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Nothing wrong with the musical backdrops by the way — a lot of dirty, dusty drums and snares, just as can be expected on an MF DOOM record — but the lyrics steal the show here. The album is filled with crazy creative imagery, humor, and dope punchlines, DOOM once again proves lyrically he is in a lane of his own.
Brokelore is the most surprising album of the year. Excellent rhyming — lyrics and flow — and smooth, infectious beats from beginning to end. This is a near-perfect album, expertly blending traditional West Coast and East Coast Hip Hop sounds and adding a unique contemporary vibe.
The mark of a classic? Endless replay value and no skips — Brokelore is such an album. The fact he made a bunch of not-so-good albums had more to do with subpar production than his work on the mic. On Rip The Jacker , his fifth studio album, everything finally comes together for Canibus — resulting in what arguably is his best album.
Forget 50 Cent, this is one of the best albums of One of the biggest albums of the decade. Servants in Heaven , Kings in Hell is the fifth studio album by legendary Philly crew Jedi Mind Tricks and arguably their best, in a series of mostly excellent albums. It is also their best-performing album commercially but still went criminally unnoticed especially when compared to highest selling and wack rap albums from the likes of Lil Wayne, Rick Ross and others like them.
The Rugged Man. But the rest of the album bangs too. In an age of simplistic rhymes and lack of meaningful concepts, Lupe Fiasco brought intelligence and consciousness back to mainstream Hip Hop. Revolutionary Vol. Released just three days before his untimely death on Feb. It serves as the perfect example and as a great inspiration for countless aspiring beatmakers and DJs, showing where talent and dedication can lead to Donuts is the defining masterpiece from an amazingly talented musician who died much too young.
Like Water For Chocolate is just about as good as Be is though, and it is one of those rare albums that musically transcends the genre of Hip Hop but at the same time is pure Hip Hop to the core. With jazzy and soulful production work from the likes of Questlove, J Dilla, and DJ Premier, and with Common in top form on the mic — this truly is a masterpiece that is aging like a fine wine.
Over the years Brother Ali has put together a consistently dope catalog. The third album from the underrated CunninLynguists is a masterpiece from start to finish. Much darker and denser than their more light-hearted and fun first two albums, A Piece Of Strange takes us on a journey following the story of a man and those closest to him in their struggles with right and wrong, love and hate, while at the same time exploring the religion and racism that were and are so prevalent in the south.
The 16 songs contain loose connections with certain defined Biblical numerics and their interpretations. A Piece Of Strange offers excellent production and clever lyrics — the whole album is as good as it gets.
A classic album is timeless, one that will still sound good decades from the date of its release. A classic album can be played again and again, without having to skip tracks.
The album was well received by real Hip Hop heads and critically acclaimed, but it never got the sales or mainstream attention it deserved. This is real Hip Hop and a true underground classic. The thematic and narrative scope of I Phantom is incredible, and even it is heavy stuff at times, this is a brilliant album. Lyrically astute and the production to back up the poignancy of the narrative — this is an important album and one that has to be remembered.
In a year where an album like Nellyville sold over 6 million units, this Mr. Lif masterpiece went largely unnoticed. Masta Ace is one of those few artists who are able to keep reinventing themselves while turning out consistent quality. This album is no exception. The first solo album by Definitive Jux head-honcho El-P builds on the lyrically and sonically dense sound he pioneered with Company Flow, with Fun Crusher Plus released via Rawkus Records in as the benchmark album that was instrumental in keeping real Hip Hop alive.
On Fantastic Damage, he produces avant-garde digital beats and drops ill lyrics designed to make you listen carefully and to make you think. More so a collection of songs than an official album, this flawless project from Nas is too great to NOT include on this list. Diamond District is the truth. In The Ruff is that perfect example of an album with a Golden Age sound but with one leg firmly in the present as well.
Oddisee is a talented producer and emcee, and together with emcees X. Three-in-a-row for Eminem. Production is excellent — with some of the soundscapes provided by a young Kanye West in top form — and lyrically Scarface is at his best, deftly balancing his trademark street tales with conscious commentaries.
Hi-Tek comes with excellent production throughout and Talib Kweli once again proves he is a gifted emcee who can write meaningful lyrics and has the emcee skills to deliver them.
