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Glaze loss areas. Old repair to wing, otherwise good condition. MP for Southampton Small chips to marble, patinated bronze. Multiple small holes, flakes, tears, rippled at top. Very good con dition. Multiple repaired breaks, edge chips, loss areas to bowl base edges, crazed surfaces. Old repairs to frame. Shrinkage cracks to both sides, replaced hardware. Cleaned and relined, losses to frame. Good condition, all original surface, minor inlay loss, repair to right hinge.
Small rim chips and glaze frits. Most have glaze flakes and losses, ten tiles have larger corner chips, one tile has a repaired break.
Old surface, minor veneer loss on right side of apron, minor old repairs. Folded, light staining. An impressive presentation. Cleaned and relined, fine craquelure, small indentations in background upper right. Good condition, except as noted and except for minor surface stains. Light stretcher impression. Grain flaking on right, away from figures, patch lower right, minor frame loss.
Cleaned and revarnished. Purchased at Vose Gallery, Boston. Cleaned and relined, overall fine craquelure. Material loss to base, losses to pigment, wormage. Masseo Civitali was a nephew of the celebrated sculptor Matteo Civitali , worked in Lucca, Italy between Both were probably involved in the expansion of the Lucca Cathedral of San Martino in Very good condition, exterior yellowed. Cleaned, relined long ago, several punctures and scrapes, overall restoration.
Relined in the 18th c. Cox, Seal Harbor ME. Losses, great patina. Cleaned and revarnished, multiple repaired punctures and tears. Replaced glass, silvering losses, old repairs, gilding losses.
Fine condition, not examined out of frame. Not examined out of frame. A good impression of the second, final state, printed with tone. Kennedy Galleries label verso. Bols f. Soiling to corners. One small spot lower right. Small edge loss on the short ends. In the original green paper boards with remnants of leather spine, stitching intact.
Fifty engraved plates complete. Contents fresh and clean. Retaining damaged title page, lacking frontis portrait of Speed. Foxing throughout, heaviest at first and last, toned throughout. Contents appear to be complete through colophon. Avec Privilege du Roi. In the original vellum, with inked title on spine.
Worn, but intact and fully legible, some page numbers changed by Act. The Second Edition. Printed for William Goldsmith. Missing the General Chart as frontis replaced by poorly glued map of the English Channel, adhered to left edge of title page , plate Falkland Islands;! Water stained, some foxing and mold, tears to some pages, but text is intact.
One plate painted with color. Vertical center bend as issued, very good condition, not examined out of frame. A Amsterdam, Chez J. Covens et C. Mortier, Geographes. Vertical center bend with joint as issued. Vertical center crease, as issued, bends, dimples and toning. A detailed copper engraved map with much information on Peru, showing the course of the Amazon River, providing great detail along the coast from Ecuador to Chile, highlighting gold and silver deposits, and including a number of mythical locations.
Emmanuel Bowen was one of the leading English mapmakers of the eighteenthcentury, and was cartographer to both the French and English Royal Courts. Two maps on one plate of the largest Carribean Islands, Cuba above, Hispaniola below. Each map has its own cartouche. Light bends at bottom. Emmanuel Bowen was one of the leading English mapmakers of the eighteenth-century, and was cartographer to both the French and English Royal Courts.
Copperplate engraving on wove paper, with vertical center joint as issued, in burl walnut bullnose frame, set within mat under UV plexiglass. Toned, bends and losses to edges, bend upper right, upper edge trimmed to plate edge. Copperplate engraving with hand coloring. Good condition, creased as issued. Shows the direction of the currents, bays, points, soundings, harbors, islands, shoals, etc. Includes the best route through the straits, as then known in the late 18th century.
Includes many insets of various parts of the Straits, as well as soundings and other details. A few light spots, vertical crease as issued. Some losses. Warm chocolate patina. Greenish patina, encrusted. Nice age and use patina. Missing frame crown, one earring lobe, nice patina. Good condition, warm patina. Fine age and use patina and wear.
