, seemingly leaving the club to go wreak joyful havoc in the streets. That's the type of persistence that "I'm So Excited" still packs, 35 years later -- whenever its pristinely contained craziness is heard, it's hard to shake the giddiness even as the music fades out.

The Marvelettes, "Please Mr. Postman" Girls' Generation, "I Got a Boy" For years, Girls' Generation not only ruled Korea's girl-group scene but the country's entire zeitgeist, earning a string of No. While the single still divides some listeners for not being as easy to swallow as effervescent GG classics like "Gee," "Oh! It remains a jukebox favorite in the former steel town. The Motown songwriting-production team Holland-Dozier-Holland gave the label some of its best material, including this Hot No.

Buoyed by one of the most underrated and subtly influential bass lines in pop history and an irrepressible church music energy, Diana Ross' dexterous vocals transition from a fragile coo at the song's heartbroken start into a joyous defiance at the midway point, demonstrating 1 Ross' subtle genius and 2 that mama's always right.

The debut album from the Pipettes, 's We Are The Pipettes , begins with a title track that credibly positions the trio as throwback, polka-dot-wearing pop saviors beamed in from another planet. The songs that follows on the album's track list is "Pull Shapes," a whirlwind of a single that felt of an alien area but sounded wholly realized.

The Pipettes weren't long for this world -- two of the three members departed following their debut -- but we're sure glad they stopped by. If you need a leg up in your pop career, you can always do a lot worse than a boost from the King himself. The Double! The U! The V! For at least three months out of every year, "Cruel Summer" fills a musical void no other song does -- by articulating all the ways the dog days prove an annual drag, without adding to the problems by being an outright bummer itself.

Bananarama's signature '80s hit pulls it off by marrying a pitch-perfect vocal of resentful teenage ennui with a fantastically funky electro-pop bounce and the " I Can't Get No Satisfaction" of xylophone riffs, creating a jam as sticky as melting tar and as addictive as Dippin' Dots -- but one less for the kids partying at the beach than for the loners staring across the ocean.

The drums are just so busy , and the knot of women singing ties together beautifully at the end of those tangled verses -- let's not even get started on the sax breaks. An excellent combination of sonic and lyrical ambition. TLC possesses a treasure trove of rock-solid singles, but the patience of the production and storytelling on "Waterfalls" made it an all-timer. As the trio rocks over velvet beats and canned horns, narratives of drug-related violence and an HIV-related death push pop music to do better, be smarter, say more.

TLC's legacy is enshrined in songs like "Waterfalls," a smash hit that's still powerfully progressive 20 years later. This No. Teenage tragedy songs were a pre-British Invasion fad in American pop, and most are impossible to listen to without smiling at the soap opera-levels of histrionics. A prime example is Hot topper "Leader of the Pack," where a teen girl explains to her classmates that she watched her crying boyfriend die in a motorcycle crash after her parents forced her to dump him.

Compounding the melodrama are sound effects, dead-serious spoken word segments and backup vocals that echo the lead. The song, which peaked at No. Lead singer Lala Brooks tells the story of a blossoming romance, from first kiss to marriage vows, carried along by guitar, strings, sax, a mix of percussion that seems to include sleigh bells and whatever else Spector threw into his sui generis mix.

No wonder they made us say their name. There may have been '90s girl groups more iconic than En Vogue, but none more studied, more proficient or more dazzling. Throw in the OG of those damn "Payback" samples and a star-making music video, and you have a '60s throwback that does it better than all but one or two of the original greats ever did it. For a girl group to come out of the gate with such an all-time hit -- one that reached No. If not the greatest girl group song of all-time -- and boy, there's an argument to be made -- then certainly the song that may forever be most associated with the archetype.

At the very least, it's the best song by the best group, the single that first introduced The Supremes to the top of the Hot and set the standard for an impossible number of girl-group song conventions to come: The handclaps, the "baby, baby" backing vocals, the sax solo, and most importantly, the pinched, heart-piercing, scarily vulnerable delivery of one Diana Ross, forever bitten but never shy.

What could possibly be more f--king pop than that? For as revolutionary as the '60s were, few songs gave voice to real life concerns of young women -- especially when it came to sex. While sex isn't explicitly mentioned, the teens-fumbling-in-the-backseat subtext was clear. Naturally, some radio stations banned it, but it still shot to No. Prior to releasing its biggest album to date CrazySexyCool , TLC gave off an image of street cool, all splashy colors and droopy wide-leg jeans.

The album, released in and continuing on to sell 7. Gone were the condoms over their eyes and pinned to their pants to promote safe sex. The trio had bid farewell to the big beats and chorus chants and embraced the next stage of adolescence. Forget girl groups for a second. It's nothing less than the heartbeat of American pop music, pumping blood and vitality into future generations: Everything from punk to techno to shoegaze to chamber pop to arena rock to Diane Warren owes a percentage of its fundamental DNA to that BOOM.

OK, now remember girl groups again. As elemental as that drum intro performed by Hal Blaine, produced by Phil Spector has become, it's just another brick in the Wall of Sound without The Ronettes selling the song to follow. Ronnie Spector's voice -- obviously thin, but still undeniably towering, like Manute Bol -- was the sound of billions of young hopes and dreams, and her note-perfect reading of Greenwich and Barry's greatest composition with Estelle Bennett and Nedra Talley serving as the perfect background subconscious grows more epochal in every second.

The song is a long head rush, a dizzying celebration of life, love and the pursuit of teenage kicks, and if it ever goes out of style, that means we've actually invented something better than pop music. Might take a while still. Search term. Billboard Pro Subscribe Sign In. Top Artists. Top Charts. Hot Songs. Billboard Top Videos. Cardi B Earns Fifth No. Top Articles. By Billboard Staff. Copied to clipboard.

Click to copy. Artist Mentioned. Lynch Apollonia 6, "Sex Shooter" Prince's mid-'80s genius was so far too prolific to be contained to his own catalog, as he spun off classic hits for nearly all his Purple Rain cast mates. Little Mix, "Move" The U. Lipshutz The Cookies, "Don't Say Nothin' Bad About My Baby " Find you a girl group who sings about you the way The Cookies sing about their man: A pop song of either absolute confidence or unparalleled naivete, the trio spends "Don't Say Nothin'" asserting their man's perfection and proving thoroughly unwilling to hear any talk to the contrary.

Klymaxx, "Meeting in the Ladies' Room" "I'd hate to come down to their level and become a BW -- a basic woman -- but if they don't stop, it's gonna get scandalous. Martha and the Vandellas, "Jimmy Mack" A before-she-cheats swinger, in which Martha pleads over a pounding heartbeat of handclaps and drums for her titular man to come back before she's led all the way into temptation.

Electrik Red, "So Good" Lee" The gleefully jaunty "Mr.

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