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As a disheveled Worf arrives on the bridge, Lieutenant Daniels at tactical reports an incoming hail from Admiral Dougherty. On screen, the image of Dougherty and Ru'afo appears. Dougherty admits his surprise at seeing Picard here in the Briar Patch, then tells the captain that he hasn't got good news. Following the attack on Ru'afo's ship, Dougherty has concluded that Data must be neutralized.
Ru'afo is less tactful than the admiral, angrily telling Picard that " your android has become dangerously violent, " and suggesting that he must be destroyed. Picard sympathizes, but tells both men that if Data is to be captured, he should be the one to do it. Admiral Dougherty reluctantly agrees, giving Picard twelve hours. Picard and Worf board a shuttlecraft and head away from the Enterprise , toward the Ba'ku planet.
Working the controls, neither officer can locate Data's scoutship — the rings around Ba'ku may be interfering with their sensors. The search is abruptly ended, though, when the Enterprise shuttle jolts under phaser fire and Data's scoutship makes its appearance.
Unable to shake the attacking Data, Picard attempts to reason with him over communications. Data does not respond. The captain pilots the shuttlecraft towards the planet, hoping to shake the scoutship in the atmosphere. Data continues to pursue, chasing Picard and Worf's shuttle into the clouds of the planet.
The captain reasons that Data must be functioning on some level that could be reached through memory recall. However reluctantly, Worf too begins to sing along as the shuttles chase each other in the skies above Ba'ku. Data responds in kind, reciting the lyrics to the song and giving Picard and Worf the distraction they need. The Enterprise shuttle creeps up to the mission scoutship and engages its docking clamps , securing the two ships together.
Aboard the scoutship, Data realizes what has happened and is quick to react, engaging his engines and sending both ships into a barrel roll towards the surface. On the Enterprise shuttle, Picard and Worf struggle to hold on as they spiral toward the quickly advancing ground.
Working the helm, Picard is able to pull them out of the dive and into a stable flightpath. Worf seizes the opportunity, climbing through a hatch and into Data's scoutship.
Seeing the intruder, Data lunges at Worf, but the Klingon successfully disables the android by the touch of a button on his modified tricorder: " Commander Data is safely in custody. Troi is immediately struck by the peace that surrounds them, the "clarity of perception" of the Ba'ku people. Finding the "hostages" from the duck blind enjoying a lavish meal with the planet's natives, Picard is welcomed by Anij and Sojef, the leaders of the community.
They tell the Starfleet captain that Data was suffering from damage to his positronic brain that they were unable to repair. Picard is surprised, it seems the Ba'ku aren't what they appeared to be: capable of space travel and advanced technologies, yet choosing to live a simpler existence.
The captain apologizes for the intrusion then transports away with the Starfleet and Son'a officers, back to the Enterprise. In his ready room, Picard briefs the admiral on his desktop monitor. Dougherty congratulates the captain, genially telling him, " Now, pack your bags and get the hell out of there. Sifting through them, Picard dismisses his work and rises from his chair, standing at the windows overlooking the planet below.
Counselor Troi is busy at work in her counselor's office when the door chimes and Commander Riker enters. Asking Troi if she has a minute, Riker tells the counselor that he thinks he needs a little "counseling". He moves to Troi's chair and lies down, his head in her lap.
Riker is playful, " Maybe you should try lying down. Troi is repulsed, pushing him back and laughing, " Yuck! I never kissed you with a beard before! Picard and La Forge head down a corridor to engineering.
La Forge reports on Data's status, who, it seems, was shot by a Son'a weapon. But, Picard says, the Son'a reported that Data fired first. La Forge disagrees, then is interrupted by a sudden headache — his ocular implants must be bothering him. The two officers arrive at engineering where Data is being held in stasis. La Forge reactivates Data who admits that he seems to be missing several memory engrams.
La Forge holds out his hand and several cybernetic components to which Data responds, " There they are. The android launches into another round of HMS Pinafore , but the captain stops him, " About the mission. Down on the planet, Picard, Data, Anij and Sojef retrace the android's footsteps, finding a Ba'ku boy named Artim playing in a tree with a friend and his pet.
