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springs-for-platform-rocker See more ideas about platform rocker, rocker, eastlake furniture.  Platform Rocker. This item is unavailable | Etsy. Find the perfect handmade gift, vintage & on-trend clothes, unique jewelry, and more lots more. Victorian Platform Rocker w/Green Velvet Upholster - May 01, | Michaan's Auctions in CA. Victorian Platform Rocker with Green Velvet Upholstery {Dimensions 39 x 26 1/2 x 27 inches}. Item was passed.  Antique Vintage Platform Rocker, Spring Rocking Chair Primitive Steampunk Era. Antique Vintage Platform Rocker, Spring Rocking Chair Primitive Steampunk Era Photos and Information in AncientPoint. Victorian Platform Rocker w/Green Velvet Upholster - May 01, | Michaan's Auctions in CA. I’m a big fan of rocker plates–those platforms you place beneath your trainer which allow your bike and trainer to tilt side to side. I’ve used various plates for over four years now, logging over 20, Zwift miles atop a rocking platform of some kind. But there’s one thing that really bugs me about some (or even most) rocker plate setups I see, and it’s time to get it off my chest. This issue isn’t confined to the DIY rocker plate crowd, although I’ve seen it there.  Are tight springs always worse than loose springs? Not necessarily–there are plusses and minuses for each setup. I chatted with rocker plate wizard Chad McNeese about this, and we came up with a list of pros and cons for tight vs loose springs: Tight Springs. Pro: feels more stable, which is nice for new users. See more ideas about platform rocker, rocking chair, antique rocking chairs.  It has been fitted with coil springs that were 8-way Platform Rocking Chair Springs hand-tied, then filled with horse hair and organic cotton. This old world technique is very "green" and lasts much longer than standard foam that is used in much of todays furniture. Finally I covered Cameron in a graphic light blue and brown linen fabric by Clark and. Call physician immediately. I can't find out much about it, but here is what I know at this time: Platform or spring rocker, patent springs for platform rocker spring, may be made by Rousseau Brothers Furniture, Rose Furniture, or A. Ppatform September 25, at PM. Story goes it came out to Montana with a country doctor in the early 's. The chairs were often zprings in dark brown, black, or red to hide the different woods used in construction. Weather you need trunk or chest parts, locks, corners, handles, or chair cane, spline, springs for platform rocker pulls, handles, chair parts, rockers etc.

The woven seats of black and white contrasting material are characteristic of Shaker chairs and rocking chairs. Hitchcock chairs and rockers built in Connecticut starting in share many of the Shaker characteristics — except they are more ornate in style, have thrush seats, and are often painted or gilded.

By the midth century, rocking chairs were being designed to be more elaborately ornamented, and more comfortable. During this period, rocking chairs were decorated in the Empire style, and later in Victorian style.

Upholstered seats and backs became especially popular on these Grecian-style pieces of furniture. The rockers had comfortable, contoured seats and backs, as well as open arms. The addition of upholstery not only made the chairs more comfortable, but also contributed to their acceptance as formal parlor pieces of furniture. These rocking chairs were made between and and were large in size.

They were made of mahogany and often the seating area was covered in velvet, tapestry, or haircloth upholstery. They featured rococo wood carving in the shape of rosettes or flowers — particularly on the top of the rocker.

The larger versions were designed for male members of the household. The nickname originated because the rocker was a favorite of President Abraham Lincoln. The Eastlake furniture style was popular between the s and s. The chairs were made in factories throughout the Midwest, in cities such as Grand Rapids, Chicago and Cincinnati.

Charles Locke Eastlake was an English designer who was a leader in the rebellion against Victorian excesses. He advocated a return to value and simple design in furniture. The style, which featured straight lines and simple decoration, appealed to the producers of machine-made factory furniture. Eastlake furniture was made of oak or walnut and was decorated with machined scroll carving and rosettes and burl walnut veneer panels.

These chairs and rockers were often paired with marble top tables. The Eastlake Platform rocker was a rectangular upholstered chair that rested on a platform by connecting springs which allowed the chair to rock.

They were often called Queen Anne Patent Rockers and were often part of parlor sets. The early Sears Roebuck catalogue featured this style of furniture. Wicker rockers, as they were popularly known, were famous for their craftsmanship and elaborate and creative designs.

The first wicker rockers were made in England, but by , wicker rocking chairs were fashionable and new designs, production, and materials for webbing were being created for the American consumer. The materials can be rattan, reed, willow, paper fiber, rush grass, cane, or other grasses, and more recently plastic or resin strands.