Nice soft polishing. Nice patina. Kiln flaw on the underside of base. Damaged as seen, punctures, scuffs, cracks and toning. Tiny edge chip to shoulder corner. Gilded decoration losses, surface wear, shrinkage cracks to doors. Straits Settlements depiction of a child being presented to a noble on his open veranda overlooking a river valley, signed and with two seals center left edge; he is shown seated on a couch, with an attendant and a secretary, his tea being prepared under a pine at the left by two men, two bonsai trees in the foreground, the child has been carried over a small bridge by two men on the left while an older man attends to two horses at left under a willow; the pagoda stretches off behind the noble, an open pagoda to right holding a round table.
A pleasing composition, housed in a 19th c. A few toned spots in sky from old backing, now replaced, water stain to bottom of brocade. Top water stains and surface abrasions. Minor wear and loss. Teapot spout tip dent, missing handle insulators. Good condition, minor scuffs to top.
Tear and burns to shade interior. Top surface scratches and small gouges, small chips and edge losses to apron. Some wear. Minor losses. Minor gilding wear, otherwise good condition. Minor surface wear, a few tiny areas of enamel loss on base.
Paintings are good, light stain to mat. Nice wear patterns and patina from age and use, a few old repairs. Light staining. Repair to crest rail of one. Two white stone panels cracked, spots to finish on seats. Tiny foot flakes, otherwise good condition. Leather cracks and losses, lid detached from base. The pestle tapers to center ring, with domed ends. Surface wear scratches, and abrasions; lock removed. Edge losses, vignettes very good.
Repaired breaks to four roof dragon tails, gouge to one side of box, corner and edge lacquer chips, one repaired break to openwork panel, chip to one horn of pedestal dragon.
Both have restored breaks, one has hole to one side and front foot chip, both have firing cracks and losses to some raised decoration. Unglazed areas. Base edge and top rim chips, surface wear.
Triangular chip to rim edge. One saucer with tiny rim flake; one saucer with foot flakes; one cup with hairline; three cups with rim flakes. Chips to carving on one side, top rim flakes, base drilled. Drilled base. One missing brass base band. A few small unglazed spots. Base spider hairline, firing flaws. Both in fine condition. Off round shape, minor silver loss.
Interior surface wear, minor silver losses. Interior surface wear. Includes iron museum stand. Lost from the Fall of Rome until Some chips, one cracked in half and rejoined. Drilled bottom. Wear from use. Dented, encrusted, excavated condition as found. Enameling losses, otherwise good condition. Minor wormage, repairs. Surface wear and minor rust, largest has base shrinkage crack, second largest has old base edge repair.
Small hole in the base, surface wear. Tabletop Tilting Mirror on one-drawer base, in sycamore wood with silver, mother-of-pearl and bone inlay, having an ornate crest, turned finial top stanchions, beveled mirror, serpentine front cabinet, set on turnip feet.
Surface wear and scratches. The figure in warm chocolate patina. Bends to bottom edge of plinth. Stains and toning, a few holes. Kashmir Silk Floral Crewelwork on fine black woolen cloth, with wine-colored watered silk border, black silk backing.
Some water stains. Areas of lacquer loss to lid edges and under lid to interior. Silver is worn through to wood on most medallions. One gouge in lower right cheek, both ear lobes chipped. A few minor surface scratches. Chips and losses. Right arm missing. Surface wear, minor surface abrasions and indentations. Silver tinder boxes and strikers were displayed by upper class individuals in vest pockets and used for lighting cigarettes or cigars.
Very good condition, tiny area of bubbling lower right edge in black of dragon. Refurbished surface. Thomas W. He amassed a fortune but died in poverty. Some losses, tail repaired. Good condition, edge wear to wheel from transport. Depicts fishing creel, boat paddle and gaff hook.
All in high three dimensional relief. Top and bottom have carved water lily flowers, c. Has a chip in the top leaf of flower. Great original old surface. Body dents particularly to back , solder repair to base at mounting ring.
Toning, minor water stains and tape marks verso. Minor case exterior surface wear. Missing two ball feet. Case surface wear. Surface scratches, otherwise good condition. Case exterior scratches and abrasions. In a fitted velvet lined presentation box from Georg Jensen Inc.