No skippable tracks on this album — quality all the way. We think so. The album features production by Blockhead, El-P, Rob Sonic, and Aesop Rock himself — so there need be no doubt about the quality of the soundscapes. People often overlook his lyrical abilities, though. Aesop Rock is underrated as an emcee — each track on this album is a carefully created gem of lyrical genius. This is an album that is among the most important of the decade.
Perfectly capturing that throwback Hip Hop vibe, this Californian crew are all about flawless emceeing over dope instrumentals. Chali 2na, Mark 7even, Zaakir, and Akil can flow and harmonize with the best of them.
Much needed upbeat Hip Hop in times when materialism and violence of gangsta wannabes dominated the mainstream. Ghostface Killah is the most prolific and consistent artist out of the Wu-Tang camp. Starting with his dope solo-debut Ironman in , over the decades he has put together an amazingly high-quality catalog, stocked with gems and containing very few duds in contrast to most of his Wu-Tang colleagues. Percee P is a criminally underrated emcee.
One of the best lyricists in the game, ever. Active in the Hip Hop game since the s — and always stealing the show as a guest emcee on other peoples albums — Perseverance , his official solo debut album came out as late as If he could have gotten himself released in the early 90s, no doubt he would be widely recognized now as one of the all-time greats. As it is, this album may have come too late — in a time when Hip Hop was being watered down and dumbed down for near on a decade already and quality Hip Hop like this was not promoted anymore by the big money people.
This is a real Hip Hop album, that should have a place in any real heads collection. Superior lyrical skill, astute lyrics and produced by one of the best producers in the game: Madlib. As always with Aesop Rock, the soundscapes are innovative and exciting, and you need to really close to his next-level wordplay to get his meaning — this is another one of those artists who make music for thinking people. Hip Hop in its purest form.
As always, Jurassic 5 brings Hip Hop with a great nostalgic throw-back vibe to it: fresh, fun and positive — much needed in the early millennium when emptyheaded gangsta-pop materialism had taken over the mainstream. Desire is the second solo album from Pharoahe Monch, released eight years! Eight years is a long wait for a follow-up, but Desire was worth the wait. The album offers hard-hitting boom bap beats with Pharoahe Monch exercising his insane flow with extreme precision and style.
Lyrically complex, but thoroughly enjoyable, Desire is one of those albums that is not be missed by those who are into Hip Hop for grown-ups.
In an era where conscious Hip Hop had long lost the spotlight to dumb materialism and violence, dead prez was one of the crews who kept the tradition started by Public Enemy and KRS-One alive: bringing intelligent, socially and politically charged messages over some kick-ass beats.
Could he redo that acclaim with his sophomore album, The Cool? Damn sure. Dolan, and Alias. Joe Beats handles all production duties on Hope , ensuring a musically cohesive and consistently dope sound throughout. Elzhi is one of the most underrated emcees in the game. The Detroit lyrical giant dropped an instant classic with The Preface. Ace ventures through the Brooklyn streets and goes out on tour with Fats as his unofficial manager.
Universally praised, but underappreciated anyhow on account of poor sales figures. Much like its predecessor Game Theory , Rising Down gives us a slightly darker sound than we were used to on earlier Roots albums. It should be, though. Whatever you think about later-Kanye, his seminal debut album is a true classic. Top-notch beats, top-notch rhymes, and top-notch production — this is the first official release on which the individual Doomtree talent combine their skills to create something that is bigger than the sum of its individual parts.
That being said, he certainly was on the top of his game here — and having Dr. S best album? S favorite. Every single track on this album is great. Like most other Doomtree projects Never Better may require multiple listens to fully appreciate its brilliance — this is not easily digestible and forgettable bubblegum pop-rap after all. What Never Better is, is a creative blend of Hip Hop and other musical styles like punk-rock — with P.
S dropping his challenging semi-abstract, metaphor-heavy but at the same time relatable and accessible lyrics over unique instrumentals. Take an hour, sit yourself down, play the album from the start to finish and read along to let the lyrics sink in. S without a doubt. Reminiscent of the ferocity and insightfulness we know from early Public Enemy and Ice Cube, Immortal Technique once again pulls no punches — he is without a doubt one of the best, if not THE best political rappers in the game.