Sojef asks Artim if he can recall where Data first appeared to them. The boy responds that he was playing in the hills by the dam and leads the way. Back aboard the Enterprise , Riker and Troi have reconvened. Sitting in a bathtub in the commander's quarters, Troi uses an old fashioned razor to shave Riker's beard off, his face covered with a thick coat of shaving cream.
The com chirps and Worf signals, telling Riker that Admiral Dougherty is calling to find out why the Enterprise still has not left. Responding to the admiral from his quarters, Riker tells Dougherty that the captain and Data have traveled to the planet to discover the exact cause of Data's malfunction. The admiral is impatient, telling Riker to remind the captain that his twelve hours are up. Arriving at a lake surrounded by snow-topped mountains, Picard and the group of Ba'ku watch Data as he uses his tricorder to scan for evidence.
With heavy deposits of kelbonite in the mountains, Data says, the tricorder's functions are limited. Entering a few more commands into the scanning device, Data detects something "curious", then steps into the lake, disappearing below the surface.
Descending deeper into the lake, Data continues his scans as fish swim past. Finally getting the readings he was in search of, he trudges across the bottom of the lake to a floodgate.
Emerging from the water, the android opens the gate, emptying part of the lake and revealing the glistening hull of an invisible starship.
Data tells Picard that the ship is "clearly of Federation origin. Stepping onto a rowboat, Picard, Data and Anij float out to the cloaked ship to investigate. Crossing the lake, the three arrive at the dripping, invisible hull of the ship.
Data operates his tricorder which opens an airlock , revealing the interior of the ship. Climbing inside, Picard, Data and Anij are stunned to find a perfect, holographic replica of the Ba'ku village… albeit an incomplete one. Picard doesn't understand, clearly Data was shot to prevent the discovery of this giant holoship , but what is its purpose?
Picard deduces that this ship is here to trick the Ba'ku, to transport them en masse to a new location away from their planet. But why? A burst of phaser fire rings out, narrowly missing them. Picard and Data react quickly, shoving Anij out of the ship and away from the crossfire as they fire their phasers. Disabling an attacking Son'a officer, Picard and Data deactivate the holographic simulation and turn back to the lake to find Anij struggling to swim.
The two Enterprise officers leap from the airlock into the water to save the Ba'ku woman. As Picard scoops her into his arms, Data assures them, " In the event of a water landing, I have been designed to serve as a flotation device.
In the Enterprise transporter room , Picard and Data have returned to the ship to find Lieutenant Commander Worf waiting for them. Worf informs the captain that neither the Starfleet nor the Son'a hostages mentioned the holoship in their debriefing. Picard orders the Klingon to debrief them again, then notices a huge blemish on his nose, " Have you been in a fight, Mr.
The officers exit the transporter room into a corridor where a clean-shaven Commander Riker meets them, " Smooth as an android's bottom eh, Data? Picard is determined, " We're not going anywhere. In sickbay , Crusher receives the captain's message, telling him that the Son'a officers refused treatment. When asked about the status of the Starfleet hostages, Crusher replies that they are better than fine, with improved muscle tone and energy.
Picard acknowledges her signal as the doctor turns to her patient, Geordi La Forge. Picard arrives in his quarters and heads to the lavatory. Calling to the computer, he orders music — " Something Latin… the mambo. Dancing towards the mirror, Picard stops to glace at himself and notices his age marks. This gives him pause and he decided to go back down to the planet. Sojef explains that the Ba'ku traveled to this planet hundreds of years ago from a planet where technology threatened their very existence.
Moving to the Briar Patch, the Ba'ku found a new way of life, and have been continually regenerated by a bizarre concentration of metaphasic radiation in the rings of the planet.
The Ba'ku planet is a fountain of youth and Picard understands now why someone would want to take this all away from them. Strolling through the quiet village at night, Anij teaches Picard about Ba'ku customs and tells him about herself. Picard reciprocates by telling her of his life in the Federation and of his desire not to let bloody chapters in history play out again here. One of the references to Earth's history was an indirect mention of the Atlantic Slave Trade.
Anij admits that Picard surprises her, he doesn't stand up to his reputation as an off-lander. Geordi La Forge realizes a longtime dream of his and experiences a real sunrise with his own eyes. Leaving Anij's home, Picard continues his late night tour of the village as the sun begins to rise over the hills.