Two small lid dents. Tiny marble edge flakes, otherwise good condition. She has a ruby necklace. He has lost one drumstick and one shoe bow; her garland is loose.
Minor gilding losses, not observed running. Clock not functioning. In grand Victorian gilt gesso frame. Brown was born in Portland, Maine. He is known for his marine paintings and his views of the White Mountains of New Hampshire, most famously the Crawford Notch area.
After showing at the National Academy from , he moved to London to live with his daughter, where he died. Losses to frame. Minor losses detailing. Cleaned, relined and restored by Fogg Art of Wiscasset, Maine, report verso. Minor chips to stone. Good condition, missing section of molding. Louis XV-style 8-stem Baccarat gilt bronze crystal birdcage-style chandelier with stems alternating in pairs by crystal steeples, having matching center obelisk and crystal sphere center pendant, laden with teardrops, and pendalogues in four ranks at the lower section and two in the upper.
Mother-of-pearl fine hairline cracks between X and XII and near I; stored in a safety deposit box for many years.
Overall measurement Platinum weight With appraisal by GIA certified jeweler. Running condition. Diamond measures 7. Note: small minor nicks on girdle. The Emerald measures 8. Note: some abraded on edge of table facet junctions, minor wear and nicks on the girdle. Platinum weight 2. Ring size 6. Round head with seconds bit. Basket weave band. By Ulysse Nardin. Total Diamond weight approx 5. Hand engraved. Slide in tongue lock with fold over safety and cable link safety chain.
Edge of each box link is hand engraved with a scroll design. Stored in a safety deposit box for many years. Size range 0. Approx total Diamond weight 6. Note: some chipped or nicked Diamonds.
Platinum weight 8. Fine Condition. Light craquelure. Cracked upper left corner. Painting is fine, scuffs to frame. Cleaned and relined, frame re-gilded. Light craquelure, stretcher impression. Good condition, cleaned. The 78 inside row diamonds graduate from 1.
The center rows have 32 Rose cut Diamonds, approx 1. The outside edge is set with both Single cut round Diamonds and Old European cut round Brilliant Cut Diamonds, 94 total on the cut side edge graduating from 1. The brooch measures Platinum eight The handmade bracelet band attached has kite shaped diamonds at case ends with open links connected with straight cut baguette diamond links.
There are 9 total baguette links and 11 open links set with single cut diamonds around the edge. Approx total diamond weight for case and bracelet band 3. With appraisal from GIA certified jeweler. The Emeralds measure approx 4. Average weight 0. Total weight approx Note: some of the Emeralds are chipped and cracked or broken with cracks. Gross weight with stones With original box and packaging.
Overall measurements Approx total Diamond weight 2. Approx total Ruby weight 1. Platinum and Gold weight 7. With original papers. Each bypass is set with 9 Round Brilliant Cut Diamonds on the outside edge, graduating in size from 0.
Approx total Diamond weight 1. Each inside edge is channel set with 10 natural Kashmir blue Sapphires of AAAA quality, Trapezoid square rectangular step cuts graduating in size from 1.
Total Sapphire weight approx 1. Stamped inside shank is Note: Sapphires are custom cut to design, some slight abrasions on facet junctions of the Sapphires.
Ring size 7. Platinum weight 5. A double row of 32 Round Brilliant Cut Diamonds, total weight 1. Platinum and Gold weight 6. Boston with heavy 18K yellow gold hunter case, 18 size, series 1 pocket watch with key wind, key set movement, engine turned case, serial Case marked W.
Weight Appears to be running, recently ser viced. Safely stored in safe deposit box for many years. The center Ruby measures approx 7.
Diamonds range in size from 4. Total Diamond weight approx 1. A cobalt blue enamel plate is behind crown spokes. Gold and Platinum weight Comes with extra brown leather band in presentation case. Meyen, Berlin c. From Jakarta. Total of 56 Diamonds, total Diamond weight approx 1. Platinum weight 4. Note: pin stem is yellow Gold. Platinum gallery on underside has come unsoldered.