Ever since Rhymesayers Entertainment was founded in as an independent record label they have been consistently dropping high-quality Hip Hop from a wide roster of talent. People Under The Stairs have put together a truly excellent catalog over the years, starting in with The Next Step and ending in with their final album Sincerely, the P. Stepfather is the fifth album by the Los Angeles duo — and one their best. Stepfather is a long but totally cohesive album filled with dope beats and rhymes — a testament to the fact that culturally positive Hip Hop will prove to have longevity, much more than the dumbed-down crap that was and is dominating the mainstream.
An album like Stepfather will still be listened to decades from now, whereas the bubble-gum rap that may peak for a moment will soon be forgotten. Zion and Amp Live expand their creative and experimental sounds on the album, featuring a wide range of musical styles, laced with intelligent, socially conscious lyrics. Completing the trilogy subjecting around a school theme, Kanye dropped another dope album with Graduation.
Combining the best of The College Dropout and Late Registration , Graduation saw him reaching back into his backpack and bringing good old soulful Hip Hop. Opinions seem to be divided on this one. Some critics consider this to be the worst of the three Felt albums, Felt 3: A Tribute To Rosie Perez is our absolute favorite of the series, however. Everything fits on this album, the beats do work and the synergy between Slug and Murs is awesome — they bounce bars of each other like Run and DMC did in their best days.
Just one of the many Rhymesayers Entertainment gems. In their own words:. Great beats, great lyrics, great hooks. Fashawn comes off like a seasoned vet, commanding every track with ease.
Boy Meets World is an awesome debut by a great talent Fashawn was just 21 at the time of its release , and it still is his best work to date.
Some dope guest spots, great vibe — this is an album for the ages. An album that tends to be overlooked for all the wrong reasons, The B. Coming is the best Beanie Sigel album. While his previous albums had everything you wanted out of the Broad Street Bully, the music here and the focus he brought with it is amazing.
For SouthernUnderground the trio employed Mr. SOS to accompany on vocals for much of the album. Filled with jazzy and soulful beats, great sampling and lyrics worth listening to, The Find simply is an amazing debut and an all-around brilliant album — one for the true Hip Hop connoisseur. Ipecac Neat is P. Energetic and angry-sounding lyrically as well as musically, Ipecac Neat offers an intense listening experience that is aging quite well.
A hidden gem and an essential piece of the Doomtree legacy. Much like People Under The Stairs, Cunninlynguists is another one of those crews that have succeeded in putting together an amazingly consistent body of work over the years.
In his two decades in the Hip Hop game, Murs has released a whole bunch of excellent albums — solo as well as collaborative efforts. This may very well be one of his best, the first collaboration album he did with producer extraordinaire 9th Wonder. Murs is another one of those rare personalities in Hip Hop who is always completely real. No fronting, no posing — just honesty and real emotion. But it is all good — at 10 tracks the album is short but sweet and there are no weak spots.
With pressures from fans to deliver a sequel, Raekwon finally did so in Everything from the cover to the feel of the album was reminiscent of the original. Mm… Food is one of those albums. Kind of a concept album, as every track is compiled primarily of food-related subject matter. The food-related content works better than you might expect, particularly when DOOM uses it as a means to cleverly diss other emcees.
It also sounded way ahead of its time when it came out — still sounds ahead of its time today. This album was hugely influential too, it was essential in establishing the Grime niche in UK Hip Hop.
Boy In Da Corner proves that creative audacity and raw authenticity can go a long way. Journey to Anywhere is the first full-length studio album by Long Beach, California trio Ugly Duckling, bringing a sound that was very atypical for West Coast Hip Hop at that time, or in fact ever. Like fellow Californians Jurassic 5, Ugly Duckling is all about Hip Hop tradition and this excellent debut album is fresh, entertaining and fun — a tribute to Hip Hop and its origins.
This really is a unique album. The two never physically met until after the album was done. Where dumbed down factory rap was selling millions of copies, this gem of an album sold less than None of his solo-albums ever reached the same level of classic-ness as those two absolute Hip Hop monuments, but Eardrum comes close enough.
Their debut album Nia is an absolute masterpiece, so to come up with a follow-up a strong as Nia was a near impossible task. Nevertheless, Blazing Arrow is a great album that just has to be mentioned among the best albums of the decade. The beats on this album are simply fantastic. Smooth, crisp, sample-driven and jazzy — they offer an intense feeling of nostalgia.
