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Money-back guarantee Our cheap essay writing service tries to always be at its best performance level, so each customer who pays money for paper writing can be sure that he or she will get what is wanted. Add grace and style to any room. The shade has the same finish and is original and in excellent condition. The overlay pattern is beautifully done and with the blood red border below the brilliant green, it is stunning lit in the evening.
The whole lamp is just quality through and through and the piece is extremely heavy. Hard to find a good signed example like this in this condition.
An excellent addition to any collection or to use in your parlor. Elmer Wilkinson born in Canada in started his lamp business in at 45 York St. Brooklyn, NY. With factory on 8th Ave. Wilkinson was able to bring a new level of high quality and workmanship to the lamp industry while boasting a full compliment of excellent lamps.
The company enjoyed several years of high output and sales. The downturn in national economy forced the company into bankruptcy in Here is a very nice Pairpoint lamp. Measures 10" and is 17" high. The base is properly signed Pairpoint and numbered and has flowers in bloom on the shaft. Has good original hardware.
The 10" shade also has flowers in full bloom and parrots and vertical trees to give that arts and crafts look. Has good color coordination and nice artistry definition. A very nice and showy lamp. Shade is not signed. Producing coffin fittings and metalwork, Pairpoint approached its neighbor, Mt.
Washington Glassworks, about a possible merger. Combining metalwork and glassware production in , their merger created lamp and lamp accessories including the well known Pairpoint lamps. The Pairpoint Merger From circa to , the newly formed company was best known for their blown glass shades in three types: blown out reversed painted shades, ribbed reverse painted scenic shades, and landscape shades.
Cut glass lamps and lamps with metal overlay were also produced by Pairpoint during this period. Every once in a while, something special comes along, this is one of those times. The orchid is very nicely executed great and strong colors and very fine artistry. Has been rewired. Here is a very nice Heintz lamp with mica shade. All in very good condition, rewired and ready to go.
Measures 8" at the foot and 25" high with a 17" mica shade. This lamp throws off that romantic coppery lite.
Here is a very nice Handel lamp base measuring 26"x8" at the foot. Is properly signed and identified in the Handel books as a up scale premium base. All pieces and parts come in the deal including heat cap and finale. The share is new and totally appropriate and just plain beautiful. Please notice the beautiful Indian Maiden, boat, birch trees etc. Here is a very nice brass bed lamp with mica shade. Signed The Greist Mgf. New Haven Ct. Spring loaded bracket is very versatile, will fit any bed head board, or cabinet or door.
The base has a nice patina and shows an interesting relief pattern giving the impression of an ornate basket. There are handles at each end and weave design around the bottom which sits on 4 small feet. In the middle of the base on one side there are some indentations.
The shade is made from czech glass beads which are attached to a metal wire frame that fits into the top of the lamp. Colors are well coordinated. All the beads are in very good condition.
The shade can be removed to access the bulb which is a small fitting. The cord and plug are original. It measures 13 inches across and 7 inches at its widest points.
It weighs 7 lb. This is a hand painted lamp shade, colorfully depicting Irises of several different varieties. This is a very well painted decoration as befits one of the premiere companies of the turn of the century. Origin is Meriden, Connecticut c Fits a standard kerosene burner ring. Original unrestored paint surface. Here is A very nice Siegrest lamp.
Please notice the brickwork glass with the great color. Lamp is documented in the Albert revi lamp book. Also this lamp has the super rare coralene application. All hardware is original and complete. In Handel's hayday , they produced many types of high quality lamps which are in high demand.
Measures 24" high with a 15" shade in full beautiful and detailed , hand painted flowers. Shade and base both properly signed. The Pairpoint manufacturing company was established in in new Bedford, MA. Washington glassworks, about a possible merger.
The Pairpoint merger: From circa to , the newly formed company was best known for their blown glass shades in three types: blown out reversed painted shades, ribbed reverse painted scenic shades, and landscape shades. Notice the gentle goose necks and flower petals. This wonderful pair of lamps surely were the end of art nouveau and the start of art deco around circa Measures 7" x 21".
Shown in the Handel books with premium shades. Great patina and rewired for safety. Here is a nice 3 shade hanging Handel fixture with 3 properly Handel 8" segmented shades. This fixture hangs 26" however the chain can be lengthened to suit. All the glass is in good condition. The pix seem to show a difference in the amber color however all the same. The Handel trademark green border is beautiful. The shade is called the segmented in the Handel book.