American ingenuity created a technique whereby sheets of fabric were woven and the sheets were then nailed to chair frames. Still another technique was to use man-made paper fiber and wrap it around long thin wires which were used to create wicker pieces.

The production of wicker rocking chairs reached its peak in America by The style became fashionable again in the mid-twentieth century and examples can be seen on many porches, patios, and sun rooms in Hummelstown. Because Americans loved their rocking chairs, inventors were always looking for ways to improve the chair or to create new styles. Folding rocking chairs were one example in the Victorian era.

Another example was platform rocking chairs, also known as the spring rocking chairs. They were a technically advanced version of the rocking chair because they did not rely on a bowed wooden rocker for movement.

Instead this chair used springs set below the seat and attached to an immobile base or platform of the chair. In effect, one rocked on the springs rather than bowed wood runners.

This also meant that the rocker could be set close to a wall. They were solid in construction, and could be finished with intricately carved wood or upholstered with velvet or embroidered textiles. These chairs are the predecessors of modern day recliners and swivel rockers.

The pressed back rocking chair was a common style during the Victorian era. They were relatively cheap to make when mass produced. They were made from oak and were constructed with a wooden seat panel with oak spindles for the sides, back, and legs of the chair.

The chair was then placed onto a pair of bowed wooden rockers to give the rocking movement. Pressed back rockers could be plain in design or could be highly detailed with carvings and wood turning. This style of Victorian rocking chair was not padded or upholstered, but cushions were often used for comfort. The pressed back chair got its name from the detail on the top rail of the chair, known as the crest rail, which was punched into the wood by using a steam press.

These rocking chairs had low seats and were intended for use in bedrooms as they were smaller than other kinds of chairs. Slipper rocking chairs were often made in oak, ebony, walnut and mahogany.

They often featured decorative upholstery, especially floral motifs. The version for men tended to be sturdy and covered in leather, with curving arms and buttoned detailing. The model for women was smaller in size, and the seat was lower.

The terms "sewing rocker" and "nursing rocker" are often used interchangeably as names for this rocking chair. The arms were omitted purposely so as not to hinder the women as they sewed or rocked an infant. The rocking chair was often included as part of a bedroom set which homeowners could purchase. The rockers with their low seats were used exclusively by women for household tasks in the late 19th and early 20th century.

The low sewing rocker was popular during the times gone by when women were more apt to stay home and do needlepoint projects. Around the beginning of the 20th century, the Arts and Crafts movement was popular in America and England.

The movement was a revolt against what was then though to be excessively ornamented furniture and mechanized methods of construction. Craftsmanship with simplicity in design was extolled. The model for the furniture was the dark oak furniture with simple, rectangular lines characteristic of furnishings in Spanish Missions in California. American furniture makers even named the style after the missions. Famous makers of this furniture were the Stickley brothers and Charles and Henry Greene.

Oak was the preferred wood for this furniture, although cherry and ash were also used. The furniture has characteristic joining of pieces and features darker finishes created by smoking the wood.

Mission-style rockers were famous for their sturdiness, comfort, and simplicity. The Bentwood rocking chair was invented by German inventor Michael Thonet in the mids. Thonet developed and patented a process by which wood was steamed and bent into graceful chair arms and rocking legs that seem to flow into one another seamlessly.

This chair is light and practical, yet elegant. The graceful flow of the wooden rods traditionally follows an S-shaped design that offers one of the best back supports found in any rocker.

A woven cane seat and back are traditional. The elegant artist quality combined with comfortable usability of a classic Bentwood Rocker continues to make it a popular rocker in many homes today. The Amish Rocker and chair are named for the American German sect that first designed it. The style is not an old one — but instead reflects the ingenuity of the Amish who are known as craftsmen of solid, well designed furniture. The Amish would not have used this style of furniture in their homes — instead it was created expressively to be sold to non-Amish homeowners.

Polish out with a clean soft cloth and buff to a shine. Precautions Always test in an inconspicuous area to check results before applying to entire wood surface. Keep away from heat, sparks and flame.

Use with adequate ventilation. Avoid prolonged contact with skin. Call physician immediately. Feed-N-Wax can be used on finished or unfinished wood to help preserve and keep the wood from drying out, fading, or even cracking.

Feed-N-Wax should be used whenever the piece looks faded or dry, usually every 3 to 6 months.

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