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Will she lift his spirit? Since a motorbike crushed into him, silver spoon William 'Wild Will' Traynor's glamour life as corporate raider turned into a nightmare of near-paralyzed wheelchair agony and bitter solitude. His rich but desperate parents, owners of British town's grand manor and medieval castle, hired perfect male nurse Nathan for all able medical assistance but are up to their fifth audition for a well-paid job as permanent companion.

The only eligible candidate this time is airhead local Lou Clark, daughter of an unemployed laborer, who never holds a job more then a few days. This time however she neglects her jealous-made fiance Patrick, the jock local award gym entrepreneur, trying anything to bond with Will, who slowly starts caring for her company enough to live again, even publicly and abroad, and introduce her to society.

However his incurable condition, extremely vulnerable to any infection, still dictates his determination to get legal euthanasia in Switzerland after the six months ample consideration he promised his parents.

After losing her job as a waitress, a young woman named Lou Emilia Clarke is hired to act as a caregiver for Will Sam Claflin , a banker who was paralyzed in an accident. Although Will has grown despondent since his injury, Lou's no-nonsense ways force him to reconnect with life, and the pair eventually develop feelings for each other..

Sign In. Edit Me Before You Jump to: Summaries 6 Synopsis 1. Data: I don't wanna leave. Chunk: I don't wanna go on any more of your crazy Goonie adventures. Doorbell buzzer sounds in the attic. Everybody heads for the stairs. Mikey: Guys, come on. Where are you going? You don't wanna do this? Picks up the map, flips the doubloon and catches it Sixteen thirty-two. Perkins, Troy's father, has arrived with some paperwork.

Mouth: Senior Jerk alert. Perkins: Hello, little guys. I'm Mr. Perkins, Troy's father. Data: We know who Troy is. He's such a cheap guy. Brand: Motions Data to stop talking Shut up. To Perkins My Dad's not home, Mr. Perkins: Is your mommy here? Brand: No sir, actually she's down at the market buying Pampers for all us kids. Perkins: Laughs slightly, with Bill Papers, Bill. Hands them to Brand You can give these papers your father to, uh, read through, and sign.

Brand steps down from the porch into the rain and collects the papers. Brand: Thank you. Perkins: Thank you. Brand returns to the others standing on the porch.

Brand, Mikey, and the others watch Perkins and Bill return to their car. Data: They can't wait until tomorrow when they foreclose on all the Mouth: Trash the Goondocks.

Brand: When they wreck our house I hope they make it a sandtrap. Mikey: And never get their balls out! Chunk: Going back into the house You know, I think they made me lose my appetite. Everyone goes inside except for Mikey. Brand comes out of the side door and Mikey rushes to him.

They hug. Brand: Mikey? Come on, before you catch a real cold. Drags a limp and depressed Mikey back into the house. Bill: To Perkins You seem to be pretty sure of yourself.

Perkins: The foreclosure is a definite. Chunk is rummaging through the refrigerator. He pulls out a can of whipped cream. Chunk: Oh God, am I depressed. Tilts his head back and squirts whipped cream into his mouth. Then maybe he could get to sleep at night, instead of sitting up trying to figure out a way for all of us to stay here.

Brand: Forget about any adventures, limp-lungs. I let you out and Mom'll ground my ass and I've got a date with Andi on Friday, alright? Mouth: You're dreaming dude. There's no way, 'cause that means her mom's gotta drive.

Then you gotta make it with her and her mom. Mouth is sitting on the counter with his butt hanging over the edge of the sink. Brand turns on the faucet, soaking Mouth's pants. Mikey: Guys, what are we going to do about that Country Club? It's killing our parents. If we don't do something now there's going to be a golf course right where we're standing.

More thunder outside, but the storm is almost over. The Living Room. Brand is in his chair, stretching his chest exerciser. A music video of Cyndi Lauper, singing the Goonies' theme song, is playing.

The boys all have a little huddle, agree on something and then all walk towards Brand. Data: Hey Brand, how far can you stretch that? Brand: It's not that hard. Stretches it the full reach of his arms.