Not observed running. Loss to side fretwork on bonnet. Case surface wear, crack above brass inset on right side panel, chipped inset repair to back above door, not observed operating. A few light scratches. Small dent lower right, tiny spot in sky upper right. Door locks, comes with original key.
Fine shrinkage cracks, a few spots of discoloration. Small edge chip to marble, otherwise good condition, no striker. Minor edge flakes to marble. Lacking easel and mounting tabs from the back, warm chocolate patina. Circa Used to operate sawmills and small industrial applications. Found in Maine. Can be operated for demonstration purposes with compressed air. Each set with 18 single cut round diamonds, 2 straight cut baguette diamonds and 9 round brilliant cut diamonds ranging in size from 0.
Approx total diamond eight 4. Overall measurements 1. Approx gold weight 5. Color is creamy white with slight gold-rose overtones. Clasp is a vintage handmade 14kt white gold slide in tab with foldover safety lock. Top is set with on Old Mine Cut diamond in center, approx 0. Approx total diamond weight 2. Clasp is approx Gold weight approx 1 dwt. Clasp is custom made 14kt white gold oval shape box style clasp with foldover lock and set with one rectangle shape baguette diamond in the center and half moon shaped diamonds on each side, with halo of round brilliant cut diamonds set around the edge.
Gold weight approx 1. Several body dents just above base. Silvering losses, especially to stem and foot; lid interior and foot dents. Good operating condition. With appraisal. Moh, M. Setting set with. As a child, Pete collected model ships and planes in addition to live snakes.
A voracious reader, he thoroughly researched the nuances of John J. Shooting expeditions with Dr. Lloyd Newberry turned Pete on to hunting decoys as well as ducks. Reviewing Dr. However, it was Dr. Muller reminisces. Engers, p. Cape Cod auctioneer Richard Bourne auctioned off the Mackey Collection in four separate sales, comprising eight sessions, held at his gallery in Hyannis, Massachusetts.
Bud Ward, Ron Gard, Dr. It seemed for a while that I was going to be able to build a collection just buying directly from Mackey. The eight sessions of the Mackey Collection marked the beginning of the way decoys are now valued and sold. Muller continued to track down and. Some of Dr. Like all of his pursuits, Dr. Muller picked up decoy collecting with unbridled enthusiasm. To Dr. Muller, no effort or distance was too great in the name of decoys.
Pete utilized a method of assessing the condition of carvings far ahead of his time. Being a. Muller at work in his clinic, late s. Muller applied his scientific mind to the decoy field, utilizing both high magnification and x-rays long before most had even conceived of it. He started this in the early s. We believe he was the first to start using x-rays in examining decoys.
He was laughed at, at first, when he started this [practice]. Muller and Dr. The five Mackey auction catalogs, Over five decades, Dr. Muller would go on to acquire more than a dozen top decoys from the Mackey Collection. It was my privilege to have known him since the early s, and I will always remember the many deep conversations and laughs we had over the years. Peter was a man on a mission, and the book that he and his wife Peggy wrote on the Stevens brothers was the culmination of his long, passionate involvement with wooden birds.
The same dedication and energy with which Pete had approached his undergraduate and graduate studies, he now devoted to decoys and their makers. At the Mackey auctions, Dr. Muller met Ray Egan who introduced him to the decoys of the Stevens brothers, two bird carvers from Weedsport, New York.
Muller ended up buying more than ten Stevens decoys from Egan. Intrigued by these generally misunderstood makers, Pete and Peggy would spend the next thirty years researching their lives and carvings. Early on, they discovered that Stevens decoys were hand carved by Harvey Stevens — and his brother, George Stevens — , rather than factory made as was commonly assumed. She argued, wrote and rewrote, cajoled and persevered throughout this effort, which occupied, on and off, the last 15 or more years of our 50 years together.
To Peggy Lane Muller, my wife and co-author, I offer my sincerest gratitude. Muller with the two best catches of his life: Peggy and a pound marlin caught after a six-hour battle on a pound-test fishing line, Acapulco, Mexico, The second day we had the boat, the drive shaft disconnected from the diesel engine, and we experienced an alternator failure.