Nice matching patina. The whole fixture measures 13". The fixtures are solid brass, hand hammered and properly signed Handel.
The colors are strong and well coordinated as one would expect from the great Handel Co. Doesn't get much better than this. No cracks, chips or repairs. This is a Bellova gnome lamp,very rare and in fine original condition. Likely dates from the 's. Works just fine. It has the Silver Bellova signature on the base and the shade is numbered and patent pending. Very Rare and beautiful.
Many collectors are familiar with Emeralite lamps, those brass-based desk and floor lamps, named for their bluish-green cased glass shades and often referred to as banker's lamps. Many others are familiar with Bellova lamps which were made in innumerable shapes, sizes and colors. Few collectors, however, realize that the glass shades and bases used in both Emeralite and Bellova lamps were actually produced in Czechoslovakia under order from a single American company, H.
It is not known where the metal bases where made; however, is it presumed that they were manufactured in the United States and married to the Czechoslovakian shades in New York at the McFaddin factory.
It was in that the first Emeralite lamp, as we know it today, was produced. On May 11, McFaddin's patent application for "a new, original and ornamental design for lamp shades," was approved. Thus began the manufacture of Emeralite and Bellova lamps that were to continue in production for fifty years. Essentially, the Emeralites that are today most easily identifiable, collectible and with which the name Emeralite is most readily associated, were simply brass-based or brass-plated desk lamps with green-over-white cased glass shades.
These desk lamp shades are substantially flat on the sides and the back and gently slope toward the viewer in the front. However, the shades have no sharp corners; rather, the angles are all essentially rounded. Using the cased glass technique, the shades were made of white opal glass on the inside with a layer of "green" or other colored glass on the outside.
As far as we know, all Emeralite shades were produced in the glass factory of J. In turn, McFaddin was required to purchase a minimum volume of shades each year. The first period began in and lasted until and is known as the " series". These shades were perforated with two holes, one at each side.
It was through these holes that the shade was attached to the armature of the base and could be swiveled and then locked into the desired position. The second period of production, known as the " Series", began in and lasted until the early 's. The desk lamps produced during this period are those most often found and for which the name Emeralite is most readily identified.
Unlike the earlier shades, the new shades were not perforated with holes. Instead, the bottom of the shades were indented on the sides and back to fit into the channel of the newly designed and patented August 15, armature.
The armature itself had clamps which needed to be maneuvered into place in order to keep the shade snug and stable. Since the shade was merely clamped into the fixture, it could be removed for cleaning or replacement without disturbing the electric wiring that was concealed, though easily accessible. The third period of production began in the early 's and lasted probably less than five years. These lamps were generally part of the No.
Although the shape of the cased shades and the production techniques remained substantially the same as the two previous models, the newer shades increased in size from the older eight and one-half inch size to ten and twelve inch versions. These larger shades also required the use of two bulbs rather than just one.
In addition, these shades were now clamped onto the base only at the back, almost in a clothes-pin fashion. The shade was designed with an indentation at the back to fit snugly into the clamp.
Just as with the series, the shade could be removed for cleaning or replacement without disturbing the base or wiring. The last period of the company began in the late 's and continued for about twenty years.
The lamps produced during this period hold little or no interest for the collector of Emeralite and Bellova lamps and consequently have little intrinsic or monetary value.
These lamps were, to a large extent, fluorescent and almost all were made with metal shades. The collector, therefore, is interested almost entirely in the Emeralite and Bellova lamps produced before the war. Bases produced during the first period were usually very simple while becoming much more decorative during the second and third periods. Earlier bases were generally brass plated over a base metal if the bases were square or rectangular, and solid brass if the bases were round.
Bases made during the second and third periods were usually solid brass. Most lamps had a hidden cast iron weight in the bottom of the base. Generally, bases during the second and third periods were sold with a brass finish or a statutory bronze patina, although special finishes could be furnished to order.
Throughout the four periods, there were numerous categories of lamp styles, each category with a number of varieties. Models included lamps for desks, beds, floors, adding machines, side chairs, draftsman's tables, typewriter tables and many other uses. Lamps were also available with optional removable inkwells, pen holders and pens, clocks and calendars. It is important to note that the starting and ending dates of the four periods mentioned above are only approximate.