Chunk pins Brand by jumping on his lap. Mikey, Mouth, and Data pull his arms behind the chair and entangle the springs.

Brand is helpless and trapped. The four Goonies race out the door. Mouth deflates the tires on Brand's new bike. Mikey: What are you doing? It took him lawnmower jobs to pay for that.

It's his most favorite thing in the world. Mouth: Now it's his most flattest thing in the world. Let's go! Brand: Still trapped in the chair, struggling, and yelling at Mikey I'm going to hit you so hard when you wake up your clothes are going to be out of style.

Walsh returns home with Rosalita. Brand's chair has now toppled over backwards and Brand is lying on his back. Brand: Oh, Ma. Mom, you gotta let me out of here. Rosalita enters and drops a bag of groceries.

Walsh: Can't you learn how to exercise like a normal kid? Walsh: Look at you. You're hyper-ventrilocating here. Where's your brother? Brand: Desperate, she never helped him Mom! God, what's wrong with you people? Rosalita, come here. Wait, you gotta let me outta here. Rosalita: Laughs, and says something to him in Spanish. She isn't able to help because she is trying to the spilled groceries into the house. Brand: Rosalita, wait. Come here. You gotta let me outta here.

She leaves the room. Brand has finally freed himself. He dashes out of the house to find Mikey. His mom calls out after him. Walsh: Brandon, don't you come home without your brother, or I'll Soft Close Drawer Slides Price Quotes commit hare Hare Krishna!

Walsh: That's exactly what I said. Brand: Starting on his bike and discovering the flat tires What? My new tires! They popped my new tires, Dashes his bike to the ground in anger those son-of-a I'm gonna He sees Data's little sister riding around on her tiny bike. He goes over and lifts her off if it.

Little Sister: Screams as she is lifted off her bike My bike! My bike! Brand: Gets on her tiny bike and starts riding I owe you one. Walsh is working at the museum. He's trying to hang up the flag for the day as the boys ride by on their bikes. Late afternoon. The four boys have been out hunting for the three rock pattern described on the map. Mikey: That's where we're going.

Right around this next curve is Gold Rock Beach. Three rocks, I know it. I've got a feeling about this one. Data: You always have a feeling, Mikey.

Every time you have a feeling you get us in trouble. Mikey: Get us in trouble? You're the one who always gets us in trouble, Double-oh Negative. Chunk: You guys, I'm hungry. I know when my stomach growls there's trouble. Chunk: Labouriously climbing a hill on his bike Hey, you make me go up this big hill, and you said, you said you'd give me a Twinkie.

Now I'm gonna be late for dinner and my mom's gonna yell at me. And she's not gonna let me eat my dinner and she's gonna punish me. Ah, you guys, ah. Anybody got a candybar? Baby Ruth? Brand, in his grey sweatshirt, hood up, and bandana, is riding the little pink bicycle. Along comes Troy, driving his red Mustang.

Andi is in the passenger's seat and Stef is in the back. Troy grins as he adjusts the rear view mirror to peek at Andi's mini-skirt.

She is offended by his actions. Andi: Troy! You touch that mirror again and I swear to God I'm going to smack you in the face. Andi: What is he doing? Troy honks at Brand. Stef: Laughing No wonder he can't get a license. Brand: Looks back, sees Troy, and mutters to himself Oh, no.

Troy: Surprised, turns to Andi Huh? Brand: Out of breath No. Thanks anyway, though. Troy: Trying to further belittle him Yeah Walsh, Grabs his right hand, holding his wrist firmly against the car door let us give you a little ride. Troy starts driving quite fast with Brand in tow. Andi and Stef are fighting with Troy to stop. Troy holds fast to Brand's wrist and Brand has all he can do to keep control of the bike.

Stef: Troy, you're gonna kill him! Brand: Oh, no! Oh, no! As Troy goes even faster the training wheels break off the bike. Sees a turn in the road and the approaching woods Oh my God! Troy follows the right hand bend in the road at about 45 MPH and releases Brand's hand at that moment. Brand cannot stop in time. He goes off the road and flies over an embankment into the woods.