Spotting one of his officers just beyond the village, Picard climbs to meet Geordi La Forge as he looks out over the scenery. The chief engineer, Picard sees, has also been affected by the metaphasic radiation, his eyes having been fully regenerated.
La Forge tells the captain that he has never seen a real sunrise, but would like to see one before they leave in case the regeneration reverses itself.
The experience of seeing his first sunrise moves Geordi to tears and the two men stand on the hill and watch as day breaks over the picturesque hills of the Ba'ku planet. In orbit , a fleet of Son'a starships enters the area, dwarfing the Enterprise as it flies below them.
Admiral Dougherty and Ru'afo enter the captain's ready room , demanding the release of the Son'a officers and the departure of the Enterprise.
Picard is ready for them, telling them that he found the holoship. Dougherty knows that he has been caught and asks Ru'afo to wait outside. The Son'a, however, refuses and shouts an enraged " NO!!! Dougherty is more calm than his Son'a partner, telling the captain that he looks rested. Picard cuts through pleasantries, telling the admiral that he will report Dougherty's actions to the Federation Council , but Doughterty retorts that he is acting on orders from the Council; they have decided that the Ba'ku are not the native inhabitants of the planet, and it is unnatural for the Ba'ku to be immortal; relocating them will simply restore them to their natural evolution.
Picard is outraged at this sophistry, but Dougherty informs him that they are acting for the greater good: the Son'a have developed a procedure to collect the metaphasic particles from the planet's rings, but the procedure requires them to inject a substance into the rings that starts a thermolytic reaction , after which the planet will be uninhabitable for decades.
The planet is in Federation space, but the Federation cannot duplicate the Son'a's technology — which makes them, " petty thugs " though they may be, the Federation's willing partners. With metaphasics, Doughterty expands, a whole new medical science will evolve, and help billions of people throughout the Federation. Picard tries every argument for delaying the procedure, but Dougherty has an answer for each one: although there are metaphasic particles all over the Briar Patch, only those in the planet's rings are concentrated enough to produce the rejuvenating effects; the Federation's best scientific minds have already examined the Son'a's technology and concluded that it is the only means of collecting the particles; Picard proposes that the Son'a establish a separate colony on the planet until a less-destructive alternative can be found; Dougherty rejoins that the Son'a's senescence is so advanced that it would take ten years of normal exposure to the radiation to begin to reverse it, and many of them won't live that long.
Besides, he adds, the Son'a don't want to live in the middle of the Briar Patch. Becoming exasperated, Dougherty repeats that they are only moving six hundred people.
In cold fury, Picard asks Dougherty to tell him just how many people it takes before what they're doing becomes wrong. Fifty thousand? A million?
How many people does it take, Admiral?! Finished with trying to reason with Picard, Dougherty orders Picard to release the Son'a officers and then depart for the Goren system. Picard goes to his quarters. With a view of the Ba'ku planet below, he slowly removes each of his rank pips and renounces his status as a Starfleet captain.
Aboard the Son'a flagship, Ru'afo is back in the "bodyshop," undergoing more treatment. As a glowing piece of equipment is placed over his head, one of the ship's Tarlac servants activates it, stretching Ru'afo's face. Sitting up, Ru'afo is glad to see his old friend Gallatin , finally released from captivity on the Enterprise. Gallatin tells Ru'afo that he was not hurt, but tells the Ahdar that it was not pleasant being among the Ba'ku.
Ru'afo tells him not to worry about the holoship any longer and says, " Just get the holding cells ready. On board the Cousteau , the captain's yacht , Picard is out of uniform, preparing to go to the surface alone. Beaming supplies aboard the yacht, he opens a cargo container and checks the contents: phaser rifles. Found out, Picard orders his command crew to return to their quarters, but, as Riker says, " No uniform, no orders.
The rest go with him to the surface. Tellingly, it is Data who says, " Saddle up. In a small tactical room adjacent to the Son'a flagship's main bridge, Ru'afo and Dougherty watch a monitor. On the screen, a simulation of the metaphasic extraction plays out. Ru'afo is furious, ordering Gallatin to take a team of shuttles to the surface, to capture the Ba'ku and take the planet by force, adding, " If Picard or any of his people interfere… eliminate them.