This is because H. Hence, in for example, one could purchase a replacement shade for the , or No. Some of my catalogs from the late 's for example, show both the and No.
Unlike most of the shades produced for the Emeralite lines, which were smooth green cased glass, Bellova shades were manufactured in other colors, as well as green, or with an acid-etched texture, or painted with an air-brush or reverse painted by hand. What many collectors of Czech glass do not realize, is that a number of the Bellova shades found today were produced in the standard Emeralite desk lamp shape and, in fact, will fit the Emeralite or No.
It has even been known to find the identical acid-etched, reverse-painted desk lamp shade signed Emeralite in one instance and Bellova in another, although the latter is more likely to be the case with these fancier desk lamp shades.
Nevertheless, Bellova desk lamps are often found in colors other than just the green that we associate with Emeralites. These colors include russet brown, Rhodolite marbleized and opaque , chamois and rose. Frequently, these desk lamps have a one-inch reverse painted boarder along the bottom of the shade that reflects a floral or geometric design.
It is not uncommon to find these desk lamp shades on fancier bases than the usual Emeralite desk lamps. These bases were sometimes designed and painted to complement the shade. Next to the desk lamps, the Bellova lamps that are most familiar to collectors of Czech glass are those that were made in two parts, entirely of glass and advertised by the company as Gnome lamps.
These lamps usually had a glass ball-shaped or cylindrical bottom with a mushroom or "Coolie-hat" type glass top. Sometimes the top portion of the lamp was cylindrical as well, yet squatter, like the shape of very thick hockey puck. Gnome lamps generally came in three sizes. The largest, which were about 15" tall and 14" at their widest point the Coolie-hat shade , were referred to just as Gnome lamps in the catalogs.
The middle size, about 9" tall were referred to as Miniature Gnomes, while the smallest, at about 4" high, were called Petit Gnomes. Gnome lamps are ususally obverse-painted using air-brushing, sometimes acid etched, rarely reverse-painted and very occasionally done in a cameo cut technique similar to Galle.
The colors, etching patterns and designs were numerous. However, most fall into the category of either floral or "geometric Deco". Some Gnome lamps depicted children or animals playing or oriental figures which were applied using "transfers" rather than being hand painted.
Still other Gnomes had glass-applied handles on either side of the bottom part of the lamp, although this is unusual. In addition to the desk and Gnome lamps, H. These lamps were generally smaller in size, although some larger table lamps have been found. In addition, a limited number of chandeliers, sconces, tube, and floor lamps were produced.
The tube lamps were usually tall and round, similar in shape to the cardboard inner lining of a paper towel roll. The panel lamps were rectangular in shape, flat on all six sides and taller than they were wide. Both the tube and panel lamps were usually cameo cut, although sometimes found as acid etched.
Patterns ranged from delicate pastel florals to, believe it or not, a stagecoach with horses. All tube and panel lamps came on a flat or stepped black shiny glass base, either round for the tube lamps or rectangular for the panel lamps. The number and variety of Bellova lamps appears endless. Even an experienced collector regularly uncovers Bellova styles, colors or patterns which may never have been seen before. Also, at some time during McFaddin's history, they purchased a company which produced a line of miniature oil lamps called Glow Night Lamps.
None of these three lines holds any particular interest for Emeralite and Bellova collectors. Emeralite shades were either signed with a silver ink stamp, a rectangular decal about two inches wide and one-half inch high or a round decal. Bellova shades were always signed, as well. The Bellova signature was almost always an ink stamp although a round decal is very occasionally found.
The ink stamp is about the size of a dime, usually silver, although red, white and other colors were also used. The signature consisted of what appeared to be a four petaled flower in the center of two concentric circles.
Bellova desk lamps were usually signed on the inside front or back of the shade, near the bottom rim. However, many Bellova lamps have been signed in any number of other places. For example, if the shade is reverse-painted with a floral pattern, the signature is usually found in the middle of one of the flowers and is often hard to see. Otherwise, the signature is generally found around the top outside rim of the shade for the boudoir and table lamps and on the underside of the top and bottom halves of the Gnome lamps.