Travel At Your Own Pace is an excellent, but sadly slept-on album. Most will agree that Illmatic is his absolute best album and Nastradamus his messy worst, but in between those two? Another act Serch was responsible for bringing into existence is Non-Phixion.
This is an effective and powerful album, one of the first of many dope albums to emerge from the wider Non-Phixion camp. The Name, The Motto, The Outcome is deep, layered, and complex — both lyrically and musically — and not an easy album to get into maybe, but one that amply rewards those who are willing and able to invest the time and attention this gem deserves.
The label underrated is over-used, but J-Live truly is one of the most slept-on acts in the Hip Hop game. This mock interview excerpt taken from the first cut on Then What Happened? How many records have you released as J Live?
A little over five How many records have you sold combined since your first album? Yes sir I can hardly believe that unless they were blind, deaf and dumb Well they were made blind deaf and dumb b y popular culture since they were babies.
Then What Happened? J-Live is part of the best Hip Hop has to offer. This album is excellent, but sadly almost nobody took notice. Look for this album if you slept on it, you will not be disappointed. Strong beats and strong lyrics — this album is a low-key classic.
We disagree. In fact, we feel Hip Hop Is Dead easily belongs among the best half of his albums. The overall production here is better and more consistent than on most of his albums, and lyrically Nas is as good here as he ever was. With aggressive lyrics, booming production that ranged from murderous to upbeat to soulful to despondent at times, Game gives us an album that is beyond what any of us expected.
An album that sometimes goes unnoticed or slept on by many in the genre, this album is truly the greatest thing that Pusha and Malice created. They would receive the lushest instrumentals from the Neptunes, which worked wonders for them on the album. As always, El Producto brings that innovative, deeply layered, sonically dense flavor — never that run-off-the-mill rap music: left-field Hip Hop at its finest.
Weird, but wonderful. Anyway, after the for most people disappointing Electric Circus , Common came back incredibly strong with Be , for us the best album of his career and one of the best of this decade. Bazooka Tooth is the fourth studio album by Aesop Rock, at 70 minutes a monster of an album. Even at his most accessible Aesop Rock is an acquired taste, and this being his least accessible album makes this a bad entry point for Aesop Rock noobs.
Production-wise Bazooka Tooth takes some getting used to — the lyrics, however, are classic Aesop Rock. He is one of the best lyricists in the game, with an immense vocabulary. This Oakland-based crew is yet another example of how real Hip Hop managed to survive the West Coast gangsta craze and was still alive and kicking around the turn of the century. Positive, socially conscious lyrics over innovative beats and live instrumentation — this is an awesome album.
Ugly Duckling never disappoints. Formed in Long Beach, Los Angeles in the mids, Ugly Duckling has always been different hence Ugly Ducking from most of their local contemporaries in their sound and subject matter. Bang For The Buck is no exception, this is another more than solid UD production filled with old-school boom-bap instrumentals and great wordplay. At 70 minutes, this is a long album — but little if any time is wasted.
This album is dope as f and one of the best to ever emerge out of the Dilated Peoples camp. This triple album, with 20 tracks and around 70 minutes playing time for each of the three albums, by all rights should have been a bloated failure. The glossier production sounded distinctly like what we now think of as "s" compared to the very '90s-sounding Hard Core , and Kim was an even tougher, more compelling rapper on this album than on its predecessor.
And while it lacked a Top 40 hit, The Notorious K. When Kim raps "I guess you know by now who's number one," she practically dares you to suggest it could be anyone else. OutKast did it all. The production -- which combined sampling with live instrumentation and pulled from psychedelia, soul, funk, and more -- was as musically ambitious as the classic '60s and '70s records that OutKast and other rappers were using as source material, yet OutKast and frequent collaborators Organized Noize still made it sound like ahead-of-its-time rap music.
And the rapping itself was just as out of this world as the music. Andre was still three years away from "Hey Ya! As always, Andre's out-in-space style is grounded by Big Boi's more down-to-earth style and bulletproof punchlines, and standout verses by Killer Mike and Gangsta Boo add grit to OutKast's increasingly melodic sound too. These days, it's easy to take for granted how fantastic OutKast were in their prime, and forget how they had to release masterpiece after masterpiece just to get accepted by the East and West Coast scenes that thought the South was a joke.