On the surface, night has once again fallen over the Ba'ku village. Tournel is high in a tower, ringing a loud bell, shouting to his fellow villagers, " We're leaving the village!
Take only what you need! Pointing to the screen of a small computer terminal, Picard lays out his plan: they will follow the kelbonite deposits in the hills to avoid being captured by the Son'a.
Anij adds that there are caves in the mountains that they can use to hide in. Lights appear in the sky above them: Son'a shuttles swoop low to the ground, firing on the village and destroying several transport inhibitors.
The villagers begin to run for cover, led by the Enterprise officers as explosions light up in the night. Sojef grabs Artim, trying to help him get to safety when he suddenly dissolves with a group of Ba'ku, transported away. Artim yells out for his father as Data scoops him up and carries him away.
Gallatin and his teams return to the Son'a flagship. Arriving in the tactical room, Gallatin has bad news for Ru'afo: the Ba'ku cannot be beamed off the planet as long as they are following the kelbonite. Ru'afo has lost his patience, suggesting they take an assault team to the surface. Gallatin has an alternative suggestion: isolinear tags will allow them to transport the villagers, but it will take time.
With the Enterprise hurrying out of the Briar Patch to expose Ru'afo and Dougherty, they are running out of time and Ru'afo is unwilling to wait. Dougherty offers to contact Commander Riker, to order the Enterprise to turn around, but Ru'afo does not like that plan either.
Instead, he says, he can send his ships to "escort" the Enterprise back to the Ba'ku planet. If people get hurt, Dougherty says, they will lose all the support they have. The Federation is old. In the last twenty-four months, it's been challenged by every major power in the quadrant — the Borg , the Cardassians , the Dominion — they all smell the scent of death on the Federation.
That's why you've embraced our offer — because it will give your dear Federation new life. Well, how badly do you want it, admiral?
Because there are hard choices to be made now. If the Enterprise gets through with news about their brave captain's valiant struggle on behalf of the defenseless Ba'ku, your Federation politicians will waver, your Federation opinion polls will open a public debate, your Federation allies will want their say… need I go on?
As dawn breaks over the hills of the Ba'ku planet, a long stream of villagers winds through a field, an exodus. Data and Artim walk together, stopping to rest near a stream.
Artim says that he cannot imagine what life would be like as a machine. Data confesses that he has often wondered what it would like to a boy. Yes, Data says, citing his advanced chess routines and his mastery of the violin. That proves not to be what Artim means.
After the first of Krige's ten-day shoot, the actress suffered from blisters raised by the tight rubber. A second, soft foam suit was fabricated overnight.
Despite the relative comfort of the new suit, Krige was still required to wear painful silver contact lenses that could be worn for only four minutes at a time. According to Jerry Fleck, the actress never complained.
Borg vessels were handled by John Eaves, based upon script pages, referring to a "tetragon", or rectangular-shaped vessel. Eaves generated drawings in January , labeled "Borg tetragon":. Unable to reuse the Borg cube built for the television series, created out of inexpensive pieces from model kits, a new cube had to be designed. Described by Eaves as "nonsensical", a distinctly new surface was designed, distinguished by interlocking shapes and angles, with a hidden hatchway for Eaves' Borg sphere.
Intricate details of ILM's Borg cube model were achieved through the use of recycled paper clips. Besides several background and stunt performers who changed into Borg, there were also a few Borg mannequins. One of these mannequins was sold off on the It's A Wrap! In their original concept of Zefram Cochrane's warp ship, the Phoenix , Moore and Braga's script referred to a space shuttle-type lander , constructed on a large, outdoor platform.
Difficult to realize without the aid of extensive digital effects, the production searched for more practical methods. Rick Berman ultimately seized upon the idea of utilizing a real nuclear missile, inspiring the writers to adjust the script to accommodate the "irony" of a weapon of mass destruction used to "inaugurate an era of peace.
With the cooperation of the United States military, the production gained permission to shoot within a real missile silo in Green Valley, Arizona, near Tucson. Utilizing the real, though hollowed out Titan II missile still in its silo, the team resolved to construct a new nose to sit atop the missile, acting as the cockpit of the Phoenix. John Eaves:.