Bellova tube and panel lamps are usually signed near the bottom outside rim of the top half. The bottom half of the tube and panel lamps, which as described above is generally black glass, is usually signed on the bottom with a silver ink stamp with the word ALBINOR.
Albinor is the trademarked name that H. The shade is spun and flat sheet metal with slag glass panels. They measure 16" tall without a shade and are in good vintage condition. One does have a very small flea bite and some crazing. Both are wired and have complete harps, ready to go, just need shades. Here is a nice arts and crafts hanging lamp. Measures 6" x 6" x 7" high. Has nice textured glass and pops when lite up.
Great for that dark hall way, entrance foyer lite etc. Has square link chain and newly rewired and is complete with ceiling canopy and hange 50" "adjustable". Measures 24" high x 18" diameter. Both Shade and base properly signed.
This great lamp is shown exactly as it is shown here with the "S" on the base and repeated on the shade. An important piece of American art lighting. Here is an excellent original condition Wilkinson lamp. Guaranteed period to This lamp has no excuses at all. I have corrected the acorn pulls and newly rewired for another nearly a century of dependable service from this important piece of American art lighting. Has high quality glass and superb workmanship and is properly signed.
Shown here as it shows in the Handel book nearly 90 years ago. Has all its correct hardware, rewired and works well. Last pic shows this great lamp as it is displayed in the Handel book. Great artistry and high quality glass and wonderful well coordinated color match as one would expect of the great Handel Lamp Co.
Some of the green panels have tight heat lines. An important piece of American art glass lamps. Here is a super deco hanging lamp by the Gill Lamp Co. All pieces and parts are original and complete and free of any defects. If you like deco, this is for you. In keeping with the tradition of unusual Handel lamps , here is a real Handel rare treat.
Here is what the Handel book says about this great artist. PARLOW was among the most talented painters and his signature appears on a variety of lamps and other Handel products. The shade is mica and goes nicely albeit not original to the lamp. Vintage Pittsburg Desk Lamp Item is in good condition with normal signs of wear from use and age of nearly a century. There is a very slight flea bite on the right side of the lamp can hardly be seen.
The lamp is stamped "Pittsburg. Stands 24" high with 8" foot. As nice as one could hope to find. Signed twice and has all it's original hardware with acorn chain pulls. Nice old dark brown patina and rewired for safety.
Measuers a hugh 24" shade x a whopping 26" high. A really large Handel, wonderful conversation piese in any room. The shade is the paneled roses leaves with vines ascending up the shade with trellis overlay. The base is the super rare elephant foot base measuring 9" wide at the bottom and a towering 25" high. All good old hardware with acorn chain pulls. A few areas where the overlay is broken as shown.
The seller told me that some of the paint was professionally touched up years ago, however not noticable. These things are reflected in the low price. The shade measures 20" dia. The original hardware is really outstanding with matching patina on all , including the 3 brass chains and Perkins sockets. The 19" shade has great modled and striated glass , shows off very well. The base is 24" high and is complete with 3 good old original sockets with acorn chain pulls.
Has been rewired for safety and will deliver another near century of dependable service. The base is also as it should be. Patina is matching and rewired for safety. Here for your consideration is one of those special and rare table lamps. A very rare and valuable piece of American period art history. Arguably one of the best lamps one could hope to come across. The 20" shade has a myriad of strong and well coordinated colors with superb workmanship.
The base stands 27" high and is signed and numbered and is real heavy bronze. Has all the original hardware including the trademark locking shade support , 3 Hubbell sockets with acorn chain pulls and great old matching patina.
Measures 7" x 13" high with a nice and original 4" frosted shade as Gustav Stickley did. Has heart cutouts in the top. Heavy original hardware. Here is a super nice and rare Handel Panel overlay with blown out panels. Measures a whopping 20" shade x 24" high.
The shade is decorated on the obverse with hand painted acorns leaves and fired on with overlay ed panels. The base is the rare and sought after tree trunk in good old patina and properly signed. Well here it is, this beautiful lamp has it all.
Great high quality glass and superb workmanship and great well coordinated colors. Really a special lamp. The Morgan Brothers manufactured a whole range of superb lighting products. Morgan evolved a unique style of hammered copper metalwork. Very high quality table lamps. Here it is in real life. Phillip J. This is that rare exception as Phillip Handel ran a regimented and standardized lamp co with strict gudlines.
