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wood-carving-business-name-ideas-english The Fuentes family gained fame from Efrain's carving talents. Woodd The Author. December 16, It's not to say that any of these feelings are wrong, but it's important to ensure that they are in line with your values and mission. Woodworking Network - Cabinets Cedar RapidsIowa, United States About Blog Woodworking Network brings you the latest custom wood products, cabinetry and manufacturing news and trends for commercial wood carving business name ideas english residential woodworkers. JSTOR

However, because a variety of artists and artisans have been creating alebrijes in their own styles, the craft has become part of Mexico's folk art repertoire. Her work can be found across Mexico City and elsewhere, such as those in Europe. She also uses nontraditional materials such as feathers, fantasy stones and modern resins, both for novelty and for durability.

While Pedro Linares dreamed of the creatures, they did Woodworking Business Name Ideas 2020 not surface in a vacuum. Similarities and parallels can be drawn between alebrijes and various supernatural creatures from Mexico's indigenous and European past. In pre-Hispanic art, the brightly colored images were often fantastic and macabre. The parade featured more than giant alebrijes made of wood, cardboard, paper, wire and other materials, and marched from the Zocalo in the historic center of the city to the Angel of Independence monument on Paseo de la Reforma.

Entries by artisans, artists, families and groups each year have gotten bigger, more creative and more numerous, with names like. At the end of the parade, the pieces are lined up on Paseo de la Reforma for judging and displayed for two weeks. However, he states that the aim is to celebrate and not to mock.

The word "alebrije" was not known in Colombia , so the locals dubbed it a "dragoncito" little dragon. Along with "dragoncito" other, smaller pieces of Mexican crafts were shown. Many rural households in the Mexican state of Oaxaca have prospered over the past three decades through the sale of brightly painted, whimsical wood carvings they call alebrijes to international tourists and the owners of ethnic arts shops in the United States, Canada, and Europe.

Then Linares' designs were adapted to the carving of a local wood called copal. The Oaxaca valley area already had a history of carving animal and other types of figures from wood, and Linares' designs were adapted to the carving of a local wood called copal. Attempts to remedy this, with reforestation efforts and management of wild copal trees has only had limited success.

One of the most important things about the fantastical creatures carved of wood is that every piece is removable, it's how you can tell you have a piece carved by one of the original great carvers.

The later Woodwork Small Business Ideas Limited carvers didn't learn the technique of making each piece fit so well that it could be removed and put back in again and again.

Those pieces have more than tripled in value. The painting on these figures is also more intense and varied. Totems of local animals were carved for luck or religious purposes as well as hunting decoys.

Figures were also carved for children as toys, a tradition that continued well into the 20th century. Woodcarving, along with other crafts in Oaxaca, grew in importance as the state opened up to tourism. This started in the s with the Pan-American Highway and has continued to this day with the construction of more roads, airports and other transportation coincided with the rising prosperity of the U.

Oaxacan woodcarving began to be bought in the s by hippies. By the s and s, these carvers had enough of a reputation to sell their work in the city of Oaxaca.

In the s and early s, carvers in the three villages sold pieces mostly to store owners in Oaxaca, with only one carver, Manuel Jimenez , carving full-time. Most other carvers used the craft to supplement incomes from farming and wage labor. It was also considered to be a male occupation. The desire of the foreign merchants for non-indigenous animals and the newly popular alebrijes affected the market.

La Union was less successful in attracting dealers and tourists. Carvings became more complicated and paintings more ornate as families competed against each other.

Ariel Playas , creating a new generation of alebrijes. While the sales trend has been mostly positive for Oaxacan alebrijes, it is dependent on global market fluctuations and on tourism to Oaxaca. Sales rose again in the s. It has not fully recovered since. The alebrije market is divided into two levels, the production of unique, high-quality, labor-intensive pieces and the production of repetitive, average quality and inexpensive pieces.

Those who have produced exceptionally fine pieces have gained reputations as artists, commanding high prices. The most expensive pieces are most often sent abroad. Anthropomorphism is common and carvings of animals playing musical instruments, golfing, fishing, and engaging in other human pursuits are very popular.

The diversity of the figures is due to a segmented market both in Mexico and abroad which rewards novelty and specialization. Devils and skeletons are often parts of more festive scenes depicting them, for example, riding dogs and drinking. However, most families carve as a sideline with agriculture providing basic staples. Despite Oaxaca's reputation for the production of crafts by indigenous peoples, alebrije makers are monolingual Spanish speakers who generally do not identify themselves as a member of an indigenous group although almost all have Zapotec ancestors.