We were on our own. Most families would have cut their losses and headed back to the states. But not the Mullers! Dad and I reattached the drive shaft using scuba gear, got the batteries recharged on shore, and sailed the boat to a marina where we could get the electrical fixed.
To Dad, this was a memorable, fun adventure. Many vacations were devoted small dinghy and had my brother let it out to fishing, crabbing, sailing, camping, and far behind the larger boat using a long rope. This went on a long time. My the Mullers also travelled abroad, ranging mother kept looking back to make sure I was from Arctic dog sledding to African safari.
The towing rope had come undone. I had no idea as I continued to gaze into the water. My family freaked and turned back to look for me, motoring the sailboat as fast as it would go.
I had no idea anything had happened. They arrived so excited to find me and I was totally confused. I had never looked up. Winds and seas were high at am with temperatures hovering near freezing. We had life jackets, but were heavily loaded down with waders, decoys, etc. As the boat sank beneath me, I prepared to feel the 38 degree water, but, miraculously, the boat stopped sinking— we were in two and a half feet of water!
Undeterred, we dragged the submerged boat to shore, set up our decoys, and had a great hunt. In the evening, we hiked two miles to the ferry dock to cross back to Hilton Head. Muller loved the Cajun and Creole cuisine of his youth.
He relished anything pulled from the sea, whether it be blue crabs, shrimp, oysters, or fish. As soon as I was old enough to hold a crab, my dad was teaching me how to pick them.
I became a whiz with the wooden mallet and my plate, piled high with blue crab meat, was the envy of everyone else at the table. I remember the thrill when one of the crabs would get loose in the boat; my mom would pull her feet up and scream! To this day, I can honestly say that blue crab is my favorite food!
We always had plenty to say to each other, no sitting in restaurants ignoring each other as you see so often with long married couples. Living with Peter Muller was never boring. Muller derived tremendous happiness from being a grandfather. His five granddaughters, Catherine, Elizabeth,. Pete and Peggy with their five granddaughters at their fiftieth-wedding anniversary celebration, Muller worked hard, played hard, and always took delight in the present moment.
This one evening seemed to create a very special bond between Papa and each granddaughter. Of course, he also made sure his granddaughters experienced the ocean and spent time there every summer when they were younger. Of his much beloved daughter-in-law, Dr.
She always shows up when there is a crisis. His incredible number of friends, combined with his boundless enthusiasm, enabled him to live a life filled with adventure and laughter.
Over the course. Muller III for graciously providing stories and photographs for this biography. Sources: Joe Engers.
Muller: Bringing a good eye and an artistic approach to decoy collecting. Dick McIntyre. Marceline, MO: Walsworth Publishing, In January of , a friend of mine who was a deer hunting guide called me to discuss a small problem. He had accepted a fee from a client in Atlanta for a duck hunt. Trouble was, he was not a duck hunting guide and knew nothing about waterfowl. He pleaded with me to bail him out and take this veterinarian, a Dr.
Peter Muller and his wife, Peggy, duck hunting. I did and it was a most fortuitous and propitious event in my life. Pete and Peggy took a limit of broadbill, two ruddies, and a goldeneye, but, much more importantly, we became friends and formed a bond with each other that was to stand for decades. Pete and I both had biology degrees, both collected snakes in our youth, and both loved duck hunting. When he walked in my home the first time, another passion we would share through the years was born.
I had several old Mason and Wildfowler decoys and some original Audubon prints. Pete fell in love with the Audubons and must have held those decoys for several hours that first trip to my home in Savannah, and as they say, the rest is history. He attended all the Mackey auctions and purchased many of the best birds offered. He often called me from the old Craigville Motel excited about a new discovery.
For several decades we slogged through mud and cold rain and enjoyed many beautiful sunrises together. The most excited I ever saw him was when I called in his first wild turkey, but he said that the day he married Peggy even topped that.
He loved to eat wild game and being born a Cajun, if it had a kick to it, so much the better. Martha prepared many a canvasback and wood duck his favorites for us. After dinner we would repair to the den with a roaring fire and a brandy or three.
