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best-rap-remixes-of-all-time-keys But on the other hand, if more than one of these stars peaks on the same track, you can have fireworks. As always, he is careful with his words, but he brings an uncharacteristic viciousness, promising to put foes in a vegetative state then send their parents a case of V8. After "Vocab," The Fugees needed to come back with something strong, and Salaam Remi's remix did best rap remixes of all time keys track, giving the group their first bona fide hit, and a cementing a hip-hop classic. Not surprisingly, Rich Boy fails to impress, but equally unsurprising is how remixed Andre rips the beat during his time. I honestly scratched my head for a week trying to think of a post remix that actually had a different beat to it that was really exceptional.

And it doesn't often get much better than that. Here are ten of the best all-star remixes. See also: The ten best rap producers of all time.

Nas - "Made You Look Remix " featuring Jadakiss and Ludacris It was always the Salaam Remi beat that attracted people to this song more than Nas's lyrics, even in the original; it's simple, but the noodle-guitar sound creates an excellent pocket to rhyme in.

Nas's rhymes take a step down in the remix, but Ludacris and especially Jadakiss take full advantage of their time on the track to deliver extremely potent verses. LL basically stacked vague threat on top of vague thread hoping something would connect. None of it really did. The remix, on the other hand, finds LL actually sounding somewhat menacing, and his verse isn't even one of the better ones.

That honor goes to either Prodigy or Foxxy Brown, sounding like a pitched-up Nas, who made her name as the ballsiest rapper on this track of heavyweights. By enlisting Busta Rhymes and two other powerful vocalists in Remy Ma and Teflon, MOP ensured that their remix would be bursting at the seams with kinetic energy. Lil Fame and Billy Danze provide verses that hold up with their originals, but as always, it is the driving, anthemic chorus that carries the energy of this track. In particular, Pusha T's verse is concise and pointed, in stark contrast to Keef's rambling style.

The result is a very different song, more different than most remixes usually are, but I guess that's why Kanye gets the artist credit. He took a dope sound and, with help, made it much more. But "The Last Huzzah" stands on its own, as well, with strong verses across the board, save a couple uncharacteristically weak ones from Heems and Danny Brown. The highlight is El-P's verse that counts off detailed vignettes and substitutes conventional numbers with creative stand-ins, such as "7 and 7s" for the number fourteen.

Not surprisingly, Rich Boy fails to impress, but equally unsurprising is how thoroughly Andre rips the beat during his time. As always, he is careful with his words, but he brings an uncharacteristic viciousness, promising to put foes in a vegetative state then send their parents a case of V8. Nelly and Murphy Lee of St. Lunatic also put together a nice collaborative verse that MCs should try to replicate more often.

Kanye West- Diamonds From Sierra Leone Remix featuring Jay-Z Ye already got most of his points across in the original "Diamonds From Sierra Leone;" and while he's not as lyrical here as on the original, he gets more direct, rapping about dismemberment, connecting the diamond trade with the crack game, implicating the popular jeweler, Jacobs, and even his own label, Roc Nation, to an extent. This is apparently how Kendrick views his "Bitch Don't Kill My Vibe" remix, a passing of the torch, so to speak, from past legends to future legends.

Lyrically, the "BDKMV" remix is arguably better than the original, with Jay-Z kicking an inspired verse and Kendrick absolutely killing his second verse with smart wordplay and braggadocio. Biggie just demolishes this track, and this was before Ready to Die dropped, so, for a lot of folks, this was the first time Biggie's flavor graced their previously bland eardrums.

This is the quintessential posse remix, and it belongs to Big, not Mack. The best part about this track is the beat by Kanye West which, appropriately, samples Nina Simone's "Sinnerman" and the hook, but it's definitely nice to get some others voices and flows in the mix to see how it goes. Either way, I remember the first time I heard this song, I said what the fuck is this?!? There was no snare drum.

It was just that little rimshot from the Debarge sample. It was light-sounding, not rough rugged and raw like everything that was out at the time. It was the total opposite of the original version. Commenters, feel free to confirm. The original "Scenario" could quite possibly be one of the top 5 best hip-hop songs evar how did I forget to put it in my top 10 , but the remix is another beast altogether.

It was one of the rare instances where a remix and the original song were both equally as great. I think this particular remix has been cited more times than any as the 1 hip-hop remix ever, and here it is topping my list just the same. It's just that good. So there you have it. The top 10 best hip-hop remixes.

I honestly scratched my head for a week trying to think of a post remix that actually had a different beat to it that was really exceptional. Not even that Dangermouse Grey Album shit struck a chord with me. I dunno, maybe the remix died and became the mash-up. Think I don't know what I'm talking about, that my list sucks? Feel free to post your own Top 10 in the comments.

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