But whenever you take the time to really dive back into Stankonia , OutKast sound even better than you remember. The hits "Ms. Jackson," "B. It's truly timeless. OutKast were well-established by , but that year also saw the emergence of another soon-to-be Atlanta rap star, Ludacris.
Following Luda's independently-released debut Incognegro , he inked a major label deal with Def Jam South the now-defunct Southern branch of Def Jam , re-recorded a lot of Incongegro 's songs, added a few very key new ones, and came out with the instant-classic Back for the First Time.
OutKast collaborators Organized Noize did produce one track on this album "Game Got Switched" , but Luda represented a different side of the South than OutKast, and the album's most groundbreaking production came from two rising Virginia artists who hadn't contributed to Incongegro : The Neptunes "Southern Hospitality" and Timbaland "Phat Rabbit".
Coming from Virginia, where they were pretty much equidistant from the New York rap scene and the Southern rap scene, The Neptunes and Timbaland absorbed all different kinds of regional sounds and came out with a maximalist, futuristic, genre-defying production style that would define the early s, not just within hip hop but within pop and rock and beyond. Still today, one of the greatest Neptunes beats of all time is "Southern Hospitality," and it was also one of the earliest examples of Luda figuring out how to add real hooks into his music.
Later albums would find him getting more and more pop-friendly, but Back for the First Time is overall pretty raw. It's the Ludacris album of choice if you want him Best Rap Album Of The 2000s Quiz at his hardest and least frilly, and it remains a grand introduction to one of the most charismatic rappers of the early s. Eve came into the s swinging after her breakthrough debut album Let There Be Eve Ruff Ryders' First Lady and her standout verses on Ruff Ryders' first two Ryde or Die compilations, but it was 's Scorpion that established Eve as a superstar and one of the seminal rappers of her generation.
With a Dr. Dre beat and a Gwen Stefani hook on "Let Me Blow Ya Mind," Eve was able to leave her mark on the mainstream Gwen would return the favor three years later by having Eve guest on the Dre-produced "Rich Girl" , but don't let that song overshadow the rest of Scorpion. Eve loads the album with menacing bars, and the bold, dark production of most of the album only makes her sound more sinister.
Dre shows up again on "That's What It Is," which goes as hard as any of the Dre-produced hits of the era. A good 15 years at least before Run The Jewels, El-P was running underground rap as a member of Company Flow, a producer, a solo artist, and the co-owner of the Definitive Jux label.
Not a million miles away from the Deltron album, El's production on The Cold Vein pulled from the boom bap and turntable scratches of the '90s, but in a way that was cinematic and psychedelic and sounded like it was from the future. Vast Aire and Vordul Mega rise to the occasion with wordplay and tongue-twisters that are just as mind-bending as the production, and they always manage to talk about real shit, even when they sound surrealist on the surface.
Jay-Z made a name for himself rapping alongside Jaz-O and then Big Daddy Kane in the late '80s and early '90s, but took his time when it came to making his own album.
And while he was watching and waiting, the young Queensbridge rapper Nas released his debut album Illmatic , an instant-classic that received a now-legendary score of five mics from The Source and changed rap forever. Jay took obvious notes from Illmatic and sampled a line from it when he finally released his own debut album, 's Reasonable Doubt.
Gone was the fast-rapping Jay-Z of the Jaz-O days and in his place was an artist with a smoother, grittier style who told real-life stories of life on the streets in Brooklyn over some of the finest production of the era courtesy of Ski, Clark Kent, Illmatic contributor DJ Premier, and others. Jay-Z intended for Reasonable Doubt to be a classic, and it was, but it wasn't the instantly-game-changing album that Illmatic was and it couldn't compete with the flashy, pop-crossover "Jiggy Era" that Puff Daddy started to lead after Biggie's tragic death.
So Jay-Z went in an increasingly pop direction, and by the time of his single "Hard Knock Life Ghetto Anthem ," he wasn't just competing with the "Jiggy Era," he was starting to take over. Going pop in the late '90s and early s also meant getting dissed by other rappers, among them Prodigy of Mobb Deep and Nas, whose feud with Jay-Z was about to boil over as Jay-Z geared up for his best album since Reasonable Doubt , The Blueprint.