Mikey and the others are carrying their bikes, struggling up a steep hill by the sea. Mouth: Forget it. Chunk: Come on. This better be it, Mikey. Mikey pulls out the doubloon and verifies another critical alignment. Mikey: Guys I think I have a match. I'm sure of it! The lighthouse, the rock, and the restaurant all fit the doubloon.

That must mean that the rich stuff is near the restaurant. So, pulls the map out of his shirt , wait a second, Mouth, I'm going to need you to translate the map because I don't understand Spanish. Pointing Right here. Mouth: Ten times ten. Mouth: Translating Mikey: North. What's north? Which way is north? Mouth: That's where you'll find the treat. Data: Checks his compass and points North is that way. Mikey and Data start counting paces toward the restaurant.

After sixty paces they huddle behind some rocks out of sight. They notice two people in trenchcoats who are walking inside. Mouth: Wait a minute, guys.

There's somebody there. Mikey: Sixty and another forty is an even one hundred, right to the old restaurant. The rich stuff has gotta be there.

Chunk: Nervous and shaking his head I don't know about it Mikey. Hey, it's gettin' late, and hey, that's a summer place.

What's it doing open in the fall? Data: See, there's nothing to be scared of. See, there's already two customers who went inside the restaurant.

Chunk: Yeah, yeah, but what if they're not customers? What if they're drug dealers? Data: Drug dealers? Shit man. Hits Chunk Did you see their clothes? Drug dealers wouldn't be caught dead in those polyester rags. The Goonies continue pacing toward the restaurant. Two gunshots are heard from inside the restaurant. Chunk: Running over and out of breath Mikey, Mikey, Mikey. That sounded like gunshots. Not the big ones that you hear in war movies, but gunshots, real ones.

They're trying to kill us! Mikey: Geez Chunk. Turn off your brain, alright? Someone probably dropped a pot. Mouth: Yeah, just dropped a pot. Chunk: Ah, ah, are you sure, Mikey? Because if you're sure I'm sure, you know. They might pick up the pots, and they might try to kill us.

They're gonna kill us! In fact The others run towards the restaurant. Chunk continues whining. Mikey runs over to silence him.

Chunk finds a soda cooler outside in the front of the restaurant. Chunk: Soda pop! Oh boy, am I thirsty. Opens the cooler but finds it empty Damn it! Slams the lid. Mouth: Peering through the window What's that? Hurry up, hurry up Jake is dragging the body of one of the FBI men into the kitchen.

The boys look in through the dirty windows. They can see movement, but they can't tell exactly what it is. Data: Looks like the cook is carrying something to the kitchen, or something. Mikey: Yeah, food. Looks like food or some kind of trash. Chunk wanders around to the side and see the ORV parked in a garage.

He sees bullet holes in the back and then realizes with fright that he has seen this vehicle before. Chunk runs, panicking back to the doorway to warn the others, but they've opened the door and gone inside. The restaurant looks trashed. It needs a serious make-over. Mouth: This place is a summer restaurant? Looks like it hasn't been open for ten summers. Mama F. Mama F: How long you boys been at that window?

Boys, startled, turn around to face her. Mouth: Long enough to see you need about four hundred roach motels in this place. Jake comes out of the kitchen. Jake: How the hell am I supposed to create with that Smithsonian piece of shi..? Notices the boys and comes over to talk to his mother in Italian. Mama F: Blocking the doorway Jake, these boys are customers. Jake: Italian. Maybe "Mama this isn't a restaurant. Mama F: Italian. Maybe "Shut up and do what I tell you to do, stupid.

Probably "Sorry mama. You make yourselves comfortable, uh? Mama F: in an irritated voice What do you want? They are startled. They jump around to face her, gasping. Data: A glass of water. Mouth: Acting like he's in a fine Italian restaurant No!

I want the Veal Scallopine The other three wish that Mouth would shut up. They are jumping with anxiety, afraid to talk, and trying desperately to make him shut his big mouth by mime-zipping their mouths shut and turning the key. Mouth ignores them and continues. I want the Fettucini Alfredo Kisses his thumb and forefinger like a gourmet chef.