The alebrijes are considered to be novelty items for the makers rather than expressions of a cultural heritage. Due to copies from other places, a certification scheme is being considered to ensure the viability of crafts from this area. That would include educating consumers and working with reputable stores.

The carving of a piece, which is done while the wood is still wet, can last anywhere from hours to a month, depending on the size and fineness of the piece. The only time a more sophisticated tool is used is when a chain saw is employed to cut off a branch or level a base for the proposed figure. After the carving, the figure is then left to dry for up to ten months, depending on its overall size and thickness. Semi tropical wood such as copal is susceptible to insect infestations, and for this reason drying pieces are often soaked in gasoline and sometimes baked to ensure that all insect eggs have been destroyed.

The cracks are filled with small pieces of copal wood and a sawdust resin mixture before painting. These colorings were also used for dying clothing, ceremonial paints and other uses.

However, some still use aniline paints as they have a more rustic look that some customers prefer. Either way, the painting is generally done in two layers, with a solid undercoat and a multicolored designed superimposed.

Originally, woodcarving was a solitary activity with all aspects done by one person, usually a Wood Carving Business Name Ideas Pdf male. As sales soared in the s, the work began to be shared among family members.

Women and children help mostly with sanding and painting, leaving men to contribute less than half of the work that goes into the figures. Despite this, pieces are still referred to as the work of one person, usually the male carver. There are men who paint better than they carve and in the community of San Pedro Taviche , women collect and carve wood about as often as the men.

Families may hire other relatives or strangers if faced with a large order. However, only the most established of carving families can have any permanent outside help and a number of these refuse to hire outsiders.

Almost all alebrije carvers in Oaxaca use the wood of trees from the genus Bursera Family Burseraceae , with a preference for the species B. This tree is typically found in dry tropical forests in Oaxaca and neighboring states. Originally, carvers obtained wood from the local forests on their own.

Copal trees are short and squat and do not yield much wood; every piece is used. Despite this, the success of woodcarving caused an unsustainable drain on local wild copal, and nearly all of the trees near Tilcajete and Arrazola have disappeared. Some communities have simply refused to sell their wood. Trees are felled using an axe or chainsaw. Branches are cut with machetes. Legal or not, the purchase of copal wood from other parts of Oaxaca is putting unsustainable pressure on wild populations in a wider area, forcing copaleros to go further to obtain wood and often to deal with angry locals and police who alternately seek bribes and enforce the law.

Securing supplies of copal wood is a major concern for woodcarvers. Despite the fact that the cost of the wood is not particularly high, despite the effort, [16] the main issue is reliability. Artisans will pay more for their wood only if they are sure they can pass the added cost onto their customers. It takes anywhere from five to ten years for a tree to grow big enough to be harvested branches or entire tree.

However, current needs for the wood far outweigh what these efforts have been able to produce. The benefit to carvers is to promote a reliable source of wood, as well as a trademark called "ecoalebrijes" to help them sell more alebrijes at a higher price.

However, the wood from Jayacatlan is only sold to Arrazola and not to the other major center of Tilcajete. The enthusiasm of Arrazola's woodcarvers stems more from having a supply of good wood than from notions of ecology. Of the three major carving towns, San Martin Tilcajete has experience the most success. He encouraged Cruz to carve masks and later appointed him in charge of a state craft buying center.

Cruz worked at this for four years, learning much about craft selling and getting others from Tilcajete connected to the market. Unlike other carvers, Cruz was open about his techniques and by the late s, about ten men were carving and selling in Tilcajete. Cruz not only taught his methods to others, he was able to purchase many of his neighbors' works. Today, the carving of alebrijes is the economic base of Tilcajete. The event allows visitors to purchase items from local craftsmen directly.

There are usually also vendors selling other local products such as ice cream as well. There are also offerings of local and regional cuisine. More than vendors attend, selling alebrijes, textiles, local dishes, artwork and locally made alcoholic beverages.

Delfino Gutierrez specializes in free-form elephants, frogs, turtles, armadillos and more [35] which are sold in stores in Chicago, California, New York and Israel. The Fuentes family gained fame from Efrain's carving talents. He was featured in an exhibit in Santa Fe, NM when he was only 13 and his work has been featured in at least one book. Maria is the best known painter in the Oaxacan community.