Months before its release, Jay made Hot 97 Summer Jam history by debuting "Takeover," a diss track aimed at Prodigy and Nas, during his set, alongside a childhood photo of Prodigy in dance clothes on the big screen. The finished version of "Takeover" ended up on The Blueprint , and the studio version proved it to be not just a brutal diss track but also a genuinely great song, and one of many on The Blueprint.
Production came largely from Just Blaze and Kanye West plus Bink, Timbaland, Eminem, and others , and together they established a rich, soulful production style that would dominate rap for years.
Unlike his previous guest-filled albums, Jay carried the album almost entirely by himself, and he never lost steam. The only guest appearance came from Eminem on "Renegade," and look, Nas is right, Em out-rapped Jay on the track, but Jay still packed some of his finest rhyme schemes into that song.
That's mostly a good thing, but like his former collaborator El-P whose Def Jux label he was signed to in the early s , Aesop Rock was always one of the genuinely good ones. He's always sounded like he has a lot of respect for the hip hop traditions that his music is steeped in, and he's always been a great rapper and producer.
He remains prolific and consistently good to this day, but he was nearly unstoppable in the early s, during which time he released a handful of now-classic records, including Labor Days.
In hindsight, Labor Days doesn't actually sound like the antithesis to albums like The Blueprint ; it feels like it's coming from a similar place as Jay-Z was.
The production largely by Blockhead and Aesop himself sounds very much inspired by the hazy, head-nodding boom bap of '90s New Best Rap Album Of The 2000s Ii York rap, and Aesop's word-scrambling delivery falls right into the pocket. Jay-Z's claim that Nas had a "one hot album every 10 year average" wasn't entirely fair, but by the end of the '90s, it was hard to deny that Jay-Z was enjoying more critical and commercial success than ever and Nas' relevancy was fading.
But when Jay-Z brought national attention to their feud on "Takeover," it lit a fire up under Nas' ass and resulted not just in the response track "Ether" but also in the best Nas album since Illmatic. Like "Takeover," "Ether" is brutal but also a great song though, as was too often the case in early s rap, it's riddled with homophobia.
It's the reason "ether" -- as in, to utterly destroy someone -- is now a verb, and it's also the reason that "stan" is a noun. It comes from Eminem's song, but Nas made it a noun.
Stillmatic is more than "Ether" though, and Nas making such a great album really spoke more volumes against Jay-Z's claims than any line in "Ether. El-P is an artist who never stops inventing himself, and whose old stuff never sounds outdated no matter how many times he pushes his career forward. These days, he's more famous than ever as one half of Run The Jewels, but he was running underground rap two decades ago and his music from that era sounds as forward-thinking today as it did then.
After the breakup of his great '90s group Company Flow, El went solo with his debut album Fantastic Damage , a drastic artistic leap from Co Flow's already-classic Funcrusher Plus. As both the rapper and the producer, El had full creative control over Fantastic Damage and was able to establish himself as a true visionary. More than just a collection of beats and rhymes, Fantastic Damage is full of musical ebbs and flows and really plays out like a much grander statement than any of its individual songs could on their own.
Lif, and more , and it's especially thrilling to listen back to El-P's raps on this album now that we're so used to hearing him with Run The Jewels. We've seen so many rappers make one or two classic albums and fall off, but it's less often that we see someone evolve over time like El-P. The place he's at now as an artist really makes you see his classic records in a different light. If we're picking one album per artist, a lot of people would go with 's near-perfect The Marshall Mathers LP for Eminem, but if pressed, I always go with The Eminem Show because it feels like the grand finale to the classic Eminem era.
An artist who almost always knew how to title an album, Marshall Mathers introduced the world to his massively offensive alter-ego Slim Shady on 's The Slim Shady LP , he introduced us to the man behind the madness on The Marshall Mathers LP , and he took a look at the impact Eminem the artist had on the world with The Eminem Show.
He also admitted the show was over with 's Encore , and then made a series of failed comeback attempts with Relapse , Recovery , The Marshall Mathers LP 2 , and Revival , before finally abandoning this trend on the still-just-okay-sounding Kamikaze and Music to Be Murdered By.
Eminem catapulted to the forefront of rap because of white privilege but also became a scapegoat for everything white suburban conservatives hated about rap, and there's perhaps no better response to all of it than "White America," the first proper song on The Eminem Show.