This was done in the early years Shade and base both properly signed as shown. Great high quality textured glass with superb workmanship. The company began the production of their own lamp bases in with the opening of the Handel foundry, allowing production of the lamps completely "In house". The lamps were made in a variety sizes that ranged from boudoir to floor lamps to 18" diameter table lamps.
The company is best known for their reverse painted lamps, hand painted with a wide array of beautiful lamps with subjects ranging from historical scenes to birds, flowers and butterflies. No two lamps even with the same design number by the same artist were ever identical, the success of each lamp depended largely on the ability of the artist.
There are better examples of each design number, usually the ones signed by the artist bringing a premium value over unsigned shades. Very nice Aurora brown patina.
The base is also excellent , properly signed and measuring 24" high x 24" wide. This lamp is excellent in all ways. Really a conversation piece in any room. Shade measures 25" flat to flat ,has great mottled amber glass. Properly signed , throws off that coppery romantic lite. Is also signed and numbered Note , this is a very early Handel base. The socket cluster is not removable , is an integral part of the vertical shaft , early.
Hand painted swans on one side with herons on the other of this 15" shade. Colors , artistry and detail is jaw dropping. Moe Bridges boudoir painted arts crafts lamp. This lamp stands 12" Tall and the shade is 7"wide. This beautiful lamp has no cracks of chips and works as it should. Very nice , properly signed and correct in all ways. Works nicely in a childs room for nite lite , or on a desk or piano or any place where a bit more lite is needed.
Designs on Moe-Bridges lamps often feature landscapes with forest or country scenes that typically include a water element. Here is a nice Handel boudoir lamp with tree base and palm tree tropical reverse hand painted shade.
The tree trunk base has the Hubbell socket with acorn chain pull and is properly signed 2 times. The shade and base are properly signed and in excellent original condition. This lamp falls in the upper end puffy category. All hardware , spider shade support, everything all original. Here for your consideration is a colorful segmented 19" Chicago Mosaic shade with 23" base.
The flowered glass is full of color with a pleasant graceful arched shape which is pleasing to the eye. The shade has a few heat lines as one would expect. All hardware , sockets , acorn pulls , patina are all good. Here is a rare and genuine, properly signed Lamb bros lamp.
Measures 22 " high x 16" and has super well coordinated colors, high quality, striated, textured glass, all in excellent original condition. The shade also has the metal loop which was used to attach the price and information tag.
Please notice the stylized Greek Key in the base. Here is a very nice and properly signed Lamb Bros Greene lamp. Known as the spider shade. Has great high quality glass with well coordinated colors. Free of damage or repairs. Nice solid lamp. Has 2 good old Arrow sockets with acorn chain pulls. Greatly reduced for quick sale.
Both are properly signed. The base has that great verdisgrn patina, stylized Greek key design and all correct, working hardware and rewired for safety. Both properly signed and in good working order.
Free of any chips or damage. Measuring a whopping 24" x 19". Excellent condition. Art Nouveau used free-flowing designs based on nature that exemplified the characteristics prevalent in Tiffany's earlier creations as a landscape painter. The use of light, color and nature assumed greater significance in Tiffany's work as he developed his unique approach to Art Nouveau.
Colored glass, Tiffany's lasting love and challenge, found fresh scope and inspiration. By Tiffany's death on February 18, , the popularity of his elaborate lamps declined with the rise of Art Moderne and Expressionism. Both 5" x 4. The sconces have that wonderful verdisgrn patina. Shades measure 6. Has beautifully hand painted palms with great color and artist detail. The 22" Base has the organic theme and is properly signed with original hardware and rewired good patina as well.
I actual have a pair of these beautiful painted shades and bases, all alike. The bases are properly signed Handel with the correct hardware and acorn chain pulls.
Here is another real rare and beautiful Handel table lamp with the very rare and beautiful oval shade. Has soft, demur and colorful flowers in full bloom with chipped ice finish and Hubbell socket with acorn chain pull. All panels are in excellent condition, save one panel, which has two tiny nicks near the edge of the frame.. The lamp measures 27" tall, the shade is 17" at the widest point.