Completing his design for the full-size cockpit facade, Eaves next began conceptualizing the second-stage Phoenix , basing his drawings on designs appearing in Michael Okuda's Star Trek Chronology. Incorporating TOS -style warp nacelles into his drawings, Eaves refined the Phoenix from rough drawings to finalized designs over months. Though mostly invisible on screen, a logo for Cochrane's warp ship was also designed by Eaves on the fly.
Calling a number of gift shops in the area, Eaves was finally able to locate a postcard with an appropriate picture of the phoenix he remembered. Taking the postcard to a local store, the gift shop owner faxed a picture of the phoenix to the Paramount production offices where Eaves went to work.
With only a single pass, the logo was approved by Rick Berman. In the spring of , newly-recruited director Jonathan Frakes and producer Rick Berman cast their three "guest stars". Two-time Academy Award winner Tom Hanks, an admitted Trekker, was slated to play Zefram Cochrane but he was busy with his directorial debut.
According to Jonathan Frakes: " In spite of having been nominated for an Academy Award, he actually came in and read for the part He nailed it. He left Berman and me with our jaws in our laps. For the role of Lily, Frakes' immediate inclination after reading the script was to cast actress Alfre Woodard.
Woodard, an Oscar nominee herself and multiple Emmy Award winner, was Frakes' self-proclaimed "godmother": " The first time we got through the script, I think everyone's first words were 'Alfre Woodard'.
Phillips' role went uncredited, a request made by the actor to confuse fans who may or may not recognize him from his role as Neelix. Jack Shearer appears as Admiral Hayes, later reprising the role Hayes apparently escaping the destruction of his ship in Voyager episodes " Hope and Fear " and " Life Line ". Actor Eric Steinberg portrayed Paul Porter , taken early in the film but appearing throughout as a partially assimilated Borg drone in engineering.
Brannon Braga is clearly visible as an extra in the holodeck nightclub as the Borg enter the scene, though writing partner Moore's appearance was never shot — despite sixteen hours of waiting with his then wife Ruby, an anniversary present.
Rumors persist that both Nichelle Nichols and Kelsey Grammer captain of the USS Bozeman from " Cause and Effect " have uncredited "voice cameos", though these claims are unsubstantiated.
Production on Star Trek Resurrection began on 8 April , but within a month, a new title had been chosen. Mere weeks prior, 20th Century Fox had announced the title of the fourth installment in their Alien film franchise: Alien Resurrection. Star Trek: Borg went on to become the title of a video game, released not long after. Minor details in the script, even as shooting was under way, continued to evolve.
Early drafts were vague regarding the fate of the Defiant , DS9's resident warship. Having read the script, Deep Space Nine producer Ira Steven Behr 's only note was an objection to the Rockler T Track Australia Inc apparent destruction of the Defiant. The writers added the clarification "adrift but salvageable" and no mention of the ship's near annihilation was made in the TV series.
Minor details in the script's pages included the ill-fated Enterprise crew member Ensign Lynch , named after a friend of writer Brannon Braga, but thought by many named for Internet critic Timothy W. Moore's then assistant. No reference is made in the finished film to this fact; the producers have denied the rumors. Location shooting dominated the early schedule for the Star Trek: First Contact production team. Two weeks of nighttime shooting followed, with a large village constructed by Herman Zimmerman's art department to represent exterior Bozeman.
A full-size section of the Vulcan lander was brought to this location for the film's finale. The film then moved to Los Angeles Union Station's art deco restaurant where the Dixon Hill holonovel sequence played out, including over extras in period costumes and two Borg drones. Production finally moved to Paramount Pictures studios in Hollywood on May 3 for a half day of shooting on the three story Enterprise -E engine room set.
Cameras were then moved from Stage 14 to Stage 15 where scenes were shot on the bridge, observation lounge and ready room sets. Jonathan Frakes recalled:. The next two months were dubbed by the crew, "Borg Hell", with scenes shot on stages 14, 15 and 8 that included heavily made-up Borg extras, stunts, pyrotechnics, and one large deflector dish.