And then there's "Sing for the Moment. You might argue that song ruined white rap forever and also unfortunately convinced Eminem he needed more and more ballads on later albums , but it also spoke directly to and validated the feelings of a lot of kids who needed to hear it.
The Eminem Show also attacked George W. Bush "Square Dance" , took on personal issues like the toll fame takes on a person "Say Goodbye Hollywood" and fatherhood "Hailie's Song" , and also reminded the world Eminem was still better than most people at making straight-up rap songs "Business".
Dre, "Business" found Eminem packing so many career-best punchlines over a top-tier Dre beat, reminding us that -- when you put all the baggage associated with Eminem aside -- he was truly one of the greats at the pure art of rapping. As mentioned in the Ludacris blurb, The Neptunes Pharrell Williams and Chad Hugo were crafting a new sound in the early s that changed rap and pop music overall forever, and though they produced songs for tons of artists, their closest relationship was with fellow Virginia Beach duo Clipse, aka brothers Pusha T and No Malice.
The Neptunes produced all the music on Lord Willin' , one of the truly original debut albums of the s. The Neptunes' bright, multi-layered, rhythmic production sounded like a futuristic beach dance party, but Push and Malice's raps were as cold and deadly as anything coming out of New York. As with El-P, there's a different appeal to early Clipse records today than there was at the time because of the revitalized career Pusha T has had ever since hooking up with Kanye West in the s which so far hit its highest peak with 's Daytona.
He's one of the best rappers in the world right now , which seems all the more impressive when you remember he was putting out classics two decades ago. These days, he sounds right at home over Kanye beats or on psychedelic Griselda and Freddie Gibbs tracks , but when you wanna hear him over out-of-this-world Neptunes production, there's nothing like Clipse.
The Neptunes' core, hometown collaborators were Clipse, and likeminded Virginia producer Timbaland's was Missy Elliott. They'd been making records together since Missy' debut album Supa Dupa Fly , and they proved to be a dynamic duo.
It's hard to pick just one early s Missy Elliott album a lot of people would've understandably went with 's Miss E It's a little shorter and tighter than the ones that led up to it, and with less guests crowding the album, there's more time for Missy to shine on her own. Missy was far and away one of the best rappers of the early s -- charismatic, innovative, and unmistakable, no one else scratches the itch if you're in the mood for Missy Elliott.
She was also a great singer and songwriter, and production wiz Timbaland knew exactly how to craft the kinds of beats she needed for her songs to reach their fullest potential. The Roots came into the s riding high off the strength of 's Things Fall Apart -- widely and deservingly regarded as one of their best albums -- and they just kept pushing forward with their first new album of the new millennium, Phrenology.
With everything from a hardcore punk interlude "!!!!!!! Like Pusha T, Black Thought is a lifer who's now also a regular of the new wave of golden age-inspired rap , and he still manages to get even better. Some of the albums on this list feel very much like a product of the early s, but not Phrenology. The Roots made great records in the '90s, the '00s, and the '10s, and they always feel like they're transported to our world from a time and place of their own.
Phrenology was a multi-genre, album-oriented masterwork, but Common's Electric Circus -- made in collaboration with The Roots' Questlove, future Roots member James Poyser, and other members of the Soulquarians collective, and released just a few weeks after Phrenology -- took that concept to another level. Down to the album artwork, Electric Circus was modeled more after pop opuses like Sgt. Pepper's then after other rap albums, and it almost entirely eschewed standard hip hop production in favor of a lively, multi-layered mix of psychedelic rock, funk, and soul.
It's more that all these extremely talented individuals came together to create this vast piece of work that was unlike anything else coming out at the time, and unlike any Common album before or since. It's an anomaly, and you can still hear its impact echoing in some of the very best modern rap albums like My Beautiful Dark Twisted Fantasy and To Pimp A Butterfly , both of which marched through the doors that Electric Circus kicked open.
In the earlier days of hip hop -- way before the internet blurred the lines between "mixtape" and "album" -- a mixtape was usually something put together by a DJ like DJ Clue or Kid Capri, who would mix together a compilation of songs and often have exclusives of previously-unreleased verses or help popularize new rappers in the process.
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ELSAN
11.10.2020 at 18:22:18
tenha_tural
11.10.2020 at 16:40:28