Pete would always bring down his latest two or three purchases which would be placed on the coffee table. I can still remember that stream of expletives. Muller was not a man to delve into any sport, hobby, or interest, without pursuing its history to the most minute detail. He studied the intricacies of paint and carving techniques by decoy craftsmen whose birds he collected and everyone respected his opinion on a given bird or a piece of antique nature art.
His favorite decoy was a Harry V. Shourds oldsquaw, but it was hard to get him to pick one as he loved them all. He had a special fondness for Virginia birds that he and I shared, and in later years he turned most of his attention to Stevens decoys.
Through almost half a century, Pete put together one of the finest decoy collections in the country. But much more than that, he was a friend and mentor to so many of us who enjoy the hunting, folk art, and the historical context that the hobby provides. We are much better because Peter was here. A hollow premier-grade decoy which was never rigged and retains its exceptional strong swirl paint. The carving retains the Mackey ink stamp on the underside.
Excellent original paint with light wear. Mackey Jr. Collection Dr. Bourne Co. An early premier-grade blue-winged teal pair with snakey head form.
The underside of each is marked with the Mackey ink stamp. In original paint with even gunning wear, traces of touch-up to each bill, and minimal fill to three shot scars on hen. Richard A. Henry A. Fleckenstein, Jr. Elisha Burr was a master of capturing the postures of live birds and many of his works were carved in animated poses with complex wing and tail treatments. This vivacious carving has glass eyes set under crisp brows.
Both Mackey and Colio chose to feature this pinnacle work in their respective books. Outstanding original paint with light gunning wear. William J. Boyd Seabrook, NH, c. Excellent original paint with minimal wear. Most were carved in a conventional pose, so those few yellowlegs and plover in feeding postures are sought with special avidity One celebrated comparable can be found in the pages of William J.
The elegant clean design displays a deep feeding pose that perfectly captures the probing nature of the species. Verity aficionados will recognize that the Verity wing carving is worthy of special attention.
This inspired example flips these elements with a sharp V-cut in the front and perfectly executed arcs at the wing tips. Like carving masters A. Elmer Crowell and Fred Nichols of Massachusetts, this Long Island maker appears to be executing astute adjustments for the special deep feeding posture. The placement of the sharp V-incision on the side of the bird serves as a perfect contrast to the round and sweeping lines that otherwise dominate the pattern.
This rare, and perhaps unique, example is among the finest decoys to survive the intense hunting conditions of the famous sporting destination. This Seaford jewel is among the finest red knot decoys from any region. Original paint with even gunning wear, some gunning touch-up to feathering and breast, replaced bill.
Collection, acquired at William. Fleckenstein Jr. A full-bodied little decoy with classic S-curve wings and V-cut wing tips. The bird is painted with tight stippling from tip to tail. Excellent original paint with minimal gunning wear and some touch-up to left side of neck. Russell A. A plump pair of tucked-head black-bellied plover. One displays the Mackey Collection stamp on the underside. Years later, Dr. Muller was able to hunt down a rigmate and reunite them as a distinctive pair.
Original paint with even gunning wear. Collection, Mackey-stamped bird only Dr. Collection, Mackey-stamped bird acquired from the sale of the above, Unstamped bird acquired from Collectable Old Decoys.
A grand Verity family black-bellied plover in a forwardreaching pose. Collection Ray Egan Collection Dr. Collection, acquired from the above, c. The underside is marked with the Mackey Collection ink stamp. Excellent original paint with minimal gunning wear. Horner captured the essence of a swimming goose, leaving only that which he felt was necessary to create an impression of the real bird.
Perhaps the most forward-reaching Horner Canada goose known, this elegant carving was meticulously hollowed to its feather-light state. The underside also bears the Philadelphia Wildfowl Exposition ink stamp. Excellent original paint with light gunning wear, a reset neck crack, and touch-up to a chip under bill tip.