Clocks were the sole product of the newly formed company. When the Hatch brothers sold their interests in the firm two years later, Nathaniel Bradley, William Bradley and Walter Hubbard formed a company which they named simply Bradley and Hubbard. By , they were producing call bells and sewing machines, but clocks continued to be the main line of production throughout the 's and 's.
Many northern manufacturers prospered immensely during the Civil War due to the expanded market west of the Mississippi and increased foreign exports. Bradley and Hubbard was no exception, adding the production of flags, hoop skirts, spring measuring tapes and match safes during the war years. By , kerosene virtually replaced whale oil for heating and illumination and new ways of burning it more efficiently were needed.
Between and , Bradley and Hubbard secured 33 patents relating to the design and mechanics of oil burning lamps in all, the company would eventually patent a total of designs and mechanical devices.
The company was again reorganized in , this time as a joint stock company renamed The Bradley and Hubbard Manufacturing Company. The Bradley and Hubbard Manufacturing Company factory complex, ca Growing rapidly throughout the 's, the company added new products such as architectural grilles, railings, fences, window guards, and elevator enclosures.
By the 's, the Bradley and Hubbard name was synonymous with high quality and artistic merit. Famous for its Parker sporting shotgun, the company also made household items such as coffee mills, waffle irons, lamps, locks, and door knockers.
Upon the acquisition of the Bradley and Hubbard factories, the Parker Company instituted its Bradley and Hubbard Division with the stated intent of carrying on production of some products of the former company such as bathroom accessories, lighting fixtures, architectural bronzes and brass work.
As the war escalated, all metal production was diverted to war related goods, making it unlikely that much, if anything, from the Bradley and Hubbard line was produced, unless for military use.
By , all references to a Bradley and Hubbard Division of the Parker Company had been dropped from the company's literature. Finally, in , a spectacular blaze totally destroyed the long abandoned Bradley and Hubbard factory buildings.
Any records of the old Bradley and Hubbard Manufacturing Company that were still in the building at the time were either burned or lost in the rubble when the shell was afterwards demolished. All excellent and museum quality. This is the rare molded shade that was in limited production Fully signed,numbered and artist signed K.
This beauty is shown on page of the Defalco Hibel Handel book. The massive shade measures a whopping 26" x 12". Has that special lime green mottled back glass with exploded grapes with leaves and vines. Please notice the bronze leaf clusters and hooks. Has some tight heat lines. Please see last pic for the book picture. This rare piece of American art lighting is correct in all ways including the original PERKINS push button switch as shown to enable turning on and off all 6 lites at once.
The 7" chipped ice shade is excellent and free of any chips whatever, just perfect. This beauty has it all, coniferous trees and deciduous trees, ponds, sky and foilage. The base stands 15" high with all original patina and hardware with acorn chain pull. The 8" shade has six flat sides and hand painted on the reverse with poppies in full bloom, vines and leaves in strong well coordinated colors in nice detail. Like having a bouquet of fresh flowers on the table every day.
The shade has a few very slight flea bites on the inside. The base stands Has repeat poppies in full bloom and green leaves, all well coordinated colors. Is a very deep shade which requires a tall base. Properly signed, good patina, 5 original sockets and acorn chain pulls with the 5" shade support. Rewired for safety with the cloth wound cord and has the correct bakelite wall plug.
Stands 66" high. Very heavy which insures stability. These slight imperfections can hardly be seen from the top. Here is a nice pendant lamp.
The shade measures 15" x 6. The mica shade measures 21" rim to rim and is properly signed and has the hammered copper. The base stands 26" high and is also properly signed.
This lamp is really nice. Has the chipped ice treatment and is free of any chips, flea bites or anything else. Nice patina and rewired for safety. Here is a nice Dugue ceiling lamp. Out standing lamp and colorful. Anticipating changes in the market he founded in a new factory, which he called "Verrerie D'Art Degu" and put his full attention on the designing and production of luxury art-glass.
Guron mainly produced vases, lamps and chandeliers. Due to the impending War he was only on production for a short period of time His new factory and art glass production ended too soon. He fled France and was last seen in Paris in Original Degue lamp fixture with two center lights and three sockets.
The fixture has been repainted. I believe there were originally three "roses" near the top,now there are two,but I do not know for sure. THe fixture will hang down 40 inches from a ceiling when intact.