Mama Fratelli grabs him and holds him fast in a headlock, forcing his mouth open by pinching his cheeks. Mama F: The only thing we serve is tongue. She pops open a switchblade in her other hand and forces Mouth's tongue out of his mouth. The other three boys all cover their mouths in terror. Mama F: You boys like tongue?

Closes the switchblade and releases Mouth That all? Sit down! In panic, they hurriedly yank out the chairs from the table and sit down as Mama Fratelli goes into the kitchen. Chunk falls over. Data: What happened to the two guys in the polyester suits that came before us?

What happened to them? Chunk: You guys, if we don't get out of here soon, there's gonna be Some kind of the other three "shhh" him to make him lower his voice Out in the garage, O.. ORV, four wheel drive, bullet holes the size of Mouth: Chunk, I'm starting to O. Mama Fratelli returns with four glasses of pale pinkish liquid. It's water, but probably rusty from old pipes or sitting in a dirty tank for several years.

Data: Thank you, Sir, uh, Ma'am. Mikey: Thank you, Sir She looks at Mikey, who recoils Oh, I mean, Ma'am. Mouth: Holding his glass up to the light This' supposed to be water? Mama F: It's wet, ain't it? Angry Drink it! Mikey begins to act like he has to go to the bathroom to get away from her and check out the rest of the restaurant. Chunk doesn't think that's such a good idea, and tries to dissuade him.

Chunk: Mikey, Mikey, this ain't the kind of place you wanna go to the bathroom in it. Chunk: Nervously, he has to give her an answer Because, they might have daddy long legs in 'em Sees Francis carrying the "trash" through the window. Moves in close to Mikey Dead things. Mouth is trying to coax Mikey's bladder by pouring the dirty water alternately between two glasses.

Mouth: In a deeper voice, while pouring Eh, Mikey Chunk: Killer dead things Mama F: Impatient, so she gives in Downstairs, first door on the right. Mikey: Thank you. Gets up and heads for the stairs. Chunk: Pleading Please Mikey, dead things! Mama F: Shouts as Mikey reaches the stairs Stay to the right! Mikey: I know, "Stay to the right. Mikey pulls out the map and unrolls it as he walks down the steps into the basement.

He hits his head on a hanging light bulb as he reaches the bottom of the stairs. It's very dark and damp. Mikey: I know you're down here, One-eyed Willy. You gotta be down here. I can feel it, One-eyed Willy. I know you're down here. He passes the washroom; it smells Oh man, that stinks! Hears a roar, like that of a lion What the hell was that? Mikey looks around and sees a slightly open door.

Jake is singing to a creature chained to the wall. The creature roars again and interrupts Jake's singing. Jake: Hits the creature, Mikey winces at the cruelty You're ruinin' it. You're ruinin' it. See the feast I made ya? Points to a dinner plate on the floor Look at the feast I made ya.

You wanna eat it? Throws a piece of food at the creature Here, have some. Mikey glances at the dinner plate. Jake continues pelting food scraps at the poor creature's face. Jake: Come on. Go ahead, you'll get something. Turns to leave the room You don't leave me any choice. As Jake is leaving, Mikey flattens himself against the wall hoping Jake won't see him. Jake: Now at the door, looking back You don't leave me any choice!

Closes the door You're just like Mom and Francis. You never let me finish anything. With the door closed Mikey is in plain site. But Jake is not really paying attention and doesn't see him. Creature: through the door Please!!! A mousetrap snaps on Mikey's behind. Mikey grits his teeth, clenches his eyes, and manages to keep quiet.

Jake doesn't notice him; he disappears upstairs. Mikey relaxes and pulls the mousetrap off his pants. The creature cries some more in frustration, yanking at its chains. Mikey opens the door slightly to take a better look. He notices that the dinner plate is out of the creature's reach.

Mikey picks up a nearby broom and uses the long handle to push the plate into the creature's reach. The creature hears the sound of the plate on the floor and turns around. The creature is, in fact, a large man, but with a grossly distorted face. He growls at Mikey who then drops the broom and backs up.

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