James R. McCleery, M. This problem quickly resolves itself when we recall that the Cobbs were Yankees in a new home and simply reverted to the style of decoys made in Massachusetts Perhaps the Cobbs had previous skill in boatbuilding; at any rate, they were determined to produce the best decoys possible, and their work excellently served the needs of both the 19th-century hunter and the modern collector.
Nathan Cobb Sr. This is the only known photograph of Nathan Sr. The shotgun is a double barrel eight gauge with rabbit ears. This lot and the following lot, the Cobb feeding curlew, are among the very few true Nathan Cobb Jr. The ever-creative Nathan Cobb Jr.
Among his songless flock, the arched neck of this design, which simulates a brant feeding on eel grass, is virtually unknown. The Cobb family possessed a special relationship with the Atlantic brant. This unique connection can be seen through multiple perspectives, including the writings of 19th-century hunters, their observations of Nathan Cobb Sr.
More telling still is Nathan Cobb Sr. Elmer Crowell who leveraged his game-keeping abilities to carve wooden creations of the fowl he knew so intimately.
The remaining painted sculptures are representative of the close connection Nathan had to this species which served as his muse. Though he carved dozens of the species, there are several gunning blocks that shine above the rest, among them: The Mackey-Figge-Jones swimmer which holds the distinction as the top-selling brant decoy of all-time , The Cobb Family brant which set the world record for a brant at auction in , The Mackey-Griffith-Kirson hisser, The Bull swimmer, and this Mackey-Muller feeder.
Beyond the waters of the Old Dominion, they rest alongside the most desirable decoys by any maker. One of the few comparables is pictured on the cover of the Richard A.
Bourne auction catalog that featured the Roy. Seizing upon their head start in the s and their Eastern Shore of Virginia location, they acquired numerous masterworks, including the two iconic Ira Hudson hooded merganser pairs. Bourne auction catalog. Legendary Southern decoy collector and specialist William H. Brave words--but let the decoy speak for itself. The hand-hollowed bird features an inletted root-head, well-defined full cheek carving, and inset German glass eyes within deep eye grooves.
Revealing impeccable provenance, the bird was used in the gunning rig of Nathan Jr. The underside also bears the ink stamp of William J. In the first session of the Mackey sales, Ray Egan acquired this decoy, subsequently selling it to Dr.
This decoy can be seen front and center on the first page of the exhibition catalog. The refined and unique feeding form, exceptional paint surface, sporting history, and all-star provenance of this MackeyMuller standout place it not only among the finest brant by any maker, but in the ranks of the greatest 19th-century American vernacular sculpture.
Exceptional and dry original paint with even gunning wear, some paint loss to original age line along left side, chipping to back of neck seam, head is slightly loose. Cobb Rig William J. Collection Ray Egan Collection, acquired Dr. II, p. Bourne, Inc. Sam Dyke, et al. Loy S. Harrell Jr. Joe Engers, ed. President Ford steps briskly along the flight deck of the aircraft carrier Forrestal, the host ship for Operation Sail.
With Ford are Adm. Even his Hudsonian Curlews seemed to run, feed, and walk. Cobb Jr. The family brought with them Massachusetts decoy concepts, including German bead-glass eyes and the refined split-tail carving style adopted by Lothrop Holmes, A. Elmer Crowell, and Joseph Lincoln. Over time, the Cobbs evolved this style into one of their own with robust elements and their signature ridged backs. A well-balanced decoy, this curlew exhibits pleasing proportions with a gracefully rounded head, thin neck, full cheeks, and a plump body that resolves with a precise Cobb Island tail cut.
The underside is marked with Nathan Jr. This decoy can be traced back to the collection of the Honorable J. Middendorf, a celebrated early decoy collector, served as the 62nd United States Secretary of the Navy. Cobb curlews in any pose are highly sought after, and the running models have been among the most coveted.
The rarity of this animated decoy can not be overstated; according to Southern decoy specialist William H. Purnell Jr. Dezeen Awards is now accepting entries! Enter before 31 March to take advantage of discounted early entry fees. Dezeen Awards will open for entries on 2 February, with the discounted early-entry period running until 31 March.
Enter your project or studio from next week on and sign up to the Dezeen Awards newsletter to receive more information!
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