Includes lovely pate de verre bowl with three matching shades. All shades are marked "Degue". I do not see a mark on the fixture. The shades have no chips or cracks. The fixture will be shipped disassembled. As with any vintage lamp, it will have to be rewired before use for safety. French Art Nouveau ceiling light designed by David Gueron. Original Muller Freres lamp fixture with two center lights and three sockets.
The fixture will hang down 39 inches from a ceiling when intact. The arms were wired onto the sockets to hold them in place. I cut the wires before packaging. I am not sure what is needed for correct reassembly? All shades are marked "Muller Freres". It is in good condition with no chips or cracks. There are scuffs and scratches from use.
There are no chips or cracks. There are some scuffs. As with any vintage lamp, Will be properly rewired for safety before shipping. French Art Nouveau ceiling light designed by Muller Freres circa 's. Muller Frres Lunville The large Muller family originated from Kalhauzen and rested on a long tradition of glass workers. When the German Empired annexed the Elsace in , the Muller family fled 9 brothers and 1 sister to the quieter Lunville.
The two oldest brothers, Dsir and Eugne Muller, ended up in the glassworks of Emile Gall, where they learned how to produce art glass The other family members found work in several other glassworks in the surroundings of Lunville and developed into recognised glassdecorators.
Around the time seemed ripe for Henri Muller to set up an independent glass workshop in Lunville rue the Sainte Anne. His brothers reacted enthusiastically and soon joined him, as a result of which the Muller Frres glassworks became a fact. The Mullers mastered all well-known glass decorating techniques and always experimented with new methods. They developed rapidly into a renowned company and established their name for their large diversity and quality colour setting, decoration and design of their vases and lamps.
During the beginning of the 20th century they made multiple luxuriously glass objects in the art nouveau style and also provided some designs Henri and Eugne Muller were responsible for some designs in the years for the Belgian "Cristallerie de Val Saint-Lambert" where Georges Deprez was the general director.
Their work can be compared in style and quality with Daum. Unfortunately Eugne died in the war, but that didn't hold back the remaining brothers to start again after the war. They bought the factory "Hinzelin" in Lunville and started commercial production of chandaliers and wallbrackets.
In this period they designed a typical Art Deco line, where decorations of animals and landscapes were striking beautiful. After crash on the New York stock exchange in America business went down for the Muller Frres and in they definitively closed their glassworks.
In full beautiful blooming roses and vines. Shade measures 18" properly signed and free of any chips, cracks or repairs. Like having a bouquet of fresh flowers in the room every day. The base is the rare Handel tree trunk with correct hardware, properly signed and rewired for another near century of dependable service. Up for your pleasure is a double signed Pittsburgh reverse painted table lamp.
The shade is reverse painted on a 14" acid etched shade. The reverse painted shade has cascading lavender wisteria flowers surrounded with green leaves. The colors are clean and crisp and the flowers are so life like. This lamp does not come around on the market very often.
The base is original to the shade and is equipped with 2 old Leviton pull chain sockets. It is double signed with the Pittsburgh logo P.
It has been rewired with a brown period cloth cord and old plug. The base has a dark green painted finish that compliments the shade perfectly. The pictures really show the beauty of this lamp and gives the best description so take a good look.
This is one fantastic lamp. The shade is free of any chips, cracks or repairs. I have listed a picture of this lamp from the reference book "Better Electric Lamps of the 20's and 30's.
It can be seen in picture This is an opportunity for you to own a great Pittsburgh lamp. Up for your pleasure is an antique art nouveau Pittsburgh lamp base for a reverse painted shade. This base is referred to as the "owl" base and if you view the 3rd picture you can see why also. It has beautiful detail and lines in the art nouveau style, finish commensurate with age. The base is in stable condition and will support a large shade. The base is 23" tall to the top of the finial and is signed on the loader plate P.
CO I will properly rewire before shipping. Please view all the pictures as they give the best description of this lamp base. An opportunity for you to own a great antique lamp base.
Totally arts and crafts, museum quality antique circa American Handel table lamp. The lamp has a brass base and a metal overlay and hand painted slag glass shade.