Likely the film's most labor intensive sequence to shoot was the battle on the Enterprise hull, on the film's largest set. The deflector dish itself, while massive, was shot at angles intended to exaggerate its size — the manual input computers were labeled "AE35", a subtle reference to A Space Odyssey. The sequence also required Patrick Stewart as Picard, Michael Dorn as Worf, and Neal McDonough as Hawk to wear restrictive environmental suits that incorporated internal lighting and cooling systems.
With the addition of flying rigs and complex stunts, tempers on the set were pushed, as was Patrick Stewart's endurance; the actor suffered breathing problems in his spacesuit, halting production for an entire day. Problems also arose in the realism of the sequence, with smoke rising from the set, then quickly falling, contrary to the physics of real life zero-G.
This required Frakes to shoot around the smoke, or shoot takes short enough to prevent the falling smoke to be seen. Writers Moore and Braga agreed that, had the film been produced only a few years later, the entire sequence was likely to have been less complicated if shot with computer-generated sets.
Despite the complications, Star Trek: First Contact wrapped production on 2 July two days over schedule , with the flashback that opened the film. Fittingly, the sequence required Patrick Stewart to don the Starfleet uniform he had worn for at least five of the seven seasons on Star Trek: The Next Generation. Moore, everyone involved with the film knew it was going to be a hit. As described by visual effects supervisor John Knoll , time allotted for post production visual effects and model building resulted in a "brutal effort".
Not only did ILM's team have to construct the Enterprise -E, large models representing the Borg sphere, the new Borg cube, and the Phoenix were also required. The Millennium Falcon appears below an Akira -class starship. Even more so than the previous film, the First Contact visual effects team also utilized computer-generated imagery, lending itself to sequences that required large numbers of starships.
To stand up to the Borg cube alongside the new Enterprise and the old Defiant , ILM art director Alex Jaeger designed sixteen new Starfleet vessels, four of them rendered digitally and appearing in the massive opening battle sequence. The new starships included Akira -class , Saber -class , Steamrunner -class , and Norway -class vessels; the latter starship was lost after production due to a computer glitch, never to appear in Star Trek again.
Also included in the melee were a Nebula -class starship, a Miranda -class vessel, and an Oberth -class science ship in its final use. Other computer-generated vessels included the John Eaves' designed Enterprise escape pods and the Vulcan lander, constructed by the VisionArt company.
At that time, First Contact included more complex visual effects shots than any Star Trek film before; low-tech methods, however, were still utilized. Close-up shots of La Forge's new ocular implants were achieved through the use of a sprocket-shaped shower handle, matted against black contact lenses.
Because of his hectic schedule, Goldsmith shared much of the work with his son, Joel Goldsmith; as a result much of the music in First Contact does not appear on the commercial soundtrack. It can be heard just after the opening fanfare at the beginning of the film.
It can also be heard only briefly in Insurrection , but is used quite heavily in Star Trek Nemesis. Also repeated in First Contact was the Klingon theme, originally introduced in The Motion Picture and used in this film to represent Worf. Hylas is a homesick young sailor being rocked to sleep by the sea as he dreams of the homeland he will never see again.
They criticized, however, the choice of Roy Orbison 's " Ooby Dooby " as being "too goofy". The teaser trailer for Star Trek: First Contact premiered with Paramount movies in early summer Inter-cut with sequences from the film, the reused footage included snippets of " The Best of Both Worlds " and " Emissary ".
Both the teaser and theatrical trailers included footage unique only to them, with some visual effects created specifically for the trailer. Unique shots included the USS Voyager firing phasers at a differently-designed Borg cube and an alternate version of Picard's soon-to-be infamous speech, " The line must be drawn here!
Crusher and demands to be taken to the bridge, and an extended scene on Earth where Zefram Cochrane asks Geordi La Forge about his eyes. This appears to be the only evidence of cut material; no deleted scenes have surfaced or been officially released. As with the previous film and TNG, Playmates Toys released a line of action figures and accessories in conjunction with the premiere of the film. Among the toys was a model of the Enterprise -E, apparently based upon early sketches of the ship and not the finalized version — featuring several key structural differences from the finalized design.
Out of scale to their previous lines, the larger First Contact action figures were made in the likenesses of the entire Enterprise -E crew, Lily, Zefram Cochrane, Picard in an environmental suit, and a Borg drone — also based on production drawings.