She says that she has about thirty designs that she has developed for carvings, many of which are related to when she made embroidered dresses. Jacobo learned to carve from his father when he was twelve, and later was mentored by elders in his and other communities. While alebrijes designs have been innovative and incorporating modern elements, the Angeles family's designs focus on representations of Zapotec culture.

This can be seen in the painted designs, based on influences such as the friezes of Mitla , and other ancient symbols as well as the continued use in aniline paints made from natural ingredients such as the bark of the copal tree, baking soda, lime juice, pomegranate seeds, zinc, indigo, huitlacoche and cochineal.

Each year, Jacobo travels the United States to promote Oaxacan folk art in general to educational institution as well as a speaker at art institutions. The making of alebrijes in Oaxaca was initially established in Arrazola by Manuel Jimenez. By the late s, he was giving exhibitions in museums in Mexico City and the United States and tourists began visiting his workshop in the s.

He kept his carving techniques strictly within the family with only his sons and a son in law carving with him. For this reason, only six families were carving alebrijes in Arrazola as late as Jimenez died in Many carvers and carving communities engage in specialties in order to have niches in the more competitive alebrije market in Oaxaca. In Arrazola, one of the community's specialty is the carving of complex animal bodies, especially iguanas out of one single piece of wood.

This fair is cosponsored by the Secretary of Tourism for the state of Oaxaca. It occurs in the second half of December, during the Christmas season, with more than sixty artisans who make the figures. The goals are to draw more tourists to the town at this time and to make connections with stores, galleries and museums. Like Tilcajete, Arrazola has a number of well known artisans.

Marcelo Hernandez Vasquez and his sisters have been making alebrijes for eighteen years, [23] and Juan Carlos Santiago is sought out for his penguins. Antonio Aragon makes small, finely carved, realistic deer, dogs, lions and cats, and Sergio Aragon specializes in miniatures. Some of these sales are individual pieces and others are multiple sets such as Frida Kalo surrounded by monkeys.

Sets often take more than a month to make and his work is considered to be in the high end of the market. Santiago's orders extend more than two years in advance. Santiago used to work with a brother and later with a nephew, but today he works mostly solo with his father to help. She does not carve or paint, rather she hires others to do the work while she administrates.

However, she signs all the pieces. Many of her carvers and painters are young men who leave quickly to form workshops of their own. While her workshop is not the only one run in this manner, hers is the newest and most successful. Olga's client base is tourists, which are often brought to her by tour guides, taxi drivers and the like for a commission, and wholesalers. Immediately let people know what they can expect after the interaction with the company.

They have a slightly different approach, by not only focusing on the woodworking itself. While the name and idea behind it is more abstract, it can be very effective when the Wood Carving Business Ideas Review name is combined with the right brand elements. It is a business name that is rather straightforward. Casual, yet concise, this company is well aware of their target audience and the types of services these people are looking for.

You can also try a more laid-back approach in your woodworking brand naming strategy. Find hundreds of Business Names created by branding experts and professional designers at Domainify. Create your own website for FREE! Woodworking Business Name Ideas. Tips from Craig. Here are a few name ideas I came up with:. Click a name to check domain availability. Generate more unique name ideas Generate.

Tips from Kate. With that in mind, here are more business names I came up with:. Tree WoodX. Tips from Marcus. Tips from Sandra. Tips for naming a Woodworking Business. Simplism is the way to go: Your woodworking business name should always be easy to spell, easy to pronounce and easy to remember.

Consider avoiding long names as this will only lead your customers to forget your name and feeling frustrated. To test this point, compare your name to one of the leading woodworking companies in the market. Brainstorm your name ideas: A good brainstorming session can start with a deep analysis of the words and the phrases that are most suited to the respective industry.

In the niche of woodworking, various terms can result in a positive association and some visualization by the reader or prospective client. Creating names that appeal to customer values is a good idea. What comes to mind is words like: Furniture, Carving, Timber, Tree. The use of alliteration: Another sure way to come up with a memorable business name is to use rhythm or alliteration.

These types of business names not only sound great, but are extremely marketable. Get feedback from potential customers: When settling on the ideal business name, it is wise to get the input of your customers for their feedback on the brand name and general impact.

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