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best-rap-80s-songs-jacket Посмотри список топ-исполнителей 80s rap, чтобы найти новую музыку. Отслеживай песни и получай рекомендации музыки, которая тебе понравится.  Исполнители 80s Rap. Grandmaster Flash. слушателей. Джозефф Седдлер родился на Барбадосе 1 января года. Через некоторое время его семья переехал В Нью-Йорк и поселился в знаменитом и Надоела реклама? Стань подписчиком. MC Hammer. слушателей. Скачать Hits Of The 80S в mp3 бесплатно онлайн одним файлом на музыкальном портале Musify. Hits Of The 80S - Wham! - слушать песни для настроения в высоком качестве без регистрации. Скачивай любимый сборник и наслаждайся!. The 80s is often referred to as the 'golden age of hip-hop' and it's not hard to see why. Here's a run down of some of the biggest names in 80s rap music.  He released an album a year throughout most of the 80s, including the popular Best Rapper On The Scene (). As well as a stellar music career, Blow produced some of the most successful rappers of the decade, including the legendary Run DMC (Run was initially billed as ‘The Sons of Kurtis Blow’). Blow is now an ordained minister and founded The Hip Hop Church of Harlem. As the theme song to pivotal 80s teen drama The Breakfast Clubit found its deeper meaning within the story lines of the disenfranchised youngsters in the flick. Theme music for any revolution. A modern masterpiece. There's a certain magic to this song that I don't want to hacket by trying to dissect the ingredients. Miss those times.

Ak's code of ethics is simple: If it makes Bob Marley turn in his grave, don't do it. Eminem's songwriting prowess is part of what made him one of the premier MCs of the s. Em instructs you to "lose yourself in the moment," while the beat motivates you to move your feet. Perfect for a mid-tempo workout session. Strong songwriting and instrumentation as well as respect for influences.

In other words, pure joy crystallized into an impossibly catchy dance cut. Musically accessible, but no less intriguing than "Ether. This will probably go down as the greatest challenge ever posed in a head-butting contest.

Nas' esoteric yet wittily ferocious response to Jay-Z's "Takeover" helped clinch his victory in the battle for New York supremacy. It's undoubtedly one of the greatest diss songs in the history of hip-hop. Theme music for any revolution. Too many songs on Fishscale either veered too far left of Wu mantra or stuck too close to home.

Few newbies ever get an opportunity to split a single with a big enchilada. When Kanye used the chart-topping "Touch the Sky" as a vehicle to ferry Lupe Fiasco to the big scene, Lupe seized the opportunity and gave one of the most memorable guest performances of the decade.

No punching bags, either. Just Eminem defending his sheer existence as an unapologetic, foul-mouthed, lyrically-equipped artist who can't stand boy bands. Dre concoction from his debut album, Get Rich or Die Tryin'. The song that had college kids chanting "Go shawty, it's your birthday" regardless of what day or month it was.

Aasim is not a household name, but he should be. His flow on "Hip-Hop " is crispier than vanilla wafers. His rhymes are sharper than a Samurai ginsu. The beat, courtesy of the late great Roc Raida, will have you reaching for Bengay from too much head bobbing. Among the greatest rap songs of all time.

While everyone else was preoccupied with the next big bassline, Andre kept it simple. The ingredient for this runaway smash? One mindless phrase repeated over and over and over and over until it becomes irresistible. Weezy goes on a free-verse rampage, rambling about everything under the sun.

But you simply can't turn it off because his flow is so damn infectious. Missy quickly became a favorite in the s on the strength of her progressive production and innovative videos.

It combines disparate elements that have no business being in the same pot together: Indian strings, tribal drums, Chinese gibberish. The result is a cohesive gem that sent ripples across the airwaves. A dense soundscape of shimmering piano licks over a classic breakbeat and thumping bass is the recipe for an instant banger. Hey hip-hop, your future is in safe hands.

How many artists can claim to have placed their hood on the map with just one single? The H-Town triumvirate of Mike, Slim, and Paul should be somewhere near the top of that list for spearheading Houston's momentary chokehold on hip-hop.