Marvel Comics released both a comic adaptation of the movie, and a sequel comic book that crossed the crew with the X-Men in " Second Contact ". First Contact novelizations and soundtracks were also released, as were updated version of the Star Trek Chronology and Star Trek Encyclopedia. Star Trek: First Contact premiered in American cinemas on 22 November , number one at the box office. It was the highest grossing Star Trek film overall in that territory until the release of Star Trek.
The film, however, was considered by most to be not only a financial success, but a critical one as well, beating out both The Wrath of Khan and The Voyage Home respectively in this regard, as of only to be surpassed by 's Star Trek by the slimmest of margins. While often negative in his reviews of other Trek films, Ebert elaborated, " how I love the Star Trek jargon! Leydon concluded, " If First Contact is indicative of what the next generation of Star Trek movies will be like, the franchise is certain to live long and prosper.
The First Contact novelization establishes that during the Battle of Sector as the Defiant attacked the Borg Cube, Worf thought that by keeping the Enterprise away from the battle, Starfleet Command was doing Picard a great dishonor by not allowing him the opportunity to gain revenge against his mortal enemy.
This wiki. This wiki All wikis. Sign In Don't have an account? Start a Wiki. Do you like this video? Play Sound. Real World article written from a Production point of view. The Borg. Breaking the Barrier. The Movie Storybook. Official Movie Souvenir Magazine.
Blu-ray Disc Region A. Expanded score. Billy Burton, Jr. Gobruegge Nancy Mickleberry Martha E. Johnston William P. Hawkins Linda A. Myers, Jr. Special Effects Assistants Donald T. Black Andy Evans Logan Z. Look R. Huizing Scott D. Miller Alex Diaz A. Venuto Bernhard Eichholz Patrick M. Gerrety Patrick A. Chitty Walter T. Phelan Joe Colwell John F. Shea Gloria Munoz Thomas D. Bacho, Jr. Haggar Appreciate Editor Travis G.
Ichikawa Construction Coordinator Thomas J. Carroll Clete F. Cetrone Curtis B. Rockler Paint Foreperson Gary A. Clark Production Painter David R. Galvan Greensperson Barry R. Tugendhaft Production Auditor Vincent R. Frakes Lisa J. Olin Assistant to Mr. Lauritson April Rossi Assistant to Mr. Buhmiller Kerry A.
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Contact us Please use eBay messenger service to contact us. We pride ourselves on exceptional customer service and have a dedicated team of knowledgeable helpful staff to answer your emails during office hours Monday-Friday Actually, this could be a very useful tool.
It's well made and is powerful enough for most small jobs for which it was obviously intended. It could be very handy, but for me, it was spoiled by its ergonomics. To be precise I found it very uncomfortable to use. My hands, perhaps not quite large enough, and a little bit arthritic because of my advancing years just could not seem to coordinate the power switch and the safety cut-out feature which is, of course, absolutely vital for the safe use of a power tool of this sort.
It's not enough of a negative to justify sending it back but will inhibit my use of it future. A great pity, because I recognise its potential. Buy this only if you have large hands and a strong grip!
Please Mr Triton, how about a re-design and test it out on persons with smaller hands. Verified purchase: Yes Condition: new Sold by: tool-stop.
Like others I find this plane very difficult to use. I have quite large hands and yet I find it difficult to hold the plane comfortably while holding the power button on.
I can only manage about five minutes use beofre I need to stop to give my hands time to recover. It is a great pity as it looks, and could have been a very hand small tool. It's not like Triton to get it so wrong. Verified purchase: Yes Condition: pre-owned Sold by: sharelead. Brought this thinking you could use with one hand no you can't to awkward to use one handed not very good balance only brought this model because I am disabled and my other one I have had for about 12 years the belt broke and can't find a replacement belt.
Perfect complementary to my full size Dewalt planer. Verified purchase: Yes Condition: new Sold by: aaazltd. Great handy little planer for small jobs. Skip to main content. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Watch this item. People who viewed this item also viewed. Showing Slide 1 of 1 - Carousel. Picture Information Free postage.
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03.04.2021 at 23:41:14
Drakula2006
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