Really a beauty, all original and rewired for another century of dependable and safe service. The shade measures just less than 9 inches or 23 cm high, and is 15 inches or Both a practical desk top reading lamp and esthetically beautiful. The lamp has a bronze patina, white metal, with four ball feet which sits on a stepped base and a square column stem. The lamp has three good old original sockets, and acorn chain pulls. The shade is metal slag glass overlay with high quality root beer, caramel slag glass inserts.
There are a total of 24 glass panels. Twelve of the panels have hand painted accents in green and red on the leaves and berries. The bottom of the base has a pattern number "". There are similar examples to this type of lamp in the book Metal Overlays by Handel by Robert Defalco pages 12 and This beautiful lamp is in excellent origonal condition and super rare.
Museum quality, does not get any better then this beautiful lamp. Is the very early lamp that was kerosene and converted to electric with the actual HANDEL supplied kit while utilizing the original oil reservoir and mechanical.
The shade is the 18" panel overlay with high quality colorful glass depicting the sunset. The base is 24" high in good patina and has all the original hardware and acorn chain pulls. Has been rewired for another century of dependable service. A very rare, fine piece of American art lighting history. Length of Fixture from top of hardware to bottom of glass is 18" and is approximately 7"x 7" square Brass hanging hardware is in good shape Please see pictures for details.
It is in good working condition. Please note, the chain pull has been replaced with a long acorn chain pull. Has the correct hardware, patina and acorn chain pulls. The high quality colorful glass is well coordinated and performs nicely.
Low price for this high quality beauty. Up for auction is an antique brass adjustable desk lamp in very good condition with no damage. It works, adjusts up and down. The case glass amber shade is good with no chips or cracks.
It is 19" tall and about 13" wide. A fine antique desk lamp. Although not signed, the bottom weight looks like Pittsburgh. The artistry and well coordinated colors in the keen definition of this shade is the best ever. The exterior has the chipped ice finish which adds the 3 dimension and makes the shade perform.
In excellent original condition in all ways, even has the Moe Bridges chain pulls. Sometimes they get it right, this is one of those times. This is the rare exotic birds in flight is the sought after black backgroundand colorful flowers in bloom. Both shade and base properly signed with the base also numbered, has all the pedigree. Pairpoint went all out on this beauty.
An important piece of historical American art lighting. The factory began as a metalworks which first made fittings for coffins. Near the Pairpoint factory was the Mt. Washington Glassworks which made fine glassware, and the two companies began exploring synergies culminating in a merger in From the late s until the s, lamps and lamp accessories were an important part of Pairpoint's production.
There were three main types of shades, all of which were blown: puffy - blown-out reverse-painted shades usually floral designs ; ribbed - also reverse painted; and scenic - reverse painted with scenes of land or seascapes usually executed on smooth surfaces, although ribbed scenics may be found occasionally.
Cut glass lamps and those with metal overlay panels were also made. Scenic shades were sometimes artist signed. Most shades were stamped on the lower inside or outside edge with either 1 The Pairpoint Corp. All Pairpoint shades were frosted through an acid process prior to painting, and the reverse painted effects required a great deal of talent on the part of the artist. Reverse painting combined the skills of watercolor painting and glassmaking with a perception of how light would play through the glass and paint when lit.
Bases were made of bronze, copper, brass, silver, or wood, and are always signed. As with most all makers of luxury goods, the company's sales lagged seriously during the Depression, and over time they lost touch with the changing tastes and styles of the public to some degree. Consequently, Pairpoint continued to experience financial difficulties, and some buildings and equipment were sold in The company reorganized in under the direction of Robert Gundersen and again specialized in quality hand-blown glassware.
Isaac Babbit regained possession of the silver departments, and together they established Gundersen Glassworks, Inc. Following the end of WWII and after a sharp decline in sales, it again became necessary to reorganize yet again. The Gundersen-Pairpoint Glassworks was formed, and the old line of cut, engraved artware was reintroduced.
The company moved to East Wareham, Massachusetts in Business continued to be poor, and the firm closed early in In , Robert Bryden, sales manager for the company since the s, tried to reestablish Pairpoint and new facilities were constructed in Sagamore. In , the company began to produce lead glass cup plates which were made on commission as fund-raisers for various churches and organizations.
These are signed with a 'P' in diamond and are becoming quite collectible. Notice the Chinese gently curved feet and the oriental birds incised in the casting. The 6 panels on the shade are hand painted and artist signed as shown.
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