Mash Out Posse came out the door with a loud bang and sustained that intensity throughout the s. In this corner wearing green trunks, representing Detroit, Royce da 5'9"! Though Big Boi and Raekwon dropped some memorable lines here, you'll remember 3K's verse even after "Royal Rush" has pumped out its last note. Then you hit the repeat button.

This jam about survival helped Kweli make the transition from member of a dynamic duo to a strong solo artist. We may never know exactly how much of this song was 50's idea, but one thing is certain: "Hate It Or Love It" is a winner. Too bad, 50 doesn't craft hooks like this anymore.

Most impressive is how seamless Kanye 's social commentary and Shirley Bassey's extolling of diamonds mesh.

Ahh, the good ol' days when every rap single posed a question to the listener. What you know about that? A bouncy anthem simultaneously showcasing DP's versatility and underlining their commitment to activism. Two revered groups merge forces for the first time and yield a pulverizing hip-hop moment. From the goofy concept to the way the beat is tailor-made to suit each artist, "Int'l Players Anthem" is flawless. It doesn't matter if you're a backpacker, a purist, or a southern rap Best Rap Songs 80s And 90s You aficionado, this is one anthem you won't forget anytime soon.

The pared downbeat and thumping bass made this a solid club banger and one of the strongest singles of the s. One of Nas' finest moments. West demonstrated that a rap song could marry the mainstream to the Messiah and make it both sonically dynamic and commercially Best Rap Songs 80s And 90s Ed viable. Dido's ethereal crooning adds more soot to the tale. It's impossible to fully appreciate the genius of this concert favorite until you've seen hip-hop fans leap up in excitement as Jay-Z delves into an exercise in lyricism.

It was musical irrigation to our souls the first time it washed over the summer airwaves. They couldn't have foreseen the emergence of Vuvuzelas or Octomom's prominence, but they had everything else covered on "B. Bombs over Baghdad " The gulf war, political imbalance, and global warming never sounded so good. A frenetic drum blast supplies the backdrop while the chorus gets its riveting effect from a group of children now old enough to enlist in the military.

Few songs from the era are so rich and perfect. As the s turned in the s, punks and rockers and there was a difference then both became enamored with the sounds coming out of New York City. Even the Stones went disco and dabbled with rap. No guitar act better assimilated hip-hop than the Clash, probably because they had so much practice sponging up dub. It wasn't just a souped-up DeLorean that safely spirited Back to the Future 's Marty McFly home to the '80s: He was also aided by this ditty from harmonica-blowing everydad Huey Lewis, who penned the song for the blockbuster's soundtrack.

It's about as sappy as they come, but Baby Huey smartly slips in a line about how love doesn't require a credit card, which, as anyone who's gone on a date in the past 50 years can tell you, is totally bull. But it's a sweet thought. Maybe not surprising, coming from a band named after an amphetamine, but the U. The lyrics, about songwriter Kevin Rowland's youth as a sexually repressed Catholic kid, verge on dirty while remaining innocuous enough for your work-party karaoke sing-along.

Fine Young Cannibals were so much weirder and cooler than you remember. The trio, a splinter from the English Beat, had its roots in ska, but over two albums chiseled a new pop sound that would echo onward from Massive Attack to TV on the Radio. But you could still smash faces at the roller rink to it.

In this opening cut, big sloppy washes of distorted guitar crashes over a rigid drum machine, as Roland Gift lifts it to the sky with his helium falsetto. The lyrics pour out in a nervy jumble of apocalyptic imagery, military danger and mass-media frenzy, with pointed name-drops of pop-culture figures Lenny Bruce, Leonid Brezhnev, Leonard Bernstein and Lester Bangs united only by their initials.

But its cut-through-the-chaos message still connects with anyone aiming to clear out a polluted stream of consciousness. Oh, that ill-fated bassline. Before Vanilla Ice famously ripped off, er, was inspired by the work of Queen bassist John Deacon, that subtle, infectious plucking heralded the meeting of two wildly influential rock icons.

Considering the titanic forces at work in this tune, it's relatively understated, but it does ultimately climb to the sparkling heights that both Bowie and Mercury inhabited with such ease. As critics continued to peg rap as a passing novelty, this big, lisping teddy bear from Long Island thumbed his nose at such stuck-up stupidity.

His records were as much comedy albums and demonstrations of sampling as pretentious works of art, which made them even greater works of art. Eventually, he had the shit sued out of him, and hip-hop was forever changed.

Has a drum introduction ever sounded this big? This platinum-certified single is essentially Australia's unofficial national anthem, incorporating country pride, lots of local slang "fried-out Kombi," "head full of zombie" and even the tune of a popular Aussie children's song, "Kookaburra," for the flute part.

Insanely popular in its home country, the song also made waves internationally, shifting millions of copies and becoming an instant karaoke classic. We'll still pass on that Vegemite sandwich, though, thanks. By this point, you know where you stand on this one: You hear Jonathan Cain's piano intro, and you either swell up with joy or wince in pain.

Whatever your take, you're about to get flattened by an emotional steamroller: four minutes of undiluted underdog yearning and a portrait of anonymous lost souls praying for luck and love on the streets of nonexistent South Detroit, starring Steve Perry's scarily, swoopingly elastic voice.

This song represents the apex of scream-along arena-scale pop-rock. When it came to hair and emotion, bigger was always better. Turning jaunty Motown influences into icy synth pop may sound like sacrilege, but that's exactly what English duo Soft Cell did when it covered Gloria Jones's funky stomper in This is longing on a supernatural scale, and Tyler holds her own against the thundering arrangement as she roars out some of the least quiet desperation ever known to pop music.

If you're in an '80s cover band and you're not playing this song on a nightly basis—well, there's just absolutely no way you're not. Of all of the iconic guitar riffs on this list, the opening line from "Sweet Child o' Mine" takes the air-splitting cake. The third single from Guns N' Roses' shining debut, 's Appetite for Destruction , it was the band's first and only number one single.

More than three decades on, it never fails to make us sing our fool hearts out on the dance floor. You could be forgiven for thinking Janet Jackson appeared as a fully-formed superstar, but in actuality her first two albums were met with mixed reviews and achieved only modest success.

Catchier than a flytrap, more sordid than your craziest night out, Rick James hit the summit of his career with the wild funk of "Super Freak. Even that sampling by MC Hammer can't diminish its greatness. Can you imagine Christmas without it? In which The Dame reaffirmed his chameleonic superpowers and turned into a New Romantic just in time to make it look as if he was inventing New Romanticism which of course he did, years earlier , even co-opting scenester Steve Strange to appear in the video.

Who left the kettle on? It builds and builds until you can take no more. It floats like a butterfly, hovers like a ghost and really narked Guthrie off because it got so much more radio play than any Cocteaus track. Everyone saw sense soon enough and this pumping, hollering groove topped charts all over the globe.

Quite a lot, but you get the idea. Only Neil Tennant could wedge his tongue so far in his cheek to set a rousing defiance of his Catholic upbringing to hi-NRG opera. You cheer him on all the more. Where it all got going. It introduced us to a chap with NHS specs, a superfluous hearing aid and a way with words not heard in British pop since — ooh — Ray Davies? Alongside Moz, Johnny Marr invents the indie jangle and drops metal knives on his Telecaster.

This is Phil talking, and he believes what the old man said. Featuring a fistful of samples, this pivotal rap tune would be the foundation of a number of soul numbers including tracks from Soul II Soul and Enigma. A shiny bauble of pure pop goodness from the fab four. A goth love song? What next? Punk survivor Cherry sounded effortlessly in control as she rapped about her crew based on the very real Buffalo crew , making the listener feel totally part of her world.

And what a chorus. A slice of Freudian autography, the deceptively simple music was played by the man himself. More than a pop song, this was a brilliant piece of art-as-social-comment. Talking Heads and Brian Eno created this most postmodern of tracks. But combining it with a gigantic gospel-tinged chorus the world could sing along to? That was the real master-stroke. The result was indie gold. It eerily prefigured the future.

Whatever you thought of the fashion, the 80s fuelled some absolute